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Winter 2008 Issue

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Welcome to the Winter 2008 Issue of Mirror Dance!

In this issue…

• Flash Fiction by James Lecky, Sandra V. Dias, Liza Granville, Erin Kinch and Alex Moisi

• Poetry by Greg Schwartz, Janie Hofmann, Aurelio Rico Lopez III, and Diane Height

Feel free to leave comments on the individual pieces.

Mirror Dance welcomes letters to the editor! Questions, suggestions for the website, and comments on the stories and poems may be e-mailed to markenberg at yahoo.com.

We are now open for submissions to our Spring and Summer 2009 issues. Please see our Submission Guidelines for details.

The Fearsome Knight and the LIttle Dragon: A Fairytale

The Fearsome Knight and the Little Dragon: A Fairytale
by James Lecky

Fearsome Knight / Little Dragon


Once there was a knight named Guy de Rosillion (Guy pronounced ‘Ghee’, since he was French) who was regarded both by himself and by those around him as the fiercest warrior in the land. Guy had inherited both his fierceness and reputation from his father, Adrien of Rosillion, who had in turn inherited it from his father, Zacharie of Rosillion, who had in turn… and so forth…

Wherever he went, men trembled, women swooned and small boys ran and hid behind their mother’s skirts, while secretly making promises to themselves that, one day, they too would be so feared and so respected.

In fact, Guy de Rosillion was so feared and so respected that never once in his life had he been forced to draw his sword in anger – one glance from those steely blue eyes was enough to set the worst of ruffians to his heels and not even the most courageous of his fellow knights was prepared maintain eye contact let alone cross blades with him.

Now, it happened that, one day, a dragon arrived in the countryside surrounding Rosillion. It was not a big dragon, as dragons go - being only the size of a decent elephant - but it was true to its nature - as dragons are – taking away sheep, goats, cattle and occasionally placing damsels in distress.

So terrible was the dragon that, despite its reduced stature (in dragon terms) one glance from its smouldering eyes was enough cause anyone who saw it to flee in abject terror.

“Who will rid us of this troublesome beast?” cried the good citizens of Rosillion. (An English King, who happened to be passing, misheard their words as ‘turbulent priest’ and many years later he… but that’s another story)

“You are the best and fiercest warrior in the land,” the citizens said to Guy, “ride forth and slay this beast.”

Guy agreed and, together with his squire (a young man whose name has since been forgotten) rode out of the city gates one fine spring morning.

His armour was polished, his sword sharp and his steely glint cowed all those who were foolish enough to look directly into his eyes.

“Fear not,” he said as he rode away. “The dragon will be slain by sunset.”

It is well known that dragons pay little attention to the affairs of men – much less, certainly, than men pay to the affairs of dragons – so that when the dragon saw Guy in all his polished splendour it did not tremble, swoon, take to its heels or, in fact, do anything that was expected of it, being totally unaware of Guy’s fearsome reputation.

Similarly, and most puzzlingly to the dragon, Guy did not flee in terror - abject or otherwise – since he was fiercest warrior in the land and the son and heir of Adrien de Rosillion, grandson of Zacharie de Rosillion… and so forth…

Instead, the knight dismounted from his horse and fixed the dragon with his steely glare. And in turn, the dragon ambled towards him and fixed Guy de Rossilion with its smouldering gaze.

“No creature can withstand my stare,” thought Guy and glared even harder than before.

“One glance and he will run like a frightened mouse,” thought the dragon (although this is a very rough translation from Dragonesque) and glared even harder.

And as the squire watched from a conveniently safe distance behind a conveniently safe rock, something wondrous and utterly unexpected happened.

Like the irresistible force and the immovable object, Guy and the little dragon simply cancelled one another out. They stood and stared, eyeball-to-eyeball, neither one moving or, indeed, capable of movement.

After an hour or so, the squire slipped away and informed the good citizens of Rosillion of what had happened.

“A triumph!” said some. “The dragon is vanquished!”

“A tragedy!” said others. “Guy is vanquished!”

In the end, they were unable to decide if this turn of events was to be celebrated or mourned (although, since they no longer had to concern themselves either the dragon or Guy, a slim majority thought the whole thing was for the best) and so the incident was discreetly forgotten about.

Guy and the dragon continued to stare and - I am reliably informed - remain there to this very day, though Guy de Rosillion’s armour is less bright than it once was, sparrows have a tendency to nest on his shoulders and head and the scales of the little dragon are covered with moss, ivy, creeping buttercup and various other hardy perennials

So, if circumstance should take you to Rosillion and the countryside around it (the city still exists, somewhere just beyond the corner of one’s eye) and you should see a dragon and a knight locked in a staring contest, for pity’s sake do not be tempted to try and break their stalemate.

They would not thank you for it.

And neither, I believe, would anyone else.

* * *


James Lecky is a theatre actor and director from Northern Ireland. Most recently, his work has appeared in Everyday Fiction and the Aeon Press anthology Emerald Eye. He lives with his wife, his cat and is sickeningly content.

What do you think is the most important part of a fantasy story?

I think what fantasy tries to do - and for that matter all fiction - is to transport the reader, however briefly, into a different world and it is those different worlds and the characters that inhabit them that attract us to fantasy.

Haiku

Haiku
by Greg Schwartz

2Haiku


elven soldiers
marching through the woods
falling leaves

* * *


two dwarves
haggle over the price of something
the elf just stole

* * *


Greg Schwartz is the staff cartoonist for SP Quill Magazine. He is a member of the Haiku Society of America, the Horror Writers Association, and the Science Fiction Poetry Association. Some of his poems have recently appeared in Talebones, Illumen, and Modern Haiku.

What do you think is the attraction of the fantasy genre?

I think the attraction of the fantasy genre is escape. Just like going to the movies, it's a great way to get away from the normal everyday problems and situations, and lose yourself in something completely new and foreign.

The Cackle of an Old Crone

The Cackle of an Old Crone
by Sandra V. Dias

Cackle of an Old Crone


The first time Eleth practiced magic and brought down disaster, like accidentally disrobing a whole town, the people had laughed about it for days. Once they got over their sense of modesty, that is.

Accidentally bringing a drought upon them was not as funny, judging from the glares and occasional muttered insults people threw at her as she passed. Turns out dying crops and the imminent threat of starvation was no laughing matter.

“Why’d you do it?” the blacksmith asked as she slinked past, head drooping and shoulders hunched.

Eleth threw him a sheepish expression. “I didn’t mean to. It was an accident.”

“You know you’re not supposed to do magic.”

Immediately the cloud that floated over her head at the mention of her ban on using magic appeared, earning a wistful sigh from rain-starved observers.

“But it chafes, Sern. I can feel it bubbling inside me. I’m the only one in town who isn’t allowed!”

He shook his head. “Well, now you’ve brought about the end of us all! Just so you wouldn’t get an itch!”

“If I could use my magic one more time, I know I could fix it.”

“NO!” everyone around her shouted, from the baker’s wife to Sern. Even Sern’s dog howled at her words.

Eleth turned away. That was it, then. The town was doomed.

“What were you trying to do anyway, Eleth? There has to be a good reason.”

Of all the people she wanted to witness this, Weimm was not one of them. The town’s heartthrob, Eleth was sure she’d been in love with him since the day she could mispronounce his name, even before she’d learned “mama.”

A blush stained her cheeks. She couldn’t very well tell Weimm, who was even being considered for an apprenticeship with the King’s Head Mage, that she’d tried imbuing a faulty love spell with her own magic. A spell meant for him.

How was she to know the old crone in the distant cottage with the missing teeth and whispered rumors of dark magic wasn’t precisely authentic?

Eleth’s mother used to threaten her with the old crone when she wouldn’t behave. The old crone made it easy when she wore dilapidated robes that always smelled of garlic and sported a giant wart that was whispered to be fake. The seamstress told everyone at the pub she saw it fall off once and the old crone press it back on.

Genuine wart or not, she’d seemed capable of helping Eleth. She could still remember the old crone’s instructions.

“Just recite the spell under your breath, say his name three times, and press a kiss to his lips.”

“Oh, just that? All I have to do is hit him over the head hard enough to befuddle him so I can kiss him. By a blacksmith’s steel, if I could kiss him now, why would I be here?”

The old crone had only smiled wisely. “You’ll manage. I have confidence in you.”

Any fuzzy feelings from her declaration were quickly dashed when she added, “Hand over the coins.”

Maybe it wouldn’t have gone so horribly wrong if she’d kissed his mouth instead of his chin. But then, who knew pretending to be drunk to stagger into his lips wouldn’t really work? Or that it would earn her the reputation of being the town drunk? Well, one of the town’s drunks.

She was startled out of her reverie by a polite cough from Weimm.

“Um, I swear it was the wart! It mesmerized me!”

“What?”

“I mean, I was trying to make the rain fall sooner so we’d have more plentiful crops?” Her words fell into the pitch of a question at the end.

Weimm frowned at her. “I’m not sure I entirely believe you, Eleth.” He stepped uncomfortably close and made his voice lower so that it was intended for her ears only, despite the avidly watching crowd. “What really happened?”

“I tried a love spell on you.”

“Seriously, Eleth, this is not the time for jokes.”

He was close enough that she could see the gray flecks in his blue eyes.

“Ok, the truth. Ready?” A nod from him. “Right. I tried a love spell on you.”

“Eleth!”

“Weimm!”

“You’re serious, aren’t you?”

“As a drought.”

He reeled back, stunned. Eleth found she couldn’t breathe anymore. Would suffocation be less unpleasant than slow starvation?

“Why would you do that?” His voice was soft.

Eleth let her breathe out in a whoosh. “I-I just did, okay? I guess I like you or something. Or maybe, maybe it was an evil plot against the town. Yeah, that was it! You’re not going to send me to the King’s dungeon, are you?”

Weimm sighed. “You’re the village idiot.”

Eleth bristled. “And you’re crueler than the dungeon guards. Never mind, why would I like you anyway? Just because you’re nice, talented, and ridiculously attractive is no foundation for an infatuation.”

His shoulders were shaking. She’d made him cry? Instant remorse squeezed her stomach.

“I didn’t mean it, Weimm!”

When his chuckles reached an audible level, Eleth gasped. “Why are you laughing?”

One moment she was a short distance from him, and the next he’d pulled her into a tight hug. “Oh, Eleth, you’re so dense sometimes.”

“Okay, okay, I get it. Not the sharpest tool in the blacksmith’s shop.”

He pulled back enough to look down at her face. “You’re so silly, Eleth. I’ve loved you since I could say your name. Or really ‘Reth.’ Never mind, the point is, we belong together, and you never needed a spell.”

Eleth gaped at him. “Reslg.”

“What’s that?”

“Sorry, lost my ability for speech. Back now. I meant, ‘Really?’”

In response he pressed his lips against hers. She melted against him, almost missing the cool rain that touched her heated cheeks.

They broke the kiss, staring up at the sky in shock as rain poured down on them. In the distance, Eleth would swear she heard the cackle of an old crone.

* * *


Sandra V. Dias started writing when she was a little girl and learned how to spell her name, though she hopes her writing has improved since then. She lives in Texas with her ridiculously adorable giant lab. When she's not writing, she reads obsessively, plays with her dog, works, draws, daydreams, and dances.

What inspires you to write and keep writing?

I'm in love with stories, whether it's in books or movies, so writing immerses me in a story in which I can control what happens. If my characters behave and don't take the story elsewhere, that is. Writing is my own personal entertainment system, and actually better than a big screen TV!

Legend of the Tauteval

Legend of the Tauteval
by Janie Hofmann

Legend of the Tauteval


The sharpened bones sulked
in the burial pit as the foothills
boasted green valleys of tender
roots, berries and wild sage.

The great beasts, their rough fur
dripping musk and sweat,
grazed, ripped mouthfuls
of sweet grass damp

from two nights of hail.
The warriors readied
for the hunt, smelling
of pitch, smoke and mud,

tossing handfuls of lopped
off hair into the fire
that cackled back
at their precise chants.

It was the time of the ice,
the great sea beyond
the craggy mountains
bathing in a frozen fog

that drove its fingertips
into their burial caves.
For now their feet
ground into the dirt

like burrowing rats.
This was the death
stomp, the prayer
to keep the hills

soft, warm and green
so as to remain
for that little while
longer, in the fertile
valleys of the beasts.

* * *


Janie Hofmann loves her cat, bird and fish and lots of espresso. Her work has appeared in over thirty journals, including Aoife's Kiss, Astropoetica and Scifaikuest, and she has work coming out in Tales of the Talisman and Illumen.

What is the most important part of a fantasy story?

The most important part of the fantasy story is that element of macabre, gothic or surrealism that takes both author and reader into wild dark worlds.

The Gorilla Stone

The Gorilla Stone
Liza Granville

Gorilla Stone


Tiffney lay on her stomach trying to net minnows in one foot of an old pair of tights. It was useless. The fish stayed one quicksilver sharp about-turn ahead. They saw her skinny shadow fall across the water. They heard her hunger growl. Wasn’t the end of the world though: she’d caught a frog, found snake eggs, and two wood pigeons - out of reach among the strangling ivy - cooed everlasting love that might mean a nest later. Jack would be pleased. He’d call her his little wench.

No, it wasn’t the end of the world. Not yet.

Braving the thistles chewing the five-barred gate, Tiffney climbed the hill, glancing eastwards to gauge whether the thick yellow-black cloud had crept any nearer. Jack said it was inevitable. Auntie agreed. It was only a matter of time now. Every day was spent stockpiling for whatever lay ahead. Or moving scant supplies from one hiding-place to a better one; preparing defences against the starving hordes who’d come streaming out of the cities. That was why they let her run wild, in the orchard with its few wizened apples (each with a little rag hammock to save it from bruising if it fell), through the dank, dark woods where spread sacks covered the ground beneath every beech and hazel, over the bleached meadows sprouting a fine harvest of flints between the sparse wheat. But no further.

Things were changing. The rhythm had gone. Nothing was sure. Septic fungi boiled from the cracked earth. There was precious little to eat. The dead left quickly, with sighs of gratitude, no longer leaving even the palest glimmer of regret.

“We’re the ghosts now,” said Auntie, catching sight of herself in the looking-glass. She’d laughed. But later the darkness shuddered with the harsh racking of hopeless tears.

Remembering those sounds, Tiffney began searching for a gift, eyes raking the pale grass for a dandelion’s fierce yellow sunburst, or a crow’s feather that, twirled between the fingers, would turn purple, bottle, navy. Auntie was easy to please. Today, Tiffney found nothing. Not even a humbug-striped snail shell.

Zigzagging down towards the cottage, she stopped to poke the powdery clay around the Gorilla Stone. There was nothing remotely ape-like about the tall stone column. Slate-grey and regal, crusted with pewter lichen, it surveyed their valley with an air that spoke of ownership rather than inferiority. And anyway, gorillas were vegetarian. But Tiffney once watched a programme about silverbacks and, seeing the colour, thought that was how the stone got its name. Auntie had been half-amused, half-annoyed.

Gwyliwr, not gorilla, you silly girl. Duw! Whatever was your Mam thinking of, keeping you ignorant of your own language?”

“What’s a goolier then?”


Gwyliwr. A look-out, a watchman, in the Welsh.”

“A sentinel,” said Jack.

“Like the old sentries at Buckingham Palace? What’s it guarding then?”

“Ah, now,” Jack scratched his head, looking to the ceiling for inspiration. “Once upon a time that there stone was a wicked miser. See, his house caught on fire and instead of rescuing his family like any decent man, he upped and made off with his money, leaving them to burn in their beds. Now he’s got to stand there for all eternity. And that cleft down his middle is where his father-in-law heard what he’d done and come after him with a great axe. Split him brain-pan to arse-backwards, didn’t he?”

“Don’t fill the child’s head with nonsense,” said Auntie, shaking her head to show it wasn’t true.

But Tiffney still dreamed of unearthing bags of gold. Time was on her side. First the grass withered and died. More of the surrounding clay was carried away each day by the wind leaving the stone a huge double molar anchored in receding gums. Gradually its roots were laid bare and the gap was widening. There was no sign of treasure yet.

She was careful not to venture too near. Jack carried on something terrible when the last sheep disappeared, swearing blind it was Saesneg poachers, swarming over Offa’s Dyke – as they’d done since Norman times - looking for women and livestock. Tiffney knew better - didn’t matter that nobody believed her - she’d seen what she’d seen. The stone had eaten them alive.

Some woody blackberries proved enough to put Auntie in a good mood. After their scant supper, Jack built a fire, last remaining luxury. Flames leapt up the huge chimney, staving off fear of tomorrow with their fierce show of life. Even the roaring wind circling the walls like the Cwn Annwn, the Hellhounds, snapping at their own tails, faded as Tiffney snuggled close, swallowing whole Auntie’s stories of the Tylwyth Teg, the Fair Family - not flimsy little bits of things with flower hats and gossamer wings, but tall beings dressed in white who came from another place.

“Once they came and went as they pleased, the fairy women who married Welsh men and gave their children the gift of singing and poetry. But people misused the land. Now they come no more.”

“But where did they come from?” Tiffney demanded.

“Fairyland, of course.”

“And is it nice there?”

“Nice?” Jack leaned back, closing his eyes. “I’ll say. Days are spent dancing and nights feasting. The trees weighed down with delicious fruits, some tasting of whisky, others of mead. As much bread as you can eat. With butter thick as you like. Fat cattle roaming free over thick green pasture. And pigs. And peacocks. Every night folk kill and roast them, but come morning the bones leap up and the creatures come alive again.”

“But how d’you get there? Where’s the way in?”

“Ah, cariad, if only we knew. Through spaces between this moment and the next. Through spaces inside spaces. By way of places seen only from the corner of an eye. They’re not called the Hidden Lands for nothing.” Auntie sighed and stroked Tiffney’s hair. “Tydi hi’n ddel? Isn’t she pretty?”

“Spitting image of you,” Jack said, gallantly.

Auntie flashed him a rare smile. “Ah, get on with you, drwg old liar.” But her eyes were full of love.

Tiffney stared into the glowing palaces and ember caves beneath the smouldering logs. Where was the space between this moment and the next? It didn’t exist. This moment was already the next. Spaces inside spaces? How could you see them?

She dozed and woke to find herself lying in her bed under the eaves. It was still dark. The cottage’s timber frame flinched and trembled before the force of the wind which came in bursts, savage at first, gradually weakening, like ripples on a pond disturbed by a series of lobbed rocks. Pulling the quilts over her head, Tiffney fell in and out of sleep as she tried solving Auntie’s riddle. Space within a space? Her thoughts constantly returned to that morning when she’d stood on the hill looking down on their sheep, clustered around the Gorilla Stone, staring as if mesmerised. Had she imagined the flash of emerald at its heart? Had she dreamed the calm way in which, one after another, the sheep eased their woolly backsides through the gap? Space within a space… if this was a door to an other place then it was slowly opening.

Downstairs, Auntie and Jack sat holding hands by the dead fire. They neither moved nor spoke. Last night’s fierce easterlies had brought death clouds boiling in to sit like a lid on the cauldron valley. The world had turned monochrome. The air was thick and heavy: short of oxygen. Her sinuses ached. A foul taste collected at the back of her throat. Every movement was an effort.

Clutching a bare hazel wand, Tiffney stumbled up the owl-light banks. Overnight, more earth had been eroded. The Gwyliwr had opened its great arms into a ninety-degree ‘V’, but already its granite edges were crumbling like manky timber. Turning her head quickly, this way and that, Tiffney thought she caught glimpses of of swift bright flashes that might be birds or butterflies but looked at full face, the split stone framed only the cottage crouching wounded on the shadowed valley floor. She tentatively pushed forward the twig. Its tip pierced nothingness and disappeared, but the whole remaining length of it twitched and jumped, adder-crazy, in her hand. Tiffney stood her ground, counting to ten as Auntie had taught her: un, dau, tri, pedwar, pum, chwech, saith, wyth, naw, deg…

A terrible darkness threatened, but when she drew back the branch new buds had swollen, a pair of catkins trembled and danced over the promise of a tiny female flower. A kaleidoscope sliver of other hung in the air, faded, disappeared. Tiffney braced herself. Auntie had given her the clues. It was now or never. Now was the space between this moment and the next. Only trust could find the space within a space. One last bite of the choking air and she launched herself forward into the world unseen.

* * *


Liza Granville lives in Gloucestershire, with three monstrous Persian cats, her own personal bodyguard and an over-active imagination. She's the author of 2 novels: Curing The Pig; The Crack of Doom. A third, Until The Skies Fall, will be published late 2008. Her stories are regularly published in national and international magazines. Her work also appears in several anthologies. She makes quilts, paints and cooks erratically but is unable to master housework.

What inspires you to write and keep writing?

I have to write. My characters detail become so real to me that they nag until they are released into the world.

What do you think is the most important part of a fantasy story?

That it has a believable base line from which springs the 'what if?'

What do you think is the attraction of the fantasy genre?

The God(dess)-factor: my universe, my rules, my take on the human condition.

What advice do you have for other fantasy writers?

Keep going! Since writing is an addiction, what else is there to do?

With Dragonflies

With Dragonflies
by Aurelio Rico Lopez III

With Dragonflies


Emerald cocoons,
Nursed by the sun's radiance
And the spring breeze,
Nestle in the crowns
Of majestic oaks like
Tiny jewels hidden in
Forest foliage.
And on a fateful morning,
When the boughs
Are heavy with
Magic and morning dew,
Occupants of these
Silken apartelles
Will adorn the skies.

* * *


Aurelio Rico Lopez III is a self-diagnosed scribble junkie from Iloilo City, Philippines. His poems have appeared in various venues such as Mythic Delirium, Star*Line, Sybil’s Garage, Down in the Cellar, Steel Moon Publishing, Tales From the Moonlit Path, Kaleidotrope, Electric Velocipede, Beyond Centauri, and The Shantytown Anomaly. He is also the author of the chapbooks JOLTS and SHOCKS (Sam’s Dot Publishing). You can reach him at thirdylopez2001@yahoo.com.

What inspires you to write and keep writing?

I write because I HAVE to. I have no say on the matter. Writing is in my blood.

The Beasts

The Beasts
by Diane Height

The Beasts


The grass on the African savanna is bright and pale and stands tall. It moves like the waves of the sea casting subtle shadows everywhere. The morning mist gradually burns off as the bright sun moves higher in the cloudless blue sky. Hot winds blow through the tall acacia trees and thorny bush as the silent beasts move slowly, cautiously, eyes focused on their prey. The beasts blend in as puffs of hazy brown dust fly up from their powerful paws. Anticipating. Knowing.

The grass on the African savanna is dull and listless, as it collapses to the hardening ground. The early morning is already hot as the sun beats down. Breezes blow through the tall acacia trees and thorny bush as the silent beasts barely move, watching their prey. The beasts blend in as hazy brown dust flies up from their powerful paws. Waiting.

The grass is sparse, dry and brittle. Large patches of brown dot the landscape. Heat floats up from the earth. Everything is still, not even a breeze in the acacia trees and thorny bush. The beasts blend in as they walk softly, carefully, their heads down, breathing hot dust. Wondering.

The grass is gone. Whirlwinds of dust swollen with insects are all that is left. The beasts cannot hide from their prey. They do not move.

* * *


Diane Height’s writing is inspired by her love of travel, adventure and the world at large. She recently spent time in Africa working with cheetahs to help educate people about this beautiful animal. In an earlier life she passed her wisdom along to 5th graders as an elementary school teacher. When she's not writing, she enjoys her new grandson, Bodhi. She has stories forthcoming in All Things Girl, Clockwise Cat, Della Donna and Sand.

Where do you get the ideas for your poetry?

This particular piece, “The Beasts,” was inspired by my love of Africa and the wild animals.

Hair's Breadth

Hair’s Breadth
by Erin M. Kinch

Hair's Breadth


“It will work for the boy, this Elg swears.”

“What do you swear on?” Davin flicked a moldering leaf from his cloak. “The flesh you eat? The worms in your hovel?”

The hag scowled through matted strings of gray hair, her hunched back silhouetted in the hearth’s greenish glow. “Boy came to Elg. Elg did not come to boy. If boy does not want Elg’s spell, why did boy come?”

Davin inhaled and air thick with a sickly sweet odor clogged his lungs, not quite masking the foul stench that lurked beneath. A stained drawstring bag dangled from the hag’s gnarled fingers. He flipped a coin into her outstretched claw and took the bag. A pleased chortle rattled deep in her throat as she bit into the gold.

Davin had reached his horse when the hag called, “Elg’s spell is strong. Only death will break.” Instead of responding, Davin spurred his horse into a quick retreat.

Hooves pounded against the dirt path as they flew though the forest. Wind blasted the stench from his hair and cloak. Once they reached the village wall, Davin dismounted. The well-trained animal grazed as Davin gathered sticks. One flick of his spark stones set the kindling aflame. He read the awkward scrawl on the dirty slip of paper, then burned it.

The noon bell pealed, and the sleepy village came to life. Workers congregated at the touchstone to share lunches wrapped in cheesecloth and recount the day’s gossip. Davin peered through a chink in the wall, waiting until he saw the girl with the vibrant auburn hair. The doctor’s son offered her an apple. Davin turned his back on them.

Fine white powder trickled from the bag into the fire. A burst of hot, red flames, scorched Davin’s unkempt hair, then settled into an orangey-pink burn.

“Show me her face to bind her heart.” His harsh whisper resonated with the cadence of the blaze.

A white splotch spread through the flames, assuming the familiar curves of her face. Animated green eyes crinkled with amusement at a joke he couldn’t hear; pink lips moved, responding to someone who wasn’t him. It was never him. Flames framed her face more brightly than her own tresses. A strand of red hair dangled from his gloved fingers. He kissed it and dropped it into the fire.

With a sputter, the flames flickered yellow then green around her image. Animation faded from her expression, leaving only a vacant stare from a hollow face. Dread formed a lump in Davin’s chest. He spun and pressed his eye to the chink to see the apple fall from her fingers.

Doubt burrowed into his heart. Without her laughter, her heart, her spirit, who was she? Davin clenched his fist, pulling water from the air to douse the fire before the powder burned off.

A lingering tendril of smoke writhed around his neck, tousled his hair, and dissipated. He peeked at the touchstone again and saw her nestled in the arms of her beau. Relief smothered his fear; he’d stopped it in time. Quickly, he rode home, muttering curses against the hag and all she had not said.

Davin was rubbing down his patient horse when the hovel’s sickly sweet smell tickled his nostrils. She stood inside the barn, her gaze consuming him like he’d once seen her devour a honey cake.

“I need you.” Sensuous warmth oozed from her voice, tempting and terrifying as she walked toward him, hips swaying with each step, fingers toying with the buttons at her neck. A tendril of smoke wafted up from her footprint.

“I stopped it!” Davin backed up until his boot heels hit the wall. “Go back where you belong—with him.”

“I don’t need him. I need you!” She glided closer, past the stall, a tiny flame sputtering in her wake. The horse bolted, but she blocked Davin’s exit. Icy lips brushed his cheek. “I love you, Davin; this I swear.” It was the first time she’d ever used his given name.

Davin choked on the cloying stink scent. It seeped in through his mouth, his ears, his very pores. “No,” he begged, smoke burning his eyes, tears sliding down his cheeks.

Her beautiful face twisted. “I need you.” It was more a whimper than a promise this time, nearly drowned out by the roar of the flames, green and yellow, writhing in the hay. The stink deepened, foul overriding the sweet.

“Please, no,” he whispered.

She reached for him again, her dress smoldering. “Don’t you love me anymore?” Flames licked his boots as Davin surrendered to her embrace. Her kiss tasted like worms.

* * *


Erin M. Kinch lives and writes in Fort Worth, Texas, where she's a member of Writer's Ink, Panther City's finest writing group. Her short fiction has appeared in a variety of print and online publications, including "Allegory," "Electric Spec," "Every Day Fiction," "A Thousand Faces," "Sporty Spec: Games of the Fantastic," and "AlienSkin." For more information, visit her website, www.erinmkinch.com.

Where do you get the ideas for your stories/poems?

Ideas can come from the most surprising places. The best ones are the ones with just a kernel of truth to them.

What inspires you to write and keep writing?

Once a character pulls me into a story, I have to keep writing. If I don't finish their story, who will?

What do you think is the most important part of a fantasy story/poem?

The most important part of a story is the characters. Plot and setting are essential, but if I don't care about the characters, I can't get into the story.

What do you think is the attraction of the fantasy genre?

The best thing about fantasy is experiencing completely different world and seeing how the characters react to it. I also love how the fantastic elements in a story can become larger-than-life metaphors for elements of the human condition.

What advice do you have for other fantasy writers?

World building is paramount. You have to know every aspect of your fantasy world, even though all of it won't appear on the page. If you're comfortable in your universe, then you can make it feel real to your readers.

Up or Down

Up or Down
by Alex Moisi

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Daniel Mosch first thought about his death on the morning he died. He wasn't a very religious man and he wasn't a particularly morbid fellow either. It was just that he simply could not avoid it. As soon as he got out of bed he noticed an angel and a devil floating above him. Both were smiling.

As any rational person would, he initially considered it a practical joke. He laughed and called to his roommates.

“That’s a good one, guys, but come on. Is that you, George? Cut it out, eh, Alan? We're going to be late for our morning meeting.”

Unfortunately for Daniel neither the angel nor the devil cut it out. Instead they made it very clear it was not a joke.

“Look, smart ass,” the devil said. “It's not a joke. Here’s a fish—does that convince you?”

Daniel stared at the huge salmon slapping its tail on his bedroom carpet and knew he must be dreaming. He rubbed his eyes, shook his head and muttered, “Was it the sleeping pills? Did George slip me a Mickey?”

“Let me handle this Melph,” the angel intervened.

Within seconds Daniel not only felt calmer than ever before but he now understood everything in his life that had brought him to this point. Every mumbled word he almost heard became clear. Every bit of knowledge he almost learned became true. It was the single most pleasant and uplifting experience he’d had in his short life. And when it ended, it was the single worst. He considered his past.

“So you two are my guardian angel and devil?” The two nodded solemnly as the fish flopped around a little more, its gills working for air. “And you are here because I am about to die?”

“Well, actually, we are here because there is no clear line as to where you would go after you die,” the angel said. “Your life was overall so mediocre, pointless and boring you never came close to either end of the spectrum.”

“You see,” the devil interrupted as Daniel blinked, perplexed. “Every human has a goal, up or down. And you missed it by so much the guys upstairs have no clue where to send you, damned bureaucracy.”

“And since you are not a Catholic, a Jew, a Muslim, or any other religion that has an automatic solution for such a case, we are here to help determine were you should end up,” the angel finished.

“I am dreaming, right?” Daniel flopped back onto the bed.

“We appreciate it when clichés from poorly written stories are not employed by the future deceased. It slows the process considerably.” Another angel appeared at the foot of his bed. He was wearing black.

“The Angel of Death,” Daniel almost shouted as he stood back up.

“Please, let us proceed,” the angel said in a flat tone. “Up or down? Please choose one and present your case.”

Daniel blinked again, but realized quickly what was expected. “Fine, but I am sure that overall I have done more good than bad in my life. I mean, I took care of my mother until she died.”

“Had a grudge against her though the whole time. You felt she held you back.” The devil recited the counter charge almost mechanically. “Thus rendered null.”

“What about that girl I dated, back in high school? She was a drug addict but I stood by her.” Daniel tried again after thinking for a while.

“Actually,” the angel answered, “the correct thing would have been to help her recover. You just bragged about the cross you had to bear. Plus, you did enjoy a little, well, you know, carnal pleasure. I think you racked up more sins with her than your actual devotion covered. You cleaned the slate though when at the end of High School you babysat your sister instead of going to the prom.”

“You see, that is the problem,” the devil cut in again. “You always managed to clean your tab. One curse word, one dollar to a homeless person. One good deed, one bad deed. Normally it would be straight to purgatory for a few weeks and then on to heaven, but you just had to go on and become an agnostic, didn't you?”

Daniel took his head in his hands and laughed out loud. The absurdity of it all got the best of him and he wanted to yell to his roommates to come meet the unexpected guests. 'Hey, George, Alan, there are two angels and a devil in our house. Do you think they would like some chips?'

He finally composed himself. “So what do you want me to do?” he said as the fish jumped around one last time and hit him on the foot. “Oh, can you please get this thing back to where it came from, it's dying here.”

And before he could say anything else, several things happened. The devil let out a horrible curse as the angel laughed happily; and the fish disappeared as Daniel dropped dead.

“Thank you gentlemen,” the Angel of Death said, collecting the new soul. “I will take him to his judgment. But I trust you know the result already.”

As the Angel of Death melted away the angel smiled at the skulking devil.

“I told you that fish would get you into trouble someday. It’s not a very convincing miracle when you do it,” the angel said.

“Saved by showing mercy to a fish. That is ridiculous, you have to admit,” the devil responded in anger as they both left the empty bedroom of Daniel Mosch.

* * *

Previously appeared in Residential Aliens and the Residential Aliens “Best Of” anthology.

* * *


Alex Moisi is a Romanian born college student, living in Illinois and ignoring real life issues like angry friends and failing classes in favor of post-apocalyptic scenarios and disturbing "What if?"'s. His work can be found in Residential Aliens, Bewildering Stories, the Desolate Places anthology published by Hardley Rille books and Strange Worlds of Lunacy published by Cyberwizard Publications as well as on his website.

What advice do you have for other fantasy writers?

Keep writing and submitting, finish everything you start no matter how long it takes and submit it, write everyday and submit your stories again and again. Writing is ultimately a marathon, just hang in there and for the love of God don't be afraid of submissions.