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Winter 2010 Issue

Winter 2010


Welcome to the Winter 2010 Issue of Mirror Dance!

In this issue…

• Fiction by M. V. Montgomery and Mike Phillips

• Poetry by Deborah Walker, Joshua Hampton, Rosalind Casey, Jerome Brooke, Shelly Bryant, and Radek Ozog

Feel free to leave comments on the individual pieces.

Mirror Dance welcomes letters to the editor! Questions, suggestions for the website, and comments on the stories and poems may be e-mailed to markenberg at yahoo.com.

Impossibles

IMPOSSIBLES
by M.V. Montgomery

Impossibles



catacorner

A woman claimed to live “catacorner” from my parents. She looked vaguely familiar, with startling green eyes, but I couldn’t really picture the place where she lived. So she led me there—we had to duck through another yard first.

From her porch, where a lazy cat was curled like the letter C, we had a perfect view of my parents’ backyard. Not only that: every sound from the yard was enhanced by the surrounding shrubs and fencing. I thought I could even hear conversations going on inside the house. Then the woman surprised me by climbing partway up a tree. She said, You can hear even better from up here.


egg hunt

To run an errand, I left my daughter Rina at home. Almost immediately, I regretted she wasn’t with me. I passed by a park where I saw families gathered for a spring festival and thought back to all the events we never would have missed before she was a teen.

This had been the annual egg hunt. People were already streaming back into the parking lot, but I briefly wished it was not over yet, and that I could drive home and pick up Rina, who mysteriously would be a kid again. Instead, I got out of the car and walked through the park alone.

In the play area were small kids scurrying around, their baskets left behind with parents. In the middle ground were open fields with carnival games already being broken down.

I walked around the corner of the park building. There was no one on the other side. This would have been the area for the older kids—I saw many half and cracked shells left behind. Woodchips thickly covered the ground, and as I continued around the building, I began to hunt.

Sure enough, I began to find stray eggs buried here and there. I placed them into the pockets of my fatigues. I also found a couple of other strewn items, a plastic bird whistle and a ball. Wedged in a bush were torn wrappers and a small stuffed animal that looked like the remains of a prize cache.

Near the entrance to the building were broken strands of beads and silk that might have been part of a decoration. I wrapped these up, too, and began to head back to the car.

I was happy, thinking I could hide all this junk for Rina later, and that for some reason, she would appreciate it.


the hill people

By a roadside gas station, many miles from here, I saw a large lobster-like creature giving birth. Dozens of purple pods started appearing on nearby bushes as it gasped and heaved. As I watched, the purple pods began subdividing into two colors, red and blue. Then the proprietor came out and poured gasoline over the blue pods.

I later learned that I was in a small town settled by the Hill people, who had sprung from the red pods. They displayed no discernable differences from humans other than that they were remarkably large and hale. On second thought—they might have had an extra propensity for violence. I saw a television ad for “Hill basketball” that involved a fist fight between players, coach, and even a father-son pair. But it was hard to tell whether this was a real game or a parody.

Their sworn enemies were the blue faces. I witnessed a hunt for one. The blue face was squatting in a deserted shack and ended up killing a Hill deputy.

The blue face had red markings around one eye. They found him in a heap of furnishings. When shot, he bled a purplish blood which he vengefully smeared over the fallen deputy, burning blue circles into his skin.


the hotel refugees

Staying at a hotel during a rather routine academic conference. It is hurricane season and a furious storm is blowing through the Gulf, causing the place to fill up quickly. As I head back to my room following the day’s lackluster events, I see a line of miserable-looking refugees at the front desk by a No Vacancies sign.

Suddenly feeling out of touch, I go back to my room, take a quick shower, dry off, and wrap the towel around my waist. There is an urgent knock at the door. I cross over to open it.

A family of refugees stands outside, shivering, soaked from the storm. An elderly man, looking very needy, points to the towel I am wearing.


makeover

Some neighborhood kids over to play with my daughter were proving difficult to amuse. I was on the verge of shaving my head so decided it would do me no harm if they wanted to give me a haircut. I lay back by the sink in the kitchen while they happily made their preparations, taking out bottles of mayonnaise, spaghetti sauce, and an egg, rubbing them into my scalp in preparation for my “makeover.” My daughter found scissors and began to cut around the mess.

Then a little boy who had toddled in behind the others began to whine that he needed someone to change his diaper. I told him to run along home—there was no way I could have gotten up even if I tried. But he was already lying down in the middle of the kitchen floor and taking his diaper off, and there was no way of telling which of the two messes was going to be worse.


the red planet

I have just gotten back from a summer trip. In my e-mail inbox I see page after page of unexpected mail. All the messages, which are flagged “urgent,” concern a last-minute assignment to teach a new course far outside my discipline area, to be titled “The Hematonymy of Mars.” It is supposed to have started this week.


warrior koan (with questions)

I am trying to get back to college by bus with a transfer because I am out of money. Another passenger hands me her baby to hold for a moment. I worry that the child might be mistaken for mine and I might have to pay an additional fee.

I mention this predicament later to a colleague, who tells me that once, en route to her church pageant, she had been charged extra for carrying a doll representing the Christ child.

    1. Does the bus driver accept Christ? Answer quickly!

    2. Spiritually speaking, can one person ever “pay for” another?


* * *


M. V. Montgomery is an Atlanta professor and writer. He is the author of two books of poetry, Joshu Holds a Press Conference and Strange Conveyances. His first collection of flash fiction, Dream Koans, will be published this month by Fast Forward Press.

Where do you get the ideas for your stories? What advice do you have for other fantasy writers?

It's all you--your dreams, unconscious desires and wishes. Writing doesn't always originate from the conscious self, and while I do exercises with my students and am always on the lookout for new ideas, my best source is usually my dream journal.

Madam White Snake

Madam White Snake
by Deborah Walker

Madam White Snake


At evening tide her spirit sisters gather outside Leifeng Pagoda.
They beg Madam White Snake to shed the prison of her flesh
and rejoin them in their endless dances.
Madam White Snake shakes her head
and reties the garment of time around her body.

Through the window of the pagoda
she sees a heron swimming in low beats
in the water of the sky,
flying low over the West Lake reeds.
When she extends her snake eyes, she can see
the liquid ballet of the stem fish in the slow moving current.
Madam White Snake smiles as she watches the myriad dances
of the glass nameless ones,
their bodies shaped in simple patterns,
their voices joined in the water song.

“Sister. We miss you. Cast off your flesh. Rejoin us, our sister.”
Madam White Snake closes her heart to her spirit sisters.
She watches the eternal dances she has found
in the multiple layers of this evening’s day.
Madam White Snake has tasted the slow complex web of flesh.
She will never let it go.
And if her sisters could view the swimming, nameless one inside her,
perhaps they would understand.

* * *


Image is Fan and Snake by Ella Guru.
First published in Moon Drenched Fables 2010


* * *


Deborah Walker loves dreamy, dark poetry. Her heroes are Christina Rossetti and Jacqueline West. Find Deborah’s poems in Scifaikuest, Apex Magazine, Dreams and Nightmares and Paper Crow.

Where do you get the ideas for your poems?

When I write poetry, I just unhinge my mind and let the ideas flow and blend. 'Blossom' came from three threads, the prompt from Megan, sitting in my garden and seeing the cherry tree in blossom, and a medieval ring I'd seen in the Victoria and Albert Museum. A lot of ideas for my fantasy poetry and stories come from museum objects.

The Lay of Erwyn the Young

The Lay of Erwyn the Young
by Joshua Hampton

The Lay of Erwyn the Young


O Father dear, I’ve heard you tell much of Erwyn the Young
Who came to bear the gifts renowned that oft in lay are sung,
And how it was this knave’s own grief that cursed them under spell.
Please tell it to my ears once more before your sweet farewell.

O handsome Son, ‘tis true I spoke that long and troubled tale
Of sorrow and a mother’s hope to save her son so frail,
And I will tell it once again then leave you here behind,
So pay close heed to my own words and each commit to mind.

Once on the banks of Darinor a babe was come to be.
His mother was a handmaiden of beauty wild and free.
She was to call him Erwyn, son, as was his father’s name,
A Kingsman felled upon the muddy fields of Deloraine.

She hoped one day her babe would grow to match the name she gave,
That in her son she’d see again her husband’s acts so brave,
And as the years would come to pass, Erwyn would want it too,
Longing to hold a sword in hand as fabled warriors do

But fortunes such came not to be for Erwyn, darling child.
He never lost his youthful way of manners meek and mild,
And in the games of gallant Knights he dared not to partake,
For stout of heart yet slight of frame does not a hero make.

So as she watched her child in grief all hope was cast away,
For it would seem he’d never wear a paladin’s array.
But fate would change when was announced a tournament of Men
Where any with raiment of war had then the chance to win.

And in her mind she came to plot a scheme of guileful sort,
To champion her son, my dear, to Nobles of the Court,
For Kings and Queens would come from far to see such matches played
And to the victor came renown of kind heroes are made.

So with what gold she’d hid away a shirt of mail she bought,
And with it too the gauntlets that so many after sought,
And yet she knew ‘twas not enough to make his rivals quail.
She’d have to find him something more to see her son prevail.

O Father dear, you tell it true, but don’t forget the end,
Of witches and such wretched acts that none could then amend.
What of the curs’ed bargain made and of the armor spelled?
I ask again to speak it loud that then my heart be quelled.

O handsome Son, have patience now for all things will be told,
Of good and ill and joy and pain and Erwyn’s acts so bold.
Now close your eyes and rest you well before the night is dawn,
For when the Sun bestirs the birds by then I must be gone.

She left that morn for Um Valloth, a place of rue and woe,
Where from not all made haste return and some not ever so.
For three days after on she rode, through moor and fen she fought,
Till then at last in Sigurd’s Shaw she found just what she sought.

For there she met with Ezbereth, the Black Witch of the Wood,
A sorceress whose cauldron boiled of brews no other’s could,
And of her Erwyn’s mother asked to conjure up a charm,
A spell upon the mail she’d brought to keep her son from harm.

But Ezbereth gave nothing free without gifts in return,
For, boy, she knew all begged of her must be of great concern.
So once the story was all told the Witch then spoke her mind;
“If I’m to do this now,” said she, “I ask one thing in kind,”

“For in your eyes the flowers bloom a blue to match the sea,
And in your hair is golden twine with none fairer than thee,
And in your lips a garnet stone with shade of afterglow,
And then, at last, there is your skin, like that of whitest snow,

“And yet my face is feared and loathed as hideous and foul,
For worries of a thousand years have turned my grin to scowl.
Just once I’d have Men look upon me as a bonny maid,
And so to have your face as mine is what I ask in trade.

“As long as Erwyn’s favor grows by cause of conjury,
So shall those that look on me, dear, have lust again for me,
Then once he doth so make his mark, return the glamored things,
And thus your eyes shall bloom again like Winters turn to Springs.”

‘Tis said a mother’s love is blind in that it sees no end,
And that day it saw not the gloom the bargain did portend,
Her gifts were spelled and beauty lost with not a second breath.
Then off she set and bade farewell to lovely Ezbereth.

That night she stopped to take her rest nearby a rill of blue,
Went to the water then to see the face she wore anew.
In the reflection there she saw such that she took to ill
And wept so long she did not stop until the Morning chill.

But when the Sun shown down upon the armor’s silver gleam
She thought again of Erwyn, child, and of his hero’s dream,
And how in time all things would then be put again to right,
With her babe’s cheeks aglow with pride to be valiant knight.

O Father dear, now will you tell of lance and sword and shield,
And of the Kingsmen clashing for a victory on the field,
And tell me did her wish come true to see young Erwyn win?
My eyes grow heavy now with sleep so I’ll not ask again.

O handsome Son, please rest yourself for all will soon be said
Of errant knights and feats of skill and innocence misled.
So speak no more and fall to dream of places that you know
For when the Moon does hide His face by then I have to go.

She made it home the night before the tourney was to start,
With still the hope of Erwyn’s triumph heavy on her heart.
She left the armor at his bed with not a sound to wake,
Not wanting for her son to see what guise she had to take.

And when the Sun alit the sky young Erwyn woke to find
The shining mail and gloves a’waiting there, dear son of mine.
He guessed his mother must have come in quiet as he slept,
Yet he knew nothing of the spells that upon each were kept.

He donned at once the costly gifts but felt no difference made,
And then he sheathed his silver sword, his father’s bastard blade,
And left did he to challenge those in show of knightly sport,
With hopes to take his place among those of more hallowed sort,

And fight did he for seven days without a loss to grieve,
And none whose eyes had watched him duel could trust them to believe,
For this young boy of callow face and family known by few
Had felled the champions of the Court with biting blows so true.

But what they could not know was of the plot his mother planned,
A secret that made every foe fall to fair Erwyn’s hand;
His plate was hexed with craft enough to withstand any strike
And gauntlets spelled to guide the wielder’s sword and shield alike.

With every win the gall’ry roared and cheers did fill the air
Accompanied by trumpet blast and roll of marching snare,
And Erwyn’s gallantry did stir then many a maiden’s breast
With each a hope he’d rush the stand and choose them from the rest.

But there was one the tender Knight did wish to garner praise,
The Princess fair Alensia, with cheeks like rose bouquets
And eyes so full of deepest green like meadows in the Spring.
Young Erwyn pondered all the joy a life with her would bring.

Yet what he could not know, my kin, was that she too was awed,
And every swing he took she did so quietly applaud.
Her passion swelled until she thought she’d storm the tourney pitch
To take young Erwyn in her arms to quell her fiery itch.

But as the Lady of the Court and daughter of the King,
She knew it not so mannerly to ponder such a thing,
And so she sat without a word or move that told her heart
and waited for his victory to then her love impart.

And when did come the final match against the King’s own man,
Syr Gerulf, Knight and kinsman of a noble warrior-clan,
Young Erwyn stepped to face him bold, so sure of his own might,
Prepared to battle sword to sword and deal his rival’s plight,

And so it was that Gerulf charged and struck out for his foe.
With all his strength he brought down what he thought a mortal blow,
Yet to his grief his blade but glanced young Erwyn’s armored chest,
Shattering his sword to shards with no more to contest.

Syr Gerulf knelt and bowed his head to ask it all to end,
“I am no match,’ he whispered low, “your sword I must commend.”
And Erwyn proved a worthy Knight, accepting Gerulf’s yield,
And so he was then crowned the honored victor of the field!

O Father dear, a smile it brings to hear such joyful news,
But now I fear there’s misery to come from such a ruse,
So please go on and finish now before your goodbye kiss,
That I may learn the story’s end with none of it to miss.

O handsome Son, please lay you down, there’s more you need to know,
For though we wish for happy ends it is not always so.
For all the love there is in life there too is equal hate,
So let me now finish my tale before it grows too late.

With Erwyn now a man of worth with quality so proved,
Alensia did make it known how deeply she’d been moved.
She raced then down and took the field to offer him her hand,
To make him prince and king-to-come of all the common land,

And though his heart was filled with joy to take her as his Dear,
He could not celebrate his win without his mother near,
So he embraced the daughter-Queen and to her made it known
That by the morn he’d soon return to take her for his own.

And rode did he then off to tell of all he’d done those days,
For hardly could he wait to hear his mother’s kindly praise,
And when that night he came upon her home deep in the dell,
He leapt from his white charger-steed with quite a tale to tell.

But when he stepped inside he found not what he’d thought to see;
A loathsome witch with curs’ed cast of lowliest degree.
For yet had she to end the pact she’d made in Sigurd’s Shaw
And so her face was still a bane to every Man who saw.

And when she found him standing there she cried in utter joy,
Then ran to greet Erwyn the Young, her son and darling boy,
But as she came he saw her clad all in his mother’s dress,
And what cruel end befell her then is not so hard to guess.

Some witch, he thought, had come to slay her for some wicked scheme,
And so her shout of glee was heard to be a dreadful scream,
And with his sword he cut her down and to the floor she fell,
Where then he watched his fool stroke end the witch’s woeful spell.

He turned her over so he’d see who lay dead at his feet
And lo! he found she was for true to be his mother sweet.
She told him of the pact she’d made with her last earthly breath,
Before she wilted in his arms to pass then unto death.

Now all he’d done to make his name, to best his lowly birth,
To bring such praise upon his house, was all of little worth,
For in a bloody pool that circled round him in the room
There lied the only one who loved him, doting to her doom.

And so at once he left then for the land beyond the Throne,
Where none would follow nor would find the armor of the crone,
And near the River Wilegard, there on the rocky shore,
He cast the gifts into the beck, never to worry more.

And thereupon he sat him down and cried so many tears
The River rose and flooded for the next one hundred years,
And when he was for sure the dreaded armor washed to sea,
He returned home to lay his mother ‘neath an alder tree.

But there he met the hangsman, son, and soon the gallows high,
For he was called a murderer, a charge he’d not deny.
And as he swung before the ranks, two eyes did watch in woe;
Alensia did weep for him, the love she’d never know.

O father dear, do tell me more of Erwyn’s magic plate,
How it would come to play a part in all the Kingdom’s fate,
For though I am a foolish child I know this tale goes on,
And still I’ve yet to feel the yearn to close my eyes nor yawn.

O handsome Son, ‘tis true there’s more to tell another night,
For it grows late and I must go before the morning light,
But if I must, for your own sake, I’ll speak this tale again,
So hush yourself and listen close now that you’re all tucked in. . .

* * *


By day Joshua Hampton is a mild-mannered associate creative director at an advertising agency in Louisville, Kentucky. By night he’s a fantasy writer who finds his muse in everything from Anglo-Saxon epic poetry to Appalachian folklore. He is also a featured writer for the English football club Chelsea’s stateside newsletter. www.JoshuaHampton.com

What do you think is the attraction of the fantasy genre?

I love Fantasy because it can take you places that no other genre can take you -- and those places can be filled with practically anything you can imagine. Why read a novel or poem set in a world we all live in when you can read about one no one's ever seen before?

Ariel Imprisoned

Ariel Imprisoned
by Rosalind Casey

Ariel Imprisoned


Through sky and sea and lightning once I’d roam
In airy days before the cloven pine
This knobbed and stunted prison not my home
This narrow world of dirt and earth not mine
But memory is battered at by pain
And grows moth-eaten, ragged, worn and thin
I lose my shape, my story, my own name
Till chance presents a glimpse of sky again
And now the days and nights are all combined
Years coming, going with ambivalence
They flow together endless in my mind
I can no longer tell the difference
My cries, across the isle like some wild thing
Make mockery of time when I would sing.

* * *


Rosalind Casey is a native Texan, an undergrad literature student, and a Shakespeare junkie. She aspires to run away to the Forest of Arden. Her poetry has appeared in Goblin Fruit, Mythic Delirium, MindFlights, and the San Antonio-Express News.

What inspires you to write and keep writing?

What inspires me to write is this one idea, this sparkling and excellent idea, this idea that popped out from a conversation or a radio announcement or a walk with the dog, this brilliant idea. What inspires me to keep writing, once that idea has turned to complete rubbish before my eyes, and I can't string a sentence together and the world is a dark and joyless place, is probably less inspiration and more self-medication. I get ornery when I'm not writing regularly. Honest, it's not a pretty sight.

The Planting of the Spectre

The Planting of the Spectre
A Story of the Crow Witch
by Mike Phillips


Photobucket


A spectre rose from its hiding place. It was hungry and it craved the souls of the innocent. Testing the wind, it splayed its bony fingers and stretched its gaunt arms, reaching toward the sky. Releasing a long, cruel breath the spectre floated into the air. It breathed in and released, rising until it was higher than the tallest tree, then floated away into the night.

Sitting at an old picnic table, head propped up on her hands, Sally Maloney stared at the pumpkin in front of her, trying to decide what to carve. She was at the Albertson farm for the 4-H Halloween party and she was the only one who hadn’t finished her Jack-O-Lantern.

Everyone else was out in the corn maze, playing hide and seek. Sally heard them out there, laughing, having a good time without her. Only the row of lighted pumpkin shells, carved into curious and hideous faces to ward off the spirits of the night, were there to keep her company, glowing and grinning in the darkness.

A cloud passed over the full moon, casting a deep shadow. Sally felt a sudden chill. She had the feeling that something was watching her, something bad, but when she turned around nothing was there. She went back to her work on the pumpkin, still unable to decide what to do with it.

A crow flew down from the sky and came to rest beside her. It was a rather large bird and had the shiniest black feathers Sally had ever seen.

“Crows are a portent of evil,” she told the bird. “At least that’s what books say.”

“And so they do,” the crow replied. “Well spoken. And so this day I am in fact a portent of evil.”

“What evil?” Sally asked, unaffected by the strangeness of the messenger.

“Aren’t you surprised that a bird can talk?” the crow asked. “Most people have difficulties accepting that.”

“I bet most people do and so would I if you were really a crow,” Sally said.

“What do you mean, if I were really a crow?” the bird asked, incredulous.

“You’re Miss Weigenmeister, the librarian. You only look like a crow.”

“And how do you know that?” Miss Weigenmeister asked suspiciously.

“I can see you under all those feathers, and especially behind your eyes. I like your eyes.” She added, “Then there’s your voice. It’s the same too. Oh, don’t worry, I won’t tell your secret, I promise.”

“You can see me as I really am?”

“Well, yeah. Haven’t I proved that by my guess?”

“I suppose you have.”

“Will you teach me how to be a crow some day?”

“Well, now that I know about this talent of yours, perhaps I will,” said Miss Weigenmeister the crow. “But right now we have work to do. Not long ago, I was out in my garden and I felt the passing of an evil and wicked thing in the sky, floating above the trees. I followed and it led me here. Will you help?”

“I don’t know what I can do,” replied Sally, turning away in shame. “Maybe one of my older sisters can help. They can do everything.”

“If you can see me you may have more talent and ability than you suspect,” Miss Weigenmeister said. Sally didn’t reply. “Look at that pumpkin, for example. Am I correct in assuming that is one of the famous Maloney family pumpkins, the seeds of which have been passed down over the generations?”

“Yeah, big deal. So to be a Maloney you have to be good at growing pumpkins. I don’t like pumpkins and I don’t like carving Jack-O-Lanterns. It’s gross.” Then Sally thought better of what she had said. “I’m sorry. I’m not having a very good day, that’s all. It’s not your fault.”

“What is wrong, my dear?”

Turning back to the pumpkin with the knife, she began to open the top, scoring the lines that would eventually become the features of the jack-o-lantern. “Oh, I’m not good at sewing or crafts or those kinds of things like my sisters are. The only reason that I’m in 4-H is because they are.”

“That can’t be the real reason,” Miss Weigenmeister prompted softly.

Still staring at the pumpkin, Sally said in a low voice, “Nobody likes me.”

“Come now, you’re a nice girl. It really doesn’t matter that you can’t sew. You must have a lot of friends.”

“I do, at school, but not in 4-H. The only friend I have, Linda Bleu, isn’t here. I’m all alone.”

“Well I’m here now and we have things to do. Evil is afoot. The hunt is up. No time to feel lonely.”

“But what can I do?”

“My point about the pumpkin is that with proper water, soil, and sunlight, a tiny pumpkin seed can grow to humongous proportions. Some pumpkin plants will grow long vines. Some will grow many flowers. Some will grow large pumpkins. It all depends on the determination of the seed. The talent isn’t what matters. It’s how that talent is used.”

“I’m sorry, but I still don’t know what I can do to help,” Sally said.

“And neither do I, but we might find out together. Now, let’s go. We’ll have to find the others. We have to find this evil thing and destroy it.” Miss Weigenmeister paused. “By the way, where are all the others? Are they out on a hayride? We may have to go find them. Do you know how to drive a car?”

Laughing at the last, absurd, question, Sally said, “No. They’re out in the field, in the corn maze.”

The silence was suddenly striking. Sally blanched. “I heard them out there, just a minute ago.”

“Sally, oh dear, it comes this way! I can feel it.”

An odd shape stepped out of the cornfield. Sally felt a chill that frosted her blood. The spectre was tall and lean and looked as if it were carved from wood. Its clothes were all black and hung upon it as if some lifeless doll. It walked toward the girl and the crow with a gait that was stiff and ungraceful.

Behind the spectre, from the corn, came the children. The children followed the spectre at a distance, but there could be no question that they were under its thrall. Their faces were blank, devoid of all emotion. Their arms hung limp at their sides. In their eyes a sickly green light glowed.

“Come for a kiss,” the spectre said. Its voice was like a whisper in Sally’s ear. “Come here my dear. Come for a kiss and you will be mine.”

“No way, you sick old man,” Sally shouted in disgust.

The spectre seemed surprised, almost wounded by her defiance. It spoke again. “Come, come to me so that I may give you the gift of eternal life,” it said, stretching its arms out to her.

Clutching the carving knife, Sally stepped back toward the house. The spectre followed, but showing caution, keeping a measured distance from the picnic table and the glowing Jack-O-Lanterns.

“No!” Sally shouted.

“Yes. Yes, I’ll have you. You can’t defy me.” The thing was horribly vexed, and full of wrath, it flew toward her.

“Quick Sally, the pumpkin,” Miss Weigenmeister shouted.

“A talking crow?” the spectre said. “Be off witch, these children are mine. Get your own.”

That was all the time Sally needed. Screaming with fear, Sally ran back to the table and took hold of the pumpkin. Sobbing, shaking, she flung it at the spectre with all her strength. The shell broke upon the wicked thing’s chest. A few seeds and gut stained the spectre’s garments as the pumpkin fell to the ground.

Looking down, the spectre laughed. “No good. Now I’ll get you and the witch.”

But with those words the seeds clinging to the spectre’s clothes sprouted and took root. The tiny plants grew, as if an entire season in just a few moments. Then too the seeds on the ground sprouted and thick green vines began to reach out. The spectre was caught and pulled backwards, overpowered by the vines, rooted to the ground.

In a moment the spectre was gone, little more than a mound of earth. In its place grew a vast tangle of green, growing wide in all directions. Flowers bloomed and then fell to the ground. Round, ripe, healthy pumpkins grew in their places.

The spell broken, the children woke. They looked confused but otherwise unhurt. Miss Weigenmeister gave Sally a quick wink, and without a word, she flew away.

* * *


Mike Phillips grew up on a small farm in West Michigan. In addition to hard work and responsibility, his father gave him a very special gift. Each year during summer vacation, the television was turned off. This meant that when not tending sheep, mending fences, gardening, building furniture, chopping wood, or goofing off, Mike’s summers were spent reading. In memory of all the wonderful stories and things he didn’t understand at the time, Mike hopes that through his writing he can, in some small way, share this gift with others. Catch up with Mike’s Crow Witch stories at aurorawolf.com.

Cruel and Fleet

Cruel and Fleet
by Jerome Brooke

Photobucket


Our Lady of Wolves, soft and kind,
          Dance with us, brave one.
Run, leader of hunters, cruel and swift,
           Slay her, the waiting, swift deer.

Our Lady of Wolves, with fangs,
           In dark shadows, is seen.
Howl, children of darkness, follow,
           Run with your White Queen.

High, on the hill, round the lone prey,
           Wolves sing of cold.
Wolves, gray hunters, sing and run;
           Hunters fleet and bold.

Blood of red deer, sing the hunters,
           Blood for the long day.
Blood, sings the Lady, red blood,
           Blood of helpless prey.

Stars of night, burn the flowers,
           On the dale.
Spears of red dawn, gather;
           Hold them well.

* * *


Jerome Brooke was born in Evansville, Indiana. He now lives in the Kingdom of Siam. He has written Our Lady of Silk and many other books.

Her Light Extinguished

Her Light Extinguished
by Shelly Bryant

Her Light Extinguished


Parading beasts audition, each seeking to serve as companion to man. One by one passing before him, one by one rejected. His eyes to the heavens turn, sighing toward one bright spot.

“Why is there nothing like that for me? Her light twinkling beauty suits me better. How can mere beasts compare?”

From her lofty home, Lilith looks on. Moved by his longing for her, she turns to the Maker.

“Let it be as he wishes, Lord.”

“Would you have it so?”

“Yes. Let me be his partner for all of our days.”

“Your days, or his?”

“If not mine, then his.”

“As you wish then. Only, go not alone. Take your sister. Let her be a maid to keep you in heavenly comfort.”

      her earthward descent
      outshines all other glories
      Lilith’s bridal train

His eyes raise in wonder. His arms reach up to her. He thanks the Maker for this glowing bride.

Reaching her orbit, she shines over him. He stands, with face uplifted, raising in equal measure sighs and lovers’ customary speech. Her affections shower down in rays onto his erect form.

Under each night’s blanket, as all else sleeps, the two keep vigil, each enrapt in the other’s form. Nightly locked in a shared gaze, trapped in bodies that may never meet.

She rests content above. Below, his longings multiply.

      night gazes exchanged
      without a single caress
      unmade marriage bed

“Come to me.”

“Love, you know I may not.”

“If you wished, you would find a way.”

“I can come to you no more than you can come to me. We are made each of different stuff than the other.”

“You don’t want these hands, of earth wrought, to soil your shining form.”

“Silly child. I don’t want my form, of stardust wrought, to unmake your whole sphere, as it must if I nearer draw.”

“Lilith, come.”

“Hush. Is it not enough to look upon me, and to love?”

“Enough? It is torture.”

“Torture to gaze upon my form?”

“Torture not to possess it.”

“You know not what you say. How in all the worlds that are would you possess me?”

“Go! Torment me no more!”

      his wish shaping hers
      she turns to face the dark void
      her light extinguished

“Lilith! Turn back!”

But stars take less kindly to rejection than do mortals crawling upon the earth. Her stony heart remains unmoved.

In sorrow, he beats his breast. In rage, he pulls his hair. In despair, he falls to the earth of which he is made.

“Why am I left thus alone?”

From the heavens, a reply, in a voice unlike his beloved’s.

“Would you have another?”

“Yes.”

“Another as glorious as she?”

“No. Let this one never rest overhead. Let her be of lower nature. As you’ve made me, make her of like matter.”

“So be it.”

      dominion on Earth
      divine cooperation
      with man’s slightest whim

Awaking from a swoon, with a new ache in his side, he sees her form lying nearby. There is no blazing light. Her glory is of a lowlier sort, flesh and bones formed to suit his own. She will answer his desire.

Above, Lilith looks on, unshining from her hidden space. She weeps at her fate, usurped by one of dirt made.

To her sister she turns for comfort.

“Luna, let us depart. Let us retreat again to the depths of cold space, far from the site of my shame.”

“Lilith, I cannot.”

“Cannot?”

“My eyes, too, have taken note of the earth, and learned to love. Your heart beats for him formed of it, mine for that from which he is formed. With Terra I must remain.”

      loving sisters
      affections turned to dust
      as they circle the earth

“But Luna! With him — with them! — I cannot bear to remain,” howls the elder. “And from you I do not wish to part.”

“Neither will I leave her.”

“But you know her love is not yours. Her eyes turn only to Sol. She would have him rule over her. Around his fancy she shapes her comings and goings. Don’t be a fool. She will not be yours.”

“It is as you say. And yet I will not go. I care not where her affections turn. Only let me look upon her.”

      waltzing night skies
      one gaze upon the Earth
      the other turned away

Luna’s watching eye Terra’s form commands each night, as her ear is filled with her sister’s refrain.

“Learn from my tale, Luna. Be not like me. Commit not yourself to the keeping of inconstancy. Stay near if you must, but torture yourself not with looks upon her form as it looks upon another. Turn away. Seek solace in the cold heavens.”

Day after day sisterly persuasion assaults.

At last, she turns, but is unable to forego the sight of her beloved. Turning back, she notes her rival’s fierce blaze over Terra’s curve.

Unwilling to leave, unable to bear the sight of her beloved’s love for another, she oscillates between Lilith’s taunts and Terra’s draw. The elder sister, in constant concealment from the eyes of Earth’s children, keeps watch over Luna’s eternal spin between two desires.

      sign of men’s longing
      her inconstancy mirrored
      in hearts of earth made

* * *


Shelly Bryant spends half of each year in Singapore teaching English literature, and the other half in Shanghai studying Chinese language. She loves to read, write, cycle, and travel. Her poems have appeared in numerous small press publications, and there are plans in the works for her first collection of poetry to be released late in 2009. You can visit her website.

Where do you get the ideas for your poems?

I would like to have some fantastic explanation, like saying that aliens visit me once a quarter to give me ideas. But then, on top of being untrue, that would do an injustice to any intelligent life that exists out there. The fact is, I get my ideas the old fashioned way — lots of reading, some research, and listening to what is going on around me. Long walks or long cycling trips help flesh out the ideas.

Psychological Ending

Psychological Ending
by Radek Ozog

Psychological Ending


the smell of antique books which infected
my mind to become a classic wordsmith,
the imaginative aroma of the poem I'm reading
by Robert Frost, "Fire and Ice"
I see the fire extinguisher in the corner of my
eye, above that is a old exit sign
blinding and making that short circuit sound(beez,bez,beeey) on the fifth floor.
Should a fire happen the old fire exit door is jammed
anyway!
the dark library hallway, doors creaking,
knobs turning by themselves
as my left eye gazes, I see a book on Parapsychology
Peter James, psychic research, nineteenth century
studies into life after death

while I'm bending down to pick up the book
to the left of me, the window opens a crack,
and with the wind blowing with a ghostly
sound I look at the heavy rain
then I know the world will end in rain.
and this library building is the ark to save
the world's knowledge. the truth just blew out
the window! then it burst in flames before being put out by heavy rain.

* * *


Radek Ozog says:

The idea for the poem came to me by reading Robert Frost's poem "Fire and Ice."(Frost lived for two years on Pontiac Trial in Ann Arbor, MI, the same street were I live today.)

Rejection slips and pressure from editors has me writing poems.

A fantasy poem is my own world; I prefer it over reality. Its importance in poetry is to connect the real world with a entertaining escape.

Fantasy is well-wishing.

My advice for fantasy writers is keep watching the Never Ending Story. :)