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Autumn 2012 Issue

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Welcome to Autumn 2012 Issue of Mirror Dance!

In this issue…

• Fiction by Lucien Brodeur, Stefan Milicevic, Aaron DaMommio, Rachel J. Bailey and Mike Phillips

• Poetry by S. Brackett Robertson, Sandi Leibowitz, E. L. Williams and Linda M. Crate

Feel free to leave comments on the individual pieces.

Mirror Dance welcomes letters to the editor! Questions, suggestions for the website, and comments on the stories and poems may be e-mailed to markenberg at yahoo.com.

Glint

Glint
by Lucien Brodeur


It happened around the same time Mom and Dad split up, and I had been staying up late with insomnia anyways. The mental images keeping me awake those nights were freeze-framed and sepia-toned: the four of us (the fourth being my younger brother Francis) on vacation, staying at an inn in Vermont where only trout was served for dinner; the four of us traveling across the country the summer we visited Grampa in Iowa, piled into in a rusty Oldsmobile diesel station wagon, listening to the Footloose soundtrack a hundred times; the four of us again on Commonwealth Avenue in Boston at the start of the Walk for Hunger—me appearing gangly and slightly mad, and Francis looking runty and nerdish in his new glasses.

It was hard to comprehend that this unit of four would no longer exist, hard for my fourteen-year-old self to release these images. So I replayed them. It was as if a slide projector in my mind had been switched on and left unattended.

And then, one of those nights, I awoke in the blue darkness of my bedroom to the faint sound of a baby crying.

At first I thought the sound had come from under my bed or from a corner of the room, but once the cry occurred again, I realized it was coming from somewhere else in the house.

I got out of bed and went into the hallway, where a window faced out at the backyard and the woods behind it. We often forgot to close the blind before going to bed, so the white light of the moon formed shadows on the hardwood floor. Tree boughs looked like warped, slender fingers on the carpet. The rooftop of our neighbor’s house was a dark pyramid on the pale hallway wall.

That night there must have been a slight breeze outside, causing the shadow fingers to curl along the floor. Standing in the oddly lit hallway in just my boxers and Guns N’ Roses t-shirt, I shivered. It was early October, but we were not supposed to turn the heat on until November (Dad’s rule that had remained though he had moved out).

Then I heard the cry again. Not a sobbing like the kind I had heard recently coming from Mom’s bedroom; nor was it like a child who had been treated unfairly or injured while playing. It was a helpless cry. The cry a baby makes when she is hungry or lonely.

The cry had come from the office, so with great curiosity I crept down the hallway. As I did the intensity of the cry increased. Its volume was still soft, but the pauses between crying bursts shortened as the sound became more urgent.

When I reached the office doorway I clutched the battered molding and steeled myself, and then peered inside. After having played his favorite videogame again (a ridiculous one called BurgerTime), Francis had failed to turn off the PCjr., and the machine gave off a soft electronic hum. Because he did not like the glare of the streetlight to interfere with his videogames, Francis had shut the blind in the office, so it was darker than in the hallway.

Though my stomach was fluttery something beckoned me forth, and I entered the office and walked to its middle. My feet swooshed in the fibers of the carpet. There was energy in the room—like static electricity—that made my extremities tingle. Another anguished cry called out, as if from thin air, and subsided. I scanned the room, searching for the source of the sound.

When I looked down I saw something hovering over the blue carpet. It had the luminous quality of a bright moon in the dark night sky. It was a glint of light—a crescent sliver of yellow-gold—suspended in the air above the ground, shimmering. It moved like sunlight moves over the ocean: shiny and rippling. I reached for it. The glint moved away from my hand and out of the office, into the hallway. I chased after, but it was too fast. It fluttered up toward the hatch in the hallway ceiling leading to the attic, and then—just like the baby’s cries—it disappeared.

* * *

As was the routine, Francis stared at me while we ate breakfast. He stared not out of awe or interest but to make me uncomfortable, knowing I didn’t like to communicate much in the morning. When I looked up between bites of Honey Nut Cheerios, there was that narrow, freckly face, those green eyes behind the wire-rimmed glasses, peering at me. He would widen his eyes in a sort of feigned surprise, or narrow them in a mockingly challenging way.

As Francis stared and Mom made her to-do list on a yellow legal pad, I thought back to the night before, to how the floating light had disappeared in the dark hallway, like the flame of a candle being extinguished. After seeing it I had not felt afraid. I had lain in bed the rest of the night with the slide projector in my mind on again, but this time it showed images of the night blue hallway and the darkened office, and the sliver of light that moved inexplicably through the air.

“Jules, you look kind of pale,” Mom said. “Are you feeling alright, sweetheart?”

Through the kitchen window we could see the sun beginning to rise, and as it slowly ascended, a band of gold spread over the nearby treetops. A few clouds hung in the sky like fragments of frozen smoke.

“This is going to sound strange,” I said, preparing for a sarcastic remark from Francis, “but I thought I heard something last night.” Francis turned out to be too caught up in slurping Honey Nut Cheerios-sweetened milk to make any wise remarks.

Mom looked up from the legal pad. Like Francis, she had green eyes, though hers had been heavy and bloodshot as of late.

“What’s that, sweetheart?” she said.

“I heard something weird last night,” I said. “It sounded sort of like a baby crying.”

Francis chomped a piece of triangular whole wheat toast (Mom always cut toast diagonally after it was buttered). Then he snickered.

“Stop antagonizing, Francis,” Mom said, gently putting her hand on my head in a way that was meant to be reassuring. She had been doing that since I was a kid. “I’m worried about you, Jules. I don’t think you’re getting enough sleep.”

“Stop it, Mom, I’m not a child,” I said, pushing her hand away. “You don’t have to believe me, but I heard something like a baby crying in the office last night.”

This time when I spoke, Mom’s face crinkled up a bit, almost as if in recognition of something.

“Sweetheart,” she said, “sometimes when people get really tired or stressed out they… imagine things.”

“Dad would have listened,” I said, not really believing it. I was just trying to make her mad.

“Your father doesn’t live here anymore,” she replied, her voice cold. “You’re going to have to let that go.”

I stood up from the kitchen table and threw my napkin carelessly at the cereal bowl and then stormed out in an attempt to make some kind of a statement. What a teenage drama king I was in that moment. It nauseated even me.

“Put your bowl in the sink,” Mom called after me, but I ignored her and bounded up the stairs to go get ready for school. I was still mad for not being taken seriously, but also starting to question myself a little. Maybe Mom was right. Maybe I wasn’t getting enough sleep. Maybe I had not heard a baby cry, or seen a hovering glint of light.

* * *

Coming home after soccer practice (I had hoped for better, but had merely made the freshman team), I knew something was up. Usually I entered a cold, dark house with instructions for dinner on the kitchen table, since Mom wouldn’t be home from the pre-school she worked at until six. But from outside I could see the kitchen and living room lights were on, and when I walked in it was warm (was it a miracle—not yet November but the heat was on?), and the house smelled like Mom’s tomato sauce. My first thought was of chicken parmesan, the meal Mom reserved for special occasions.

I dropped my L.L. Bean backpack off in the mudroom, kicked off my grey-blue New Balance sneakers and went into the kitchen where Francis and Mom were. Francis sat at the kitchen table with several X-Men comic books before him, talking about Wolverine as Mom tried to seem interested. She wore her red-and-white striped apron. The light in the oven was on and through the smudgy glass I could see mozzarella melting on top of the chicken parmesan. There was a glass of white wine (surely Chardonnay, the only kind Mom drank) on the marble ledge above the sink.

“What’s going on here?” I said.

Mom looked up from a pot where she had been stirring some pasta.

“Sit down, Jules, dinner is almost ready,” she said. She picked up the steaming pot and drained it into a lime green colander in the kitchen sink.

“I called in sick today, Jules,” she said, “and in a sense I was.”

As she spoke, Mom poured marinara over the pasta, which had been returned to the pot.

“I was sick,” she said, “because I was worried about the two of you. And I was thinking that it’s time I told you something.”

This got even Francis to close his comic book. Wolverine was on the cover, with his claws protruding out aggressively.

As Mom served the chicken and pasta, she picked up the glass from the marble ledge and drank the wine down in a couple of gulps. There was a corked bottle on the counter. She uncorked it and refilled her glass, all the way to the rim. It was the biggest glass of wine I ever saw her pour.

“What I have to tell you,” she said, sitting down with us and sipping from her goblet-sized glass of wine, “should have been told to you before now.”

Mom took a deep breath, as if she were about to dive into the cold blue ocean.

“You two had a sister,” she finally said.

This revelation was, on the surface, strange and surprising, but in the other dimension of understanding, the one that still happens in the brain but is different from thinking, I already knew. Somewhere in me was a memory of the image of a baby girl.

“She would have been your older sister. A while before you were born, Jules, I had a baby girl. She was very sick when she was born. She lived for two weeks, and then she died.”

Francis looked as if his jaw would drop off his face onto the linoleum kitchen floor.

Mom took another sip of the wine. As she spoke to us, she mostly looked at her wine glass or at the kitchen wall opposite from where she sat.

“Her name was Elise,” she said. “Elise Louise Boudreau. I liked how that sounded.”

“Why the fuck didn’t you tell us before?” Francis blurted. He had recently started working at Bullard’s Market, a liquor store down on Green Street, as a recycling boy, and the profanity-laden vocabulary of some of the workers there had crept into his own. Sometimes I found his use of foul language funny, but now it infuriated me. I slapped him on the side of the head.

“Don’t talk to her like that,” I growled.

Francis looked at me in surprise, holding a hand to where I had slapped his head.

“Francis, you know I hate when you talk like that,” she said, “but you are right to question it. You boys had the right to know. It’s just…”

Then she got that look I had grown accustomed to since Dad left, the one where her eyes went watery and distant; the look that told you she was sad. But she was trying to fight it. “It’s just that after she died we felt so blessed by having Jules, and blessed again with you Francis. When you two were younger, the time to tell you never seemed right. And then all that shit happened between your father and me…”

Francis had recovered enough to chisel off a piece of the chicken with his fork.

“We thought Elise was sick while I was pregnant with her. We went to doctor’s appointment after doctor’s appointment, and they knew something was probably wrong with her because she measured as very small, but nobody could tell us what it was.”

She took another sip of wine. It was half gone.

“When she was born she didn’t look right, so they took her to Children’s. A doctor there said she had an odd smell and they diagnosed her with a metabolic disease. It meant the chemicals in her body wouldn’t work. They treated her aggressively for two weeks, but after that we told them to take her off the machines. She died within a half an hour. Your father and I took turns holding her while she died. I know that sounds morbid and kind of scary, but it wasn’t. It was actually very peaceful.”

Francis was listening, but he had also taken a large bite of the chicken and was chewing intently when Mom paused and took another long sip of wine.

“It had been a while since I really thought about Elise. That was until you told me about the baby’s cry, Jules. Because Elise’s nursery was supposed to have been where the office is now.”

A little tingle went through me when Mom said that.

“I’m so upset, I don’t know if I can eat anymore of this,” Francis said, sawing off another piece of chicken with his fork and jamming it into his mouth. “Actually, it’s pretty awesome. Good job on the parm, Mom,” he said.

I had no idea how Francis could devour dinner having heard what Mom told us. True, I had not been surprised at first, but thinking about the baby’s cry coming from the office and envisioning a little baby girl that might have been my older sister made me feel a little wobbly. In a way what Mom told us was simple: we had an older sister; she was sick; she lived only two weeks; she died; the time had never been right to tell us. So in a way it was straightforward, but on the other hand there was much more to know.

“What did she look like?” I said.

Mom shook her head. She fixed her eyes on the opposite wall. “This sounds terrible, I know Jules, but I’m finding it hard to remember. It’s been a long time now, over fifteen years. We had pictures. We even had one framed. But it was somehow lost when we moved.”

The answer wasn’t satisfying.

“Where is she?” I asked.

For a while, Mom stared at the dregs of Chardonnay at the bottom of her wine glass.

* * *

After dinner Mom drove us to Medfield Cemetery. We went through the wrought iron entrance gate and took a winding road among the hills covered in yellowing grass and fading headstones. On top of a hill at the far side of the cemetery, Mom stopped the Stanza and we got out. It was chilly. Though the sun had set a few hours prior, there was still a faint purple glow outlining the landscape to the west. We walked past several rows of headstones, finally coming to one where there was a small white limestone marker, before which Mom kneeled. She crossed herself and closed her eyes.

My eyes were tearing. The late October wind seemed to blow through us, causing my vision of the headstone to have a gauzy effect as I read:

Elise Louise Boudreau
October 11, 1972 – October 25, 1972

Had Mom, in her preoccupied state, failed to notice? I tried doing the numbers in my head. I did the subtraction once, and then again, and then a third time.

“Today is October tenth,” I said. Francis stared off into space and Mom still had her eyes closed.

October tenth, 1988, I thought.

“She would have been sixteen tomorrow,” I said.

* * *

I went to bed that night clutching an old hockey stick (at some point its flimsy blade had been duct-taped) in one hand, and a Swiss army knife that my friend Goose had given me at summer camp in the other. These items, I knew, would be useless against a malevolent spirit—if that was what the glint was—but they were a comfort.

At camp Goose had also told me that the witching hour was from midnight until three in the morning, so I was determined to stay awake during that span of time. I popped Appetite for Destruction into my Walkman. With the opening strains of “Nightrain” blaring in my ears and the light still on in my room, I could almost convince myself it was still daytime, could almost avoid thinking about the cries of a baby and the floating crescent of light.

I watched the minutes pass on the digital face of my alarm clock, confident in my sleep-evading abilities. Despite my best efforts, just before midnight I began to succumb, entering into a sleep-like state, when the slide projector in mind came to life.

This time the slide projector showed a shadowy shape—an intruder—that had been hiding in the garage, and when midnight came it arose and crept into Mom’s room and punctured her neck, leaving her bleeding in bed. It knew that Francis and I were upstairs, vulnerable and helpless.

In my mind’s eye the intruder stalked down the hallway, opening Francis’ bedroom door. Francis, who slept so soundly, never saw the blade coming. The dark figure stabbed Francis in the neck with a steely knife, and my brother’s blood gushed out, pooling on the tan carpet of his bedroom floor and spreading into the hallway. Soon, blood layered the hardwood floor of the hallway, dark and viscous. And then, somehow, it wasn’t blood after all.

It was disease. It was the disease that had killed Elise. It was vile. What else would take the life of a baby? And it was freezing on the floor. It was icing over, becoming hardened black disease that would destroy our house.

“No,” I said, shaking myself out of the sleep-like state. The room was now night blue, and my Walkman had been turned off and placed on the bureau. Mom must have checked on me at some point. Doing so was one of her late-night tendencies.

I climbed out of bed and stood in front of the bedroom window, twisting open the blind with the wooden lever. Outside, ribbons of moonlight streamed through the tree limbs, several of which were bare. Seeing the streaks of light reminded me of something Dad had told me when I was in kindergarten, when I was frightened of going to sleep in the dark.

“How do I not be afraid?” I had asked him.

“Well, even though it’s mostly dark in your room, you still have your night light on. Just look at the light,” he had said. “Just concentrate on that.”

I closed the blind, the memory dissolving. Turning toward bed, I was surprised to discover the glint in my room, hovering a few feet above my head. It was still mysteriously luminous, bobbing and weaving in the air. There was something nearly playful about it.

I reached out, holding my palm upwards. The glint descended in a spiral motion, and when it approached my hand I felt a tingly energy. But it wasn’t frightening. Instead, a sensation of warmth and relief washed over me. It was a feeling of which I was reluctant to let go.

Then the glint darted from my hand, floated upwards toward the top of the bedroom door, flattened itself, and slipped through the crack between the door and the ceiling. “Holy shit,” I said, stupidly amazed by its shape-shifting ability. I threw open the bedroom door and ran into the hallway. There it was in full crescent shape again, its spark iridescent. It again fluttered up toward the hatch leading to the attic and halted, spinning in place, apparently waiting. “Holy shit,” I said again.

I pounded on Francis’ bedroom door and pushed it open, noticing that his alarm clock read half past midnight.

“Francis get up,” I hollered. “You gotta see this.”

He rubbed his bleary eyes and put on his wire-rimmed glasses and hurried out into the hallway. I pointed at the glint. Francis blinked, registering confusion.

“It wants into the attic. We better let it up there before it burns the hatch!” I whisper-yelled, a little afraid but also a little giddy.

Francis looked to where I pointed at the ceiling and blinked again.

“Have you lost your damn mind?” he said.

I leaped up and snagged the string tied to the hatch and pulled it down, lowering the built-in ladder and placing the bottom of its extendable legs onto the hallway floor. The glint, which had moved sideways to avoid being hit by the hatch, now flittered into the attic. I followed it, rapidly climbing up the ladder.

I got to the top of the ladder and entered the attic where it was cold, and the ragged pink strips of insulation between the rafters gave off a musty smell. A bit of blue light seeped in through a pinhole ventilation system on the far wall.

“Get up here, Francis,” I said.

“You’re a psycho,” he whisper-shouted back, but I heard the ladder squeak when he started to climb.

At the far side of the attic the glint floated over some cardboard boxes that had been crammed in the corner. Its light revealed the decrepit condition of the boxes, layered with dust and sagging from old age. I advanced toward the glint, which gravitated toward one box in particular. The old floorboards creaked, and I could hear Francis’ breathing and footsteps behind me.

I stopped at the box over which the glint hovered. The box was bound together by some old packaging tape. Realizing I had been clutching the Swiss army knife Goose gave me all along, I pried out the main blade, punctured the tape, and slit open the box.

Just when I did, the glint began to drift upwards towards the top of the tall attic ceiling. It was going away, I could tell. “Please don’t,” I said. But the little slice of fire picked up speed, and then seemed to shatter the attic ceiling with golden light. Even Francis saw it.

“What was that?” he cried out.

Though I was grateful to Francis for accompanying me, I was more distracted by the contents of the box. There was something rectangular inside, wrapped in decaying newspaper. I ripped the paper off, discovering a framed picture of some kind. But after the glint’s departure the attic went dark, so I could only see a vague shape in the picture.

Then the attic light, a lone bulb screwed into a socket in the ceiling, was suddenly clicked on.

“Boys, what’s going on in here?” Mom said, and it was reassuring to hear her voice too, though what I was looking at was far more interesting.

It was the framed photograph of a baby. She was very small. Some printing under her picture stated that she was four pounds and three ounces. Her eyes seemed set too closely together, and her head seemed too large for her little body; and in all she was misshapen. But she was beautiful.

“I haven’t seen that picture in a long time,” Mom said.

She was next to us. She put one hand on Francis’ head and the other on mine. For the first time in a while, I didn’t push her hand away.

“I guess that wasn’t lost after all,” she said.

Francis read some of the printing underneath the picture out loud. “Elise Louise Boudreau. Born October 11, 1972.”

“Like you told us, Jules,” Mom said, “she would have been sixteen today.”

Francis nodded. “She wanted us to know her,” he said.

“And then,” I said, considering the flash of golden light I had seen at the top of the ceiling, which had shone so brightly and disappeared so quickly, “she needed to be let go.”

And though I could detect some of the sad look in Mom’s face, she smiled.

That was a long time ago, but I still think about Elise. As I am driving to work early in the morning, I sometimes see light from the rising sun glint in the dark maples and oaks in the distance. Then, I am reminded of a light that appeared briefly before me when I was fourteen. Of course, I can’t help but think of a baby, or a daughter—or a sister—that might have been. But I do smile.

* * *

Lucien Brodeur is a high school English teacher who lives in West Roxbury, Massachusetts. When not grading essays or indulging an impulse to write, he enjoys spending time with his wife and their two boys. He graduated from Emerson College with a BFA in Writing and Literature and holds a Master's in Teaching English from Fordham University. His short stories have appeared in The Four Cornered Universe and Eunoia Review.

What inspires you to write and keep writing?

I really like the challenge and the creativity and the personal expression involved in the writing process. It has been an important part of my life since I started writing horror stories in sixth grade. Though the urge to write subsided a bit when I was in my mid-to-late twenties, it returned in this last decade and I am very glad for that.

Layered Light

Layered Light
by S. Brackett Robertson

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You think I’m human, don’t you --
that this mist has formed skin, formed bone.
Have you never learned the shape of things isn’t what matters?

I will draw you in, my dear,
with my light, with my mist

You do not understand what it is to be
shifted, changed
by every minute of every day
each observation

You do not understand how it is to be multiformed
winking in and out with each new angle of light

I am reflected there, before your eyes
I can only control it sometimes,
move those particles
lead you astray

It is me in the marsh,
flickering.

I inhabit those stones, too,
the ones you tilt at the jewelers
Then you seek my multicolored light

I can live in those sparks, leaping from water
bright with the setting sun

Do not mistake me for human
though you found me beside your highway
washed up, driftwood of a misty sea.

even if these fragments have taken that form
traced from your statues, from skin
Even if they mimic hands, hips, heart
I am not yours.
I am not a girl.

I am so much more than solid.

* * *

S. Brackett Robertson is a recently graduated student of anthropology and museum studies. Her poetry has previously appeared in Mythic Delirium, Scheherazade's Bequest, and Goblin Fruit. No matter where she finds herself, she tends to be on the prowl for archaic objects and places. She enjoys reading, particularly stories, and going on walks through the woods or past strange architecture.

Fire and Lye

Fire and Lye
by Stefan Milicevic



The scholar was dying on our table, but all I could hear was master Helveskar’s voice, urging me to churn faster.

“There is a right way to go about it. Hold the paddle upright, you are a soap maker, not a dockside whore. You make soap. You do not pleasure a sailor.”

I thrust as hard as I could, ignoring the calluses and sores that ridged my fingers. Sores heal. They always did.

“No.” Master Helveskar’s voice was like a knife wrapped in silk. He swung his quirt at me. There was a sharp hiss and a flash of pain blazed over my cheek. Blood trickled down my face. “That man will die if you don’t churn faster.” He cracked the quirt once more. “What is your name, girl?”

“Lye,” I said, gritting my teeth.

“And what is your calling?”

“I make soap.”

Master Helveskar nodded his approval, quirt in hand. The smells of blood and rotting guts argued with the smell of burning fat and ashes. I churned faster, my chains cackling as if in mockery. I ignored their cruel glee. One day I would undo them and plant a knife in my Master’s back.

Under my breath, I murmured the name of fire, stoking the flames that burned under the kettle. It was one of my few treasures. The little pinch of magical spice that seasoned my otherwise bland and lonely life. The flames licked upward, heeding my call.

I stuck the paddle into the kettle. Two breaths later it still stood erect. The soap was ready. Master Helveskar pushed me aside and scooped up some fresh soap with his ladle.

“There’s no time for it to dry and harden. The fresh stuff is more potent anyway.”

He turned to the dying Magister and dabbed the man’s head with a dirty cloth. Flies dotted his soiled brocades like tiny, black brooches. Master Helveskar poured the soap into the ruin that was his stomach. The scholar’s scream held no horrors for me. I had long been accustomed to the agonies of common men under Master Helveskar’s apprenticeship.

I watched the scholar moan both with pain and relief, as my master poured the scalding soap over his wound and rubbed the gooey mass into the scholar’s intestines. Soon his flesh would mend.

* * *

Alveista, once the city of gods, had been reduced to a sprawling ruin. The spires jutted out of the ground like rotten teeth, their glory as houses of worship but a bone bleached memory in the minds of few. The gods had been thorough in their punishment of the rebellious mortals. The doom they had unleashed seemed boundless in its fury, for the backlash of their powerful magicks crippled their bodies, until we were left. The slave race. Sentenced to live or to die according to the whims of all mortal remnants of the doom.

The sun sank beneath the horizon while I was watching how peddler and peasant flung offal and rotten vegetables at a caged slave. I snorted. The fault was his own; I had my own chores to take care of.

I sat next to the ashbin, scraping at the spidery tattoo that marred my body. My master decided to chain me outside while he treated the scholar’s wounds. Bit by bit I flayed off my skin, cutting my arms into ribbons. As soon as I had carved out a substantial amount of the tattoo the flesh of my forearm burned. Layers of skin sprouted like tufts of grass, mending the wound. The intricate lines of ritual ink were still intact, as if they have never seen the edge of my knife.

Sores heal. They always did. For a moment I considered cutting out my heart, but dismissed the idea. It was a coward’s heart. It belonged in my chest.

Such was the fate of the slave race. To be beaten, whipped and flensed, only to heal again.

A dull, remote part of my mind was grateful that my gravest concern was the stench of fat and ashes while making master Helveskar’s healing soap, but another made me raise my head and behold the poor sod, exposed to the jeers of the mob. I cursed him for his ham-fisted escape attempt and because he had the courage to do what I yearned for. At least he had the assurance that he failed. He knew that execution was nigh. I still trembled at the mere thought of my master’s quirt.

My name is Lye. I make soap. I repeated the words in my mind like a prayer.

A deep, tenebrous voice interrupted my solitary task. “I owe you my thanks.” The scholar squatted next to me. His face was round and his hair sleek, and tangled like a bird nest. “Without your soap I would be dead. You possess a precious gift.”

“It is a curse,” I said raising my arm to show him the tattoo that brandished me as a slave. “I healed you not for love, but for the fear of my master’s quirt, and the all crueler instruments of torture that he owns.”

He blinked and said, “But heal me you did, all the same. I am obliged to return the favor.”

I tugged at my chains making them snarl. “Can you undo these? If not, stop bothering me, magister.”

He started at the sight of chains as if I brandished a weapon at him. I found him a vexing man. Like most scholars’ his knowledge came only from books. He was the type who would read dissertations on agriculture and want to grow beans, never having seen plough nor field, or an honest day’s worth of hard work.

Again he blinked and assumed a somber expression. He spoke my suspicions before I had the chance to.

“I am no magister,” he said. “Just an apprentice.”

I gave a bitter laugh. “I assume your purse suffered.” The mere thought of my master’s face when he discovered that the magister had been nothing but a poor apprentice was enough to sweeten my day.

“Quite a bit.” His gaze trailed off as if he was immersed in solving a mind-racking equation. “Helveskar was quite furious too. At least I think he was. Until I offered to make him an etching acid in the foreseeable future.” He winced. “But making etching acid requires caustic substances. I think I will not go near those after today’s accident. I nearly killed myself.”

I did not reply, my gaze fixed on the cage and the poor soul who was bound to die soon. The silence was broken by the wind whispering through the stuccoed ruins of Alveista.

The apprentice reached for my hand. “Still, I would very much like to repay your kindness.”

I withdrew it and pointed at the cage. “See him? I want what he wanted before they put him in the cage.”

The apprentice lapsed back into his annoying habit of blinking like an ox.

“I want freedom,” I said.

The apprentice’s face turned blank like slate. His brow furrowed and for a moment I believed that he was a member of the Collegium.

“There might be a way.”

“Is that so?” I said, trying to not let hope bleed into my voice.

“Yes. In the days before the Collegium magic was a common phenomenon. The process of unleashing magic is a difficult one, but the basics can be broken down to this: To utter the true name of a thing or person is to control it.”

If I were to find out Master Helveskar’s true name I would repay him every thwack of his quirt doubly.

“I must admit that I dabbled with such things in my youth,” the apprentice said, his voice but a whisper. “I know a few names, but my command over them is tenuous at best.”

“I know the name of fire.”

His eyebrows shot up. “Fascinating. It must come naturally to your kind.”

I felt how my entire face wrinkled like an old sheet of onion paper. “Yes, it surely does. My kind also enjoys beatings and public humiliation.”

A spark of shame lit the apprentice’s bovine face. “I meant no offense,” he stammered, scrambling for words in that awkward manner of his.

“Never mind,” I said. “Teach me the name.”

Then he spoke a word that sounded like clashing swords and my chains slithered and rattled.

I twitched with surprise.

“That was no parlor trick,” I said, my voice slow like rolling honey. “I felt the tug of iron on my skin.”

The apprentice’s lips curved into a smile that told me that he was not used to praise. “If you master the name of iron, one day you will be able to break those chains.”

My heart beat so hard I felt it strike my ribcage. A warm feeling lit my chest. To be free of both my master and my chains. I relished the idea like a sweet drink of water, and the more I savored it the thirstier I became.

“Do you accept this gift?”

I nodded slowly. The apprentice brought his lips to my ear. The warmth of his lips tickled my neck as he spoke, his lips uncomfortably close to my skin.

The word he spoke was the snarl of chains and the song of swords. It was the sound of clinking coins and the deep voice of ore waiting to be unearthed.

The sound of it went through me, deep down to the marrow of my bones and stayed in my mind as if etched in steel.

“One day the sounds will turn into a word. Keep it close to heart and it will reveal itself to you.”

I looked at the apprentice again. His round attractive face. His curly, flamboyant hair. A gruff voice nudged me from my reverie.

“Girl.”

I looked up and saw Hobbard, the cobbler. Next to him stood the boy I saw in the cage a few moments ago, slave collar around his neck.

“Since this boy here don’t want make no shoes, I’ll let him ‘prentice for the soap maker. Where is he, girl?”

I nodded towards the door. “He is inside.” I snuck a glance at the boy and saw fear spreading on his sallow face. At least he had been fed well. Hobbard knew the price of good fat.

Yet he wore his resignation like a mask. I could respect that, for it required a queer sort of courage found only in slaves.

“Very well. Get moving, boy.” Master Hobbard dragged the slave boy inside.

I felt ink-black contempt spread in my chest. Then regret washed over my mind as I gripped the handle of my knife.

I should have stuck it into that bastard Hobbard’s black heart.

“What is wrong?” The apprentice’s head darted between the shops entrance and me. “Soap making is a respectable business as any. Especially your master’s soap.”

I snorted. What else to expect of a person whose knowledge came from nothing but books?

“They don’t seem to teach you common sense at the Collegium.”

“What do you mean?”

“To make soap you need lye and fat.”

“That is common knowledge,” the apprentice replied.

“From what do you think does my master render his miraculous, healing fat?”

* * *

For days I was savoring the sound of singing iron in my mind. When I cut the congealed mass of soap into bars I heard the clash of swords, when I scrubbed the kettle I relished the sound of brittle chains and kept undoing them in my own private fantasies.

The name was like water, without constant shape or form, yet I heard it whisper to me like a babbling brook, inviting me to call its name. Yet whenever I opened my mouth the word fled or froze or caught in my throat like a fishbone.

But it did not roughen my patience. Naming was much like making soap. It took practice and mastery.

One day I would undo the chains and be free, at least as free as one of the slave races could be.

One evening Master Helveskar sat down on his stool and watched me churn the thick, sudsy mass of soap. I tried to pay him no mind for his scrutiny always tensed my shoulders, and made my fingers thick and clumsy. I think I was churning the cobbler’s prentice since the kettle’s contents smelled faintly of old leather and polishing fat.

I kept churning and the fire crackled. Whereas my mastery of the name of iron was far from perfect, I found that practice strengthened my command over the flames. Once the heat burned against my face, but with each passing day it felt more like a lover’s caress. A little gentler. A little bit more arousing.

I snuck a glance at master Helveskar, half expecting him to admonish me for my lack of attention, but I found him nod his approval. The quirt was nowhere to be seen.

A rare compliment indeed.

“Lye.” He spoke my name with a hint of pride. I did not like the sound of it. “You have served me well, and although at times I find your concentration lacking you have become a fine soap maker.”

Upon hearing those words I almost dropped my paddle. Was this another game of his? To coax a smidgen of pride from me, to only let me know what a fool I was?

“Thank you, master,” I said. “You flatter me.”

He shook his head. “I do not. I think that you have learned all I can teach you. It is time to move on. For both you and me.”

I released the paddle and turned to face Helveskar. His lips curled into a smile, as cruel and crooked as a knife.

“You see, Lye, the slaves are becoming a humble and broken lot.” He shifted on his stool as if he was telling his grandchild a story. “But as time went by they learned their place. That is good, in some ways. But bad in others. Certainly bad for me.”

I embraced the song of iron, the clashing steel and cackling chains. I embraced them like a charm, but they seemed pale and silent sounds when I saw the glint in Helveskar’s eye.

“Since the cobbler’s boy I had had no new slaves brought in. No fat for our soap. But I fret not. It is time I retired. After a last batch of soap bars, that is.”

He rose from the stool and approached me with not a quirt in his hand but a knife that he procured from the folds of his master’s robe.

“No...” My protest was half a whisper. I edged slowly towards the exit, but the snarling chains reminded me that I would not make it far. The man who had been my master shook his head.

“You never learn, girl. Tell me your name.

“My name is Lye. I make soap.” The words came unbidden and I cursed myself.

“Indeed. Lye is a crucial ingredient in soap making, girl. Do not make this more difficult than it needs to be.”

My eyes were glued to the knife in his hand. The pitted piece of steel that had bit through many a slave’s flesh. I gritted my teeth and swore that it never would know the taste of mine.

I grabbed the paddle and tossed it at Helveskar. He shielded his face with his elbow, and that was when I seized my chance. I took a length of chain and slapped him at his temple, sending him to the ground. I sat on his torso and proceeded to wind the chain around his throat. He groaned and I yanked the chain as hard as I could. His eyes were bulging like bubbles on a stew, his face taking on a disturbing shade of purple.

Then I heard not a word, but a name come from his chapped lips, a name as sharp and beautiful like a jagged piece of obsidian.

“Marisella!”

The word knocked the breath out of my chest. My muscles slackened and I felt to the ground with a dull thud. Helveskar was already up again, dusting off his lavish robes. My mind sloughed through morass.

“Foolish wretch. Every slave is sold with a name. A true name. Not the pesky monikers we bestow upon you.”

He kneeled next to me and drove the knife into my thigh. Pain flashed through my body, hotter than the caress of flame. Steel tore through my flesh and I felt blood seep out of the path that the knife carved. My wounds wept and I wept with them. I was never meant to be a master of names, but a bar of soap. My name was, after all, Lye. I sunk into the dream world, the only place where I felt safe from the pain.

In my dream it smelled of smoke and burning hair. I heard the sound of toppling walls and the keening of children. I saw an arc of light tear the seams of heaven. Alveista was a silver torch that lit up the night.

And then there was silence.

Soon the survivors crept out of the rubble and built and toiled and enslaved.

And then I knew who I was.

My eyes snapped open, the wound in my thigh nothing but a wet memory. I spoke the name of fire and it came to me naturally like a song. The flames leapt and danced, engulfing the kettle, filling the room with the smell of ash and rancid fat.

Helveskar swiveled his head toward the kettle and his eyes grew wide. I seized the moment and crawled toward the water basin, where I used to wash my hands after hours of toiling over the kettle making soap of my brothers and sisters.

“No!” Helveskar yelled. He knew what I was about to do. It was one of the first rules he taught me. Never pour water over burning fat.

He plunged the knife into my back, but pain had ceased to mean anything to me. There was only the smell of smoke and burning hair and the sound of keening children. I knocked over the wash basin. Fire and water met and the workshop was ablaze with curtains of fire, dancing reds and flickering crimsons.

I watched how the body of my master turned into a smoldering mass of flesh and bone. I felt the fire embrace me hungrily, tugging at my skin and cleansing my soul. Scabrous burns sprouted all over my skin like lichen, purging my slave tattoos. Burns heal. They always did.

I went out into the street where people had already gathered around the burning workshop. They looked at me and slave, master and merchant alike dropped to their knees.

They did not see a soot-covered girl with blisters on her fingers. That had been a foolish girl, who tried to claim a name that did not belong to her.

In front of the burning workshop they started to chant my name.

My name is Suulani. Scion of Fire.

* * *

Stefan Milicevic is an author of fantasy, horror and science fiction who likes to talk about himself in third person (which makes him sound kind of important). When he is not involved in a mind-racking game of Go or Shogi, you can find him tinkering with a new story, or hanging out with his friends. He is also fluent in four languages and can't waltz to save his life.

What do you think is the attraction of the fantasy genre?

The sheer possibilities and depth of the subject matter. Well-written fantasy stories are a crucial part of the modern myth.

Brother and Sister

Brother and Sister
Sandi Leibowitz

Brotherandsister

Fire spits envy listening
to night and you, brother,
sighing in your sleep,

restless for the hounds’ cries
hot upon your back,

restless even for the wind
of arrows flying past you, close

enough to part the short brown hairs
of your spotted pelt,

as I am restless, brother,
to grow into something new,

to step out of my child’s skin
and become a woman.

* * *

Sandi Leibowitz writes fiction and poetry for adults and children, mostly fantasy, often based on myths and fairy-tales. Her works have appeared or are forthcoming in Apex, Goblin Fruit, Mythic Delirium, Jabberwocky, Abyss & Apex and Cricket. When not writing or being a school librarian, she performs with NY Revels, the classical vocal ensemble Cerddorion and the early-music trio Choraulos. A native New Yorker, Ms. Leibowitz shares her aerie with some ravens, two ghost-dogs and the occasional dragon.

What do you think is the most important part of a fantasy poem?

The poem! That is, it must work artistically just like any other poem—pay attention to vivid imagery, beautiful sounds, line breaks that add to the understanding of its meaning. And, just as with fantasy fiction, the theme, the heart of it, must be true—no matter how it’s gussied up with magic.

Ceviche Azul

Ceviche Azul
by Aaron DaMommio


Start with your peppers. Two habaneros usually does it for me. The spicier the better. We're not worried about drowning out the flavor.

After the peppers, the next thing to think about are your onions. Are they fresh? Are they strong? I like a nice big purple onion.

Limes; lots of fresh limes. Cilantro, of course, but you don't need much.

Wash your vegetables and set them aside. Don't chop them yet, but make sure your knives are sharp.

Then get an oak branch with a little mistletoe on it. I know it's hard to find mistletoe here. I've been growing it on a couple of trees in my garden, but nowadays you can just order what you need online.

When you've got your oak branch, take it out into the jungle. You can't always find the traditional mushroom ring here. Sometimes you have to look for a patch of shelf fungus. But the azulos are out there.

Azulos? That's what the locals call them. I like the name because it sounds so innocent.

If you can find a patch of forest that's been spared by an army ant march, look there. There's not an animal in the jungle that will mess with an azulo village.

When you've been at this a while, you'll learn to smell them. Mushrooms, and rain, and forest earth.

Makes me want to sneeze.

Leave your car well away. Let one of 'em hitch a ride home with you and you'll wake up one eve to a little blue face screaming while it holds a tiny knife to your throat.

If you wake up at all.

Once you find a village, choose a place to hide nearby. Then drop a single mistletoe berry in the middle.

When the azulos come out, don't go for them right away. Let them gather until you see a score or more. Then start tapping them with your oak branch.

They'll scatter, but you only need to touch them to put them out cold. You don't need many. Five or six is plenty -- just as many as you can eat in one sitting.

When all the azulos are out cold or fled, grab the ones you tapped and toss them into a burlap sack.

Just any sack. I use burlap in case they make a mess.

Don't look at them while they're in the sack. After they've been out for a while, they'll lose the glamour that makes them pleasing to our eyes.

You might think that viewing them at their ugliest would help steel you for what comes next.

You would be wrong.

When you get them home, ice them down for an hour. Meanwhile, get out your cutting board, chop your peppers, onions, and cilantro, and set them aside.

Then get out one azulo and start slicing. You need to work fast, looking at the azulo as little as possible. Concentrate on your fingers. As the azulo starts to squirm, it'll resume its glamour, so it's safe to look at.

Dice it to pieces no bigger than a fingernail, and drop them in the bowl. Squeeze a lime in after it.

Do it quick, and the pieces won't climb out of the bowl.

When you've sliced them all, toss in the peppers, onion, and cilantro, stir, and chill the mixture for a half hour.

Then eat it all. You don't want leftovers. Uneaten azulos cause no end of mischief.

Who am I, Emeril? I don't know how it works, but I know that you can't use heat on an azulo. I ate them raw for years, and it was no picnic. I was so happy when I arrived in Veracruz and saw the fishermen making ceviche.

How old would you say I am, then? Forty? Thirty-five?

I'm working on one hundred and twenty-three. I've seen half the nations of the globe change their names.

They may go down bitter, but I'll always greet the sight of an azulo with a smile.

* * *

Aaron DaMommio says: I'm a husband, father, writer, and juggler who came to Austin, Texas for college and never left. I spend my days as a technical writer, making the world safe for users of complicated software programs, and my nights reading, writing, and refereeing three kids.

What inspires you to write and keep writing?

What inspires me to write and keep writing is the challenge. Writing a good story is the hardest thing I've ever tried to do, and yet I still enjoy just about every writing session.

Birthright

Birthright
by E. L. Williams

Photobucket


I was born in a storm I did not bring,
on the eve of a war not mine;
the child of a traitor with blood on his hands,
my mother a sinner cursed twice.
As the flames of war kindled
across the lands,
the betrayer who set them died.
His bloody hand stilled the night I was born,
his last breath flew the same hour I cried.

She who slept deep in the web of intrigue
knew the present peace to soon flee.
Too guilty to stand for all she had done,
too weak and encumbered to leave,
the throes of my birth
became those of her death,
under the blade of a knife.
Her coward's hand stilled the hour I was born,
as I left her, she took her own life.

Some came with intent to take her away
and found she had already flown;
her sentence now passed she was left in the hands
of friends loath to call her their own.
They wrapped me in funeral cloth
cut from her shroud
and refused to give me a name.
Born of a villain, birthed by the damned,
now forever to carry their shame.

Four times four seasons the wars carried on
and hushed voices begin to rise.
Autumn brought storms and spring no relief,
whispers crawled at every side.
The years nursed infection
fed upon fear
and focused in my living breath.
Born of a villain, birthed by the damned,
surely fated to follow in death.

Quarter score years passed, all in misfortune
and I finally earned a name:
Thanatos, Lord of the cursed underlands
who brings plague and fiery rain.
Close they watched me grow older
in visions dark
‘til my eyes held too much dread thought.
Born of a villain, birthed by the damned,
sins embodied in what they begot.

From village to town and into the wastes –
as I came, so they drove me out.
Bread from a rouge, the cold mercy of thieves,
to steal was what now filled my mouth.
And so I learned to become
something akin
to the creature fear raised me as;
born of a villain, birthed by the damned,
fearsome purpose such legacy has.

In cunning and strength both mind and limb grew
and in kind, my ill-fated name.
Thanatos, ruler of the realm of the dead,
now imminently stirs his day.
The gleam of coin soon became
my only friend
and my enemies were chosen in kind.
Born of a villain, birthed by the damned,
a fetid cord to securely bind.

In a world plagued by loss my fortunes soared,
increasing in gold and in men.
The devil’s own horde marched at my word
and waged war by the coins command.
Where we moved there was terror
for victory sure
fell to the hand that paid our price.
Born of a villain, birthed by the damned,
a child fed on destruction and vice.

Thanatos comes, grew the herald whisper,
to serve prayer and cursing both.
The lord of hades rides a midnight stallion
and leads a legion of ghosts;
this power they marveled at
absent knowledge
of what horrors had set me here.
Born of a villain, birthed by the damned,
who turns water and wind into fear.

Like a sword grown too heavy for the arm,
a dog too vicious in the chase,
my threat soon outgrew my use and sent
dark hands to deliver my fate.
Yet treachery and blood lay
close as my skin,
these ever the sounds I waited for.
Born of a traitor, birthed by the damned,
a birthright to perfect and abhor.

The boy they had fed on silver and gold
and trained in the fields of war
now rose as an equal to take what was won,
no longer to act as their sword.
As a wind-driven fire
I moved on the land
and all that fell was given my name.
Born of a villain, birthed by the damned,
now a lord to reap glory and fame.

I set up mayors, governors and lords
to hold office at my behest.
They swore oath in my name and lived at my word,
death to reward the faithless.
Palace and citadel fell
at my advance,
but of none did I make a home.
Born of a villain, birthed by the damned,
cursed henceforth to eternally roam.

At the changing of standards I rode in
on my last and greatest conquest;
the city of lights, capital of the world
under whose golden throne all met.
Past glittering spires and
harbors docked full,
I rode to a soundless salute.
Born of villain, birthed by the damned,
lauded with silence, praised by the mute.

The war that had raged a score and five years,
a flame set by my parents’ hand,
was now ended in my victorious march
against the throne to rule all lands.
An outcast, a criminal
and now a king
of mortals and hades’ hoard both.
Born of a villain birthed by the damned,
now the sole being by which all swear oath.


* * *

E. L. Williams is a Renaissance man in training who enjoys anonymity, Autumn rain, and telling extemporaneous tales to children (even though she denies it). She divides her creative energies between writing and recording original music, and agonizing over the details of her current novel-in-progress.

What inspires you to write and keep writing?

Self-preservation; the stories gnaw at my mind until I let them out.

Red Sand

Red Sand
Rachel J. Bailey



The creature writhed, emitting a squeal. Its wings opened, flickering red and gold in the light of the lantern, the pattern of bones visible through the scaly skin. Flapping frantically it rose, desperate to escape the red hot lance pointing towards it, already tipped with blood. Wings met the roof a few feet above and it plummeted back down, squealing then rolling into the corner to escape, its feet scrabbling against the floor to push it into the wall. Timfana’s nose twitched as a new unpleasant scent reached her over the lantern smoke, and her eyes were drawn to a singed bleeding mark on the creature’s white underbelly. That lance had been white hot when the man first pushed it through the bars.

The creature lay on its side, panting, eyes rolling. Timfana was reminded of her pony the first time it had seen a full grown dragon. The pony had bucked, half throwing Timfana from the saddle, and the groom had needed to bring his weight down on the reins. Then her father had been beside her, lifting her out of the saddle onto his own horse, and she had seen her pony snorting with fear, eyes rolling. So that was what it took to make the creatures afraid.

“Timfana!” She heard her father striding down the corridor. “How did you get in there?”

Timfana ignored him, her gaze captured by the creature. It darted its head downwards to lick its wound with a thick triangular tongue, licking like a cat, Timfana thought. The creature brought its head up to watch her, making the chain around its neck clink. She could see the lantern flame reflected in its eyes. It flinched as she reached out and touched the cold, thick, metal cage bars, and she drew back. Large hands grasped Timfana’s shoulders, turning her body towards the door. She kept her eyes on the creature.

“Come away.” The hands on her shoulders pushed her gently but firmly forwards, and Timfana found herself walking towards the door. The creature darted its head down for another lick, then watched her, its yellow eyes following her until the stone door frame hid it from view. “What were you doing in there? I told you to wait for me.”

Timfana reached out a hand to touch the black pockmarked stone of the corridor wall. Green mould dripped down some stones, water from the ground above. They passed two more doorways containing cages before reaching the broad stone steps, Timfana needing to push herself up each step and take two strides to reach the next, half running to keep up, while her father strode up them one by one.

“They have to do it, you know,” Timfana’s father said. “To show the dragons that we are their masters, teach them to follow commands.” Timfana blinked as they emerged into daylight, the harsh sun emphasising the red sand. “These are the dragons you’ll be flying one day. And you don’t want your dragon to be flying into battle, and then decide it’ll do whatever it wants to. It might decide to fight for the other side!” They stopped close to a thick metal pole driven into the ground, curved into a large loop at the top. “No. they need to learn to obey. A bit like someone else I could mention.” He laughed, nudged Timfana’s shoulder.

“Anyway, I’ve asked them to bring new one out, see what she can do. You’ll need to start your training soon, she could be a good match for you. That would be good, wouldn’t it? To have your own dragon?”

“Yes,” Timfana said.

A white cat was sat in the shade of the building, watching her with its yellow eyes. Timfana walked towards it, and held her hand out as her mother had taught her, to let the cat come to her. The cat strolled across the red sand, sniffed her hand, and then rubbed its head against her. She admired cats—so independent, they came and went as they pleased. She crouched on the ground stroking the cat and felt the sun hot on the back of her neck and her bare arms. She rested her other hand on the red sand, counting how many seconds she could hold it there before the heat made her snatch it back up. The cat wandered back to the shade, sat, and started licking its chest.

Timfana thought of the dragon riders she’d seen. Her father had taken her to see a display earlier in the year. The dragons had flown in formation, two green on the outside and one red in the middle. She remembered the red dragon swooping down over their heads, watching its taut bony wings flap majestically to gain height, feeling the wind from its passing. The rider dressed in black, hunched between the wings. Timfana had been surprised to see that the dragons wore reins and blinkers, like her pony—although the dragon reins were much more substantial. “To make sure he stays facing the way he’s meant to,” her father had told her. “Don’t forget that those harnesses can feed the dragon fuel as well. Don’t want to have him breathing fire and then turn his head back towards you!”

Timfana’s father knew a lot about dragons. He’d dreamed of being a dragon rider from being a boy. “But your old man was just too big and strong,” he’d told her. “My father took me to a training fair, they checked my age and height and weight, and shook their heads. Said I didn’t need to ride a dragon. I was big and strong enough to fight off dragons by myself!” At this point into the story, he always put his hands under Timfana’s arms and lifted her up above his head. “Dragon riders need to be small and light, like you.” He swooped her through the air before setting her back down, Timfana shrieking and giggling.

For the finale, the dragons had flow out from the crowd into a cleared area where two of the beasts had thrown out streams of fire. “There’s a special chamber in their chests where they heat the fuel,” her father had said. “Then they expel it out to mix it with the air—and you can see the result.” Two bonfires burst into light, illuminating a third pile of wood. The red dragon flew back around and over again while the greens soared and swooped, and then again.

“Refusing to burn his fuel,” Timfana heard a man in the crowd behind her say. “Difficult buggers, dragons. They’ll have to fly him around for a bit, till he decides to belch it out.” Timfana saw her father grimace at the language, and filed a couple of words away for future use.

Then the fences had been taken down and the crowd rushed forwards towards the fires, Timfana clutching her bag of marshmallows to toast.

The clink of a chain made the cat prick up its ears. Timfana turned to see two men walking backwards out of the passageway which lead to the dragon cages, straining against a chain leading back through the doorway.

“Bloody stubborn, this one,” said the man who had held the lance earlier. “Come on you beast, get up the steps.”

“We’ll have fun when she gets bigger if you don’t manage to tame her a bit,” said the other.

“You want to try with her? These red ones, they’re always the worst.”

With a grunt they moved backwards, and the dragon from the cage came into sight, nostrils flaring. The white cat fled.

“Get those wings down,” one of the men said. “Stupid thing, how are you going to fit through the door?”

Once through the door, Timfana could see why the men were struggling—the dragon dug its claws into the sand at every step, and braced its powerful scaly legs. At one point, it opened its mouth and blew out a steady stream of air.

“Easy, tiger,” one of the men said. “No fire breathing for you today.”

“Could do without the bad breath, mind,” said the other. “What have you been feeding her?”

Finally they reached the metal pole, clipped the chain to the loop with a click, and stood back. The dragon ran forwards and flapped, sending up a dust cloud of red sand. It managed to get airborne, but was held by the chain and reduced to flying round in circles, the chain squealing as metal rubbed on metal.

Timfana tried to walk forwards to get a better look but her father grabbed her wrist and pulled her back.

“Oh, she’s safe enough, as long as she stays out of the dragon’s reach,” one of the men said. “Dragon’s got no fuel.”

“You’ve been regulating her diet?” Timfana’s father asked over the clinking of the chain. “No plants she can extract oil from?”

“Oh no. We wouldn’t want any accidents, would we? And I’m probably not her favourite person at the moment.” He laughed. “We made sure of it.” He addressed Timfana. “Now if the dragon got out into those tress over there,” he pointed to the olive trees grown in steps down the hillside, gnarled and knotted, “Give her a couple of hours to digest the olives and some wood, and we would be in trouble.” He breathed out theatrically.

“So how much are we talking?” asked Timfana’s father.

“Well, you can see she’s in good health,” the man said. “Lots of energy, spirited.”

Timfana’s father laughed. “Spirited? Any price we agree is on the basis you can train her first.”

The two men started discussing prices, bloodlines, training. The other man left them and disappeared down into the passageway. The chain clattered to the ground—the dragon had finally tired of flying round in circles and crouched on the ground, panting. Timfana could see the raw red mark on the side of its belly, and noticed a large black scab on the other side.

“Hello,” Timfana said. The dragon watched her, its yellow eyes rarely blinking. She stepped closer, and then closer as it made no move. I can run if I see her start forwards, Timfana thought. She glanced at the thick chain which ran from a metal collar around the dragon’s neck up to the loop in the metal pole above Timfana’s head, a clip holding it at both ends. It looked strong.

“My father says I could ride you when we’re both a bit bigger,” Timfana told her. “I wouldn’t hurt you, I’d be your friend. Would you like that?” She held out her hand as she would for a cat, and the dragon flinched. Timfana could see the red scaled sides rising and falling as the creature panted.

Timfana’s father was looking through papers, while the other man talked. Neither had noticed how close she’d come. Timfana took another step forwards. The dragon started to raise her wings. “Ssh,” Timfana told her. “You’ll get me in trouble.”

Timfana wrinkled her nose. She was close enough to smell the burnt flesh, could see the red swollen skin. “Ssh,” she murmured again, stepping closer. The red scales reflected the sunlight, patterns glinting across the dragon’s flanks as she walked.

She was within touching distance now. Still nobody had noticed, the men had raised their voices, but were focusing on each other, not her. Timfana reached out her hand, past the dragon’s ears to its neck. She pressed in the clip, surprised by how easily it opened, and slid it back from the collar. The click as it fell shut sounded loud to Timfana, but glancing up she saw that no one had noticed. Gently, quietly, she lowered the empty chain to the ground, flinching at every chink. The dragon still crouched, panting.

Timfana stepped back and the dragon spread out her wings, red scales glittering in the sunlight, and emitted a loud bird-like cry. The creature ran towards her, its wings outstretched, and Timfana threw herself to the side onto the red sand. She felt the wind of its wings, flaying her hair as it passed over her head.

* * *

Rachel J. Bailey lives in Leeds , UK . She has a minor obsession with dragons, and has a purple dragon tattooed on her back. Her ambition is to open a sanctuary for abandoned dragons, but she has so far failed to secure funding for the project. She occasionally updates a writing blog at storyfrog.blogspot.com.

Where do you get the ideas for your stories?

It varies – I like to do freewriting starting with random words, opening a book with my eyes closed and using whatever word my finger points to, which can lead to subjects I’d never normally try. But the best stories tend to come from events in my life or scenes I’ve seen. I wrote “Red Sand” while on holiday in Lanzarote, where the volcanic landscape - red sand blowing down the sides of volcanoes lit up by the sunshine and black lava rocks littering the roadside - seemed perfect for dragons. I had no idea where the story would end up when I started it, I just had the image of the dragon caged underground, and took it from there.

The First Fall

The First Fall
by Linda M. Crate



Demeter’s children are wilting,
but none fall as hard as Persephone —

tricked by the lull of pomegranate,
it’s garish hue pleasing to the eyes

of youth that feast upon the world
a little differently than those that

are wiser to the wily ways of it’s
brood; but that’s all in the past now —

there are things that cannot be undone
even by the gods; some things that fall

like rain no matter how hard you try
to avert your wings from the splashes;

sometimes you get weighted down
in the volume of all the problems, that

you can forget like Demeter that spring
will come again along with Persephone.

* * *

Linda M. Crate is a Pennsylvanian native born in Pittsburgh yet raised in the rural town of Conneautville. Her poems have been previously published in Magic Cat Press, Black-Listed Magazine, Bigger Stones, Vintage Poetry, The Stellar Showcase Journal, Ides of March, The Blinking Cursor, The Diversified Arts Project, The Railroad Poetry Project, Skive, The Scarlet Sound, Speech Therapy, Itasca Illinois & Willowtree Dreams, Dead Snakes, The Camel Saloon, Write From Wrong, Moon Washed Kisses, The Wilderness Interface Zone, Samizdat Literary Magazine, Danse Macabre, and the Horror Zine. Her short stories have been published in Carnage Conservatory, Daily Love, Circus of the Damned, Linguistic Erosion, and Yesteryear Fiction.

What advice do you have for other fantasy poets?

Just keep writing. It's hard sometimes (I got 19 rejections one day!), but you have to keep pushing on. Don't give up. I heard this advice on the news one day: "Keep believing in your dreams even if no one else does." I believe that's completely essential to any writer. You just have to persevere. Even J.K. Rowling was rejected twelve times before her masterpiece was published, and look where the Harry Potter franchise is now! It's not easy to follow your dreams, but nothing good in life ever came for free. Don't ever stop, don't let anyone convince you that you're not good enough. The day you do that is the day that you've let them win. Prove your critics wrong, make them eat their words.

The Wolf Skin

The Wolf Skin
A Story of the Crow Witch
by Mike Phillips




The knife was sharp, worked from a black flint stone with veins of gray that seemed to feed the ragged edge with ashen blood. Effortlessly, the knife cut through the victim’s flesh. The animal whimpered feebly as the violation was made. It was a wolf and it was not dead. The man needed it alive.

The wolf’s back was broken at the neck, but not fatally so. Until the entire skin had been removed, the wolf must remain alive. He was a master, the man, an expert at the job and he did not make mistakes like killing. He never killed unless such was his need, even if that need was pleasure.

The man had trapped the wolf easily enough. It was early winter. The snow in the mountains slowed the smaller animals, but the deer and the elk and the moose were not yet troubled by the depths of snow or by the cover of the vegetation that came later in the season. The wolves were hungry but not desperately so. They would not yet maim themselves to escape a trap.

A bit of raw meat set in a snare had caught the wolf, but there was always a chance of damage, so the man had been watchful. He would not let such a precious thing escape. It was a lone wolf, a male, two years old. It was strong but not yet strong enough to have a territory of its own, to have females. And so the lone wolf had been easily caught, and there was no help for it now.

Kneeling beside the fire and chanting ancient words, the man made his first cut long and deep. It started under the wolf’s chin, in the soft spot between bones, and the cut traveled on and on and on, down over the wolf’s sternum and then his stomach. The cut circled his male organs and his lower vent, then split down each leg.

Carefully, expertly, the man removed the legs from inside the skin, slipping them like a hand from a well made glove. Nothing of the skin could be wasted. It had to be perfect. In the same way the front legs were done, and then finally the head. In one unspoiled piece, the entire skin was removed.

The wolf whimpered again for mercy, begging for death as it saw its hide spread upon the ground. The man did not answer the plea. He took a burning stick from the fire and quenched it in the snow. With the black remains he drew sigils on the inside of the still live flesh, signs of power that predated words, signs that had been gifted to mankind long, long ago.

And when the work was done, the man took off his clothes and stood naked in the snow. Reaching up to the sky and then bending low upon the ground, he made the invocation, putting the evil to work.

* * *

“What’s this?” Lynn Weigenmeister said as she stepped out her front door. There, on the porch in the snow, was a newspaper. Confused, wary, she looked over the freshly fallen snow, searching for some sign. There were no footprints, no tire tracks, only virgin snow upon the ground.

Picking up the paper with caution, she looked it over with a great intensity, wondering what the thing was and how it had gotten there. She didn’t have a subscription to the newspaper, had never had one, and newspapers just didn’t fall accidentally at one’s doorstep in her neck of the woods.

She lived out in the country, far from town, far from any other home, too far from civilization for paper delivery. It could only have arrived by magic, or at least by some purposeful means. She looked round once again, trying to find some spy or agent that could have placed such a thing in her way; but she found no one, not even after using her certain unique abilities to make the search.

After shoveling the walk and the drive, Miss Weigenmeister brewed a cup of tea and sat down at her kitchen table, the curious newspaper before her. She sung a few verses of an old song that she thought might help with the process, but was revealed nothing. Then she tried an amulet gray with age. That didn’t help either. At last, she poked the newspaper. Nothing happened.

“Well, I guess there’s nothing else for it, then,” she said in a nervous sort of way, removing the plastic bag in which it was delivered, smiling in a private way about how little boys used to take such pride in how they folded a newspaper for delivery, and how they had once been able to make any number of boats or hats or airplanes from the remnants of the day’s events. She even remembered a particular part of a book about a curious monkey making a fleet of boats from a stack of newspapers before riding a rocket into space. But then, she thought with an ache in her heart, now children had television and computers, and plastic bags.

Opening the paper, she ignored the national and state news, thinking that whatever was happening in the world at large was not something she could be expected to deal with. When she came to the regional section she found out what the big story was. The local high school athletic team had won some important competition and was moving on to the national level.

“Well, that can’t be it,” she said aloud, reading on. There were stories about the impact of new state legislation, a proposal to replace the old swing bridge across the Ontonagon River, all things that she didn’t have much interest in, having gone through it, in one way or another, before.

Then, on the top of page three, there was an article about the loss of a cow on the old Gagnon Farm north of town. The cow had been killed and eaten by wolves. It had happened two days ago. The Department of Natural Resources had been called in, and confirmed the cause of death.

Such a thing happened from time to time, but usually much later in the season, and the tragedy usually involved an unlucky calf, the mother being too big to succumb to an attack by a starving pack. The DNR were moving to capture and remove the offending animals for resettlement in a more remote location, but these attempts so far had yielded no positive result.

“Interesting,” said Miss Weigenmeister to herself, taking a sip of tea and refolding the newspaper, “a wolf problem, most disturbing. Well, I suppose an investigator should begin at the scene of the crime.”

She looked to the date on the top of the paper, saying, “And tonight is the last night of the full moon. That means werewolves, not so bad if you give them a chance to explain themselves. The local section of the paper was probably put to bed yesterday morning. I wonder if anything happened last night. Well, they’ll be talking down at Syl’s Café, and I could use a slice apple pie.”

* * *

“There you go, Joe, and good luck to you,” Syl said to Joe Gagnon as he handed over a large paper bag. “I threw in a couple of pies for you, napkins and forks and all that. Is there anything else you think you need, then?”


Joe set the bags on the counter, careful not to tip them for fear of ruining the pies, saying, “No, thank you Syl. Hopefully we’ll have some good luck out there tonight.”

“Yeah, funny things going on out there, eh?”

“You said it,” Joe replied tiredly. “Them wolves are tricky as the devil himself. We didn’t even think they’d come back last night, but you got to try.”

“Oh yeah, got to try.”

“The buggers sneaked up right under our noses. I barely closed my eyes all night, and you know them young kids they got from the game department are sharp as tacks.”

“How many birds they get then?”

“Five,” Joe said, handing over a fifty dollar bill.

“Five? Holy cow!”

“Good laying hens too. Funny though, it was just like with that cow. They just ate some of the guts and left the rest, like taking the first bite from an apple.”

“That is strange. So what’s the plan now?”

As Syl handed back his change, Joe said, “Well, I don’t rightly know. I think they’re going to set out a few more of them baited traps they got and hope for the best.”

“Well, good luck to you.”

“Thanks, well, I got to get going.” He picked up the bags in explanation and headed toward to door.

“Sure thing, Joe. Thanks for coming in, I’ll see you Sunday.”

Miss Weigenmeister had been listening intently to the conversation, waiting in line to be seated while Joe Gagnon paid his bill. The apple pie was sold out, sent to feed the men working in the snow. Blueberry and pecan was left. Miss Weigenmeister ordered the blueberry but she had already gotten what she came in for. The trouble at Gagnon’s Farm was not over. The wolves had returned.

* * *

After eating the pie at her desk with afternoon tea, Miss Weigenmeister closed the library. She wanted to get out to the Gagnon Farm while it was still light out so she could look over the scene, perhaps come up with some sort of plan before the moon rose. Locking the exits and shutting off the lights, she went to the lady’s restroom. There she bolted the door behind her, opening the window on the far wall. She took off her clothes, folding them neatly and leaving them on the basin.

Then she looked into the mirror and was struck by how severe, how very much like a crow’s her own eyes had become. That was how the change began. She thought about the sun and sky, riding the winds high above the trees. She thought of the crow’s speed and its tricks and how it used its talents in avoiding enemies.

Her eyes grew fully black. Her nose lengthened and hardened, becoming beaklike. The fine hairs on her arms broadened and lengthened into shiny black feathers and her arms folded into wings. In a rush the transformation was complete, and she flew off through the open window and into the sky.

The bare trees along the road provided a haven as she made her way out of town, beating her wings in short flights, taking the guise of a perfectly normal crow in search of an evening meal. The houses and trees of town gave way to fields, the stubble of corn yet visible through the blanket of snow. The wind was cold and the dark clouds hinted that more snow was yet to come, likely that same night.

The old schoolhouse came into sight, the red stone of the old two story building rising above the field as a beacon upon the shores of Lake Superior. On one side of the building a scrawl of painted letters read, “Eat more beef”, and Miss Weigenmeister knew she had arrived at the Gagnon farm. She landed upon the roof of the abandoned school, careful to avoid the holes that time and neglect had made. Other crows were there in the old building; and there were gulls too, all making noise in the abandoned classrooms, sounding like the ghosts of children.

Trees had grown up near the old structure, but had not otherwise been allowed to take root and gain size, so there was a good view of the lands in all directions. She saw where the men were, out at the edge of the fields, away in the swamp where wolves were thought to go until night fell. Miss Weigenmeister flew down to them, listened for a while but heard nothing of importance.

From up in the sky she spied the place where the fateful meal had been taken. The only remains of what had happened in this place, the blood soaked ground and snow. She saw that the men had followed tracks into the woods, but their search had stopped a mile into the wilderness. She flew on, following the wolf tracks, thinking to find a cave or some other hiding place.

That is what she found some five miles distance from the farm. It seemed to her a long way for such a beast to come for a meal, especially two nights in a row. The wolf’s den was a shallow hole dug under a popple tree. Finally she lit upon a branch and waited, deciding what to do next.

“Well, what do you want?” came a rough voice, a man’s voice, from down the hole. “You didn’t come just to ruin my nap, did you?”

Surprised at being recognized, Miss Weigenmeister said, “Well, I didn’t think that I would disturb your slumber.”

“So what do you want?”

“Well, sir, I see that you have mastery of your faculties. That is to the good and quite unexpected. It should make things easier for us. We won’t have to figure all that out. That part is always difficult, moon rising and falling, all quite a bother really.” She took a breath. “Oh, yes, sorry. I’ve come to help you.”

“Help? Did I ask for help?”

Taken aback, Miss Weigenmeister said, “Well, no, I just thought that you might need a friend, considering your recent condition.”

“My condition?” the man said curtly. “And what exactly is wrong with my condition?”

“Well, you could try being a little more agreeable for one,” Miss Weigenmeister said with a librarian’s equivalent of scorn. She tried to see down the hole, feeling that if she were being watched, having a look herself would not be impolite. For all the darkness, she could see almost nothing down there, lest it be the black nose at the end of a long snout.

“Oh, so you’re one of them do-gooders. Well, if you’re gonna be my conscience you’re gonna have to come up with some dinner first. How about some pig? That dumb old farmer got rid of all his pigs already. Well, what do ya’ say, Jiminy Cricket? Get me a little bacon? You gonna make all my wishes come true?”

“Wishing was the blue fairy’s business, but let’s not get off topic,” Miss Weigenmeister said, clipping the words neatly. “I came to help you. This thing that has happened to you, I can help you adjust. I can help you to use your gifts for a higher purpose.”

The man laughed raucously. When he had enough of the show, he said, “I don’t know, I kinda like the way I am. I may not look like much now, but soon I’ll have my full strength. Then I can really start having some fun. You know, grab a few kiddies, maybe even eat a grandma or two. What do you think of that? Look out little Red Riding Hood ‘cause here comes the big bad wolf.”

“I don’t approve.”

“Oh, too bad. So what do you think you can do about it?”

“Perhaps much, I warn you that if you continue along the path you have chosen, I will do all that is in my power to thwart you.”

“Listen sister, the way I see it you and me are two of a kind, so don’t get all high and mighty. I know how you came by them feathers, sweetheart.”

“We are nothing alike, sir.”

“Oh? So I missed my guess, eh? Well, you don’t smell much like a witch, but I wouldn’t mind a little entertainment!” As the last was said, the wolf leaped from the den. He was much bigger than an ordinary wolf, and he moved twice as fast. He was out of the den and jumped toward the limb where Miss Weigenmeister sat in the blink of an eye.

But he wasn’t fast enough. The crow took to the air, flapping her wings calmly once or twice before settling on a branch higher up, one that was comfortably out of range for even an extraordinary wolf. She chuckled to herself, thinking how difficult it was to catch a crow off guard.

“Get back here! Get back here or I’ll rip you to pieces!” the wolf shouted, making several half hearted attempts to knock her off her perch.

“Well, how rude. Now that we understand each other, I’ll be going.” And with that, she took to the sky.

“I’ll get you. Don’t you come back here ever again. If you do, I’ll make a feather duster out of you.”

* * *

That night despite the cold, Miss Weigenmeister tucked a few choice books under her arm and went outside to the patio, setting her things down on one of the benches that encircled a much used fire pit. But before starting her research, she set about making a fire. She knew that having a very hot fire was a necessity, so on the way home from the library, she had stopped at the local hardware store.

After digging around in the back for nearly twenty minutes, the clerk finally produced the last bag of charcoal in the place. With the bag from the hardware store and the half bag that remained of her own stock, Miss Weigenmeister made a good sized pyramid, following the instructions on the back of the bag in such a way that would make all the folks at Kingsford proud.

Satisfied with her work, she doused the whole thing with excessive quantities of kerosene, and at the touch of a match, the pyramid was in flame. The fire started, she went back into the house and returned with a pair of tongs, a small sort of cup made of clay, and a finely made, walnut case.

She opened the case and took a deep, sad breath. One must be sacrificed, she knew. There was no way around it, not now, not with so little time remaining. Though she had brought the books out with her in hopes another way could be found, she knew that such hopes were false, fantasies of an overly optimistic, overly sympathetic, heart.

She gazed into the sky, trying to think if there was another way. Such a deed was entirely loathsome, perhaps one of the most terrible things that she had ever set about doing. But it gets dark early in the north during the winter and she could waste no more time. Moon shadows had already gathered.

With a silent prayer for forgiveness, she looked again into the case, seeing before her the magnificence of the family silver as the pieces glinted in the firelight. With reverence and not a little indecision, she began to reach for a teaspoon.

“Oh, but you are so dear to me,” she said, taking back her hand suddenly as if burned. She knew the teaspoon could be the only real choice, the responsible choice. There were eleven others, after all, and something like a butter knife might seem useless in the grand scheme of things, but it would be impossible to replace.

Then she made the choice. Plucking up her courage, she selected a shrimp fork. Saying, “I never did like seafood much anyway,” she quickly shut the lid before she could change her mind. Into the crucible the fork went, and with the pair of tongs, Miss Weigenmeister carefully placed the vessel into the center of the fire and waited.

* * *

There was a terrible crash. Miss Weigenmeister woke abruptly, throwing back the covers and landing with bare feet upon the cold floor. Hearing the rush upon the stairs, she left off putting on her robe and slippers and reached for the gun, just as the wolf struck her bedroom door.

“Daddy’s home,” the man in wolf’s skin shouted merrily. Again he struck the door, and this time, it broke open.

Stepping away toward the window, Miss Weigenmeister lifted the gun and shouted, “Don’t you come a step nearer.”

“What’s that? A blunderbuss? You must be joking,” the man said with a derisive laugh. “And with a flintlock too. Oh, this is too much.”

Ignoring the insult, Miss Weigenmeister replied, “I must warn you that I know how to use it. Lycanthrope or not, a silver bullet will do the trick.”

“Lady,” the man said lasciviously, looking her up and down in her nightgown, “that old thing would just knock you on your cute little bottom. You should get yourself one of those girlie guns. Or better yet, get a dog. How about that? I could be your dog. Would you like that?”

“I think not. Now, if you refuse to give up your skin and allow me to bind your powers, I will dispatch you.”

The man’s attitude changed. Baring wolf’s teeth, his menace seeming to grow with each step, he started toward her. “Dispatch me? You’re kidding, right? That gun’s no good and you’re not much of a witch you know.”

“Oh, I’m not?”

“Nope,” the man said, sneering, licking lips with a tongue the color of fresh blood, “I slipped right in under those wards of yours as easy as you please.”

“No, I am afraid that you are mistaken. You did not ‘slip right in’ as you believe,” said Miss Weigenmeister, leveling the weapon, her finger tense on the trigger. “You have fallen into my trap.”

A brilliant flash and a deafening crack, the smoke and noise an insult to the senses, the blunderbuss bucked like a cannon as Miss Weigenmeister pulled the trigger. The man was knocked against the wall, then dropped to the floor. The shot had taken him in the chest, and he could do no more than look up in confusion as he breathed his last.

The wolf skin began to change. It shriveled as if days had passed, breaking open where the knife had done its work, revealing pink skin underneath. No longer did the body of the man fit so neatly within its confines. It was an animal skin, a covering a man might use as any other, like a shirt or jacket, no longer magical in any way.

With caution, Miss Weigenmeister stepped toward the body, not knowing what to expect. The man was dead, and it was certainly the body of a man that lay upon her floor. She wondered what the people from the game department would say, it from what had happened here if another conclusion would be drawn. That was none of her concern. She was just a woman defending her home.

She whispered to the blunderbuss, setting it down on the bed. Like the wolf into a man, the gun took another form. But this was only an illusion. She had no power to change what the blunderbuss was. It would seem real enough to anyone who might take an interest, a twelve-gage pump action shotgun, nothing special.

“Now,” she said, speaking the words aloud to chase away the ugliness of what she saw before her, “to call the police.”

* * *

Mike Phillips is the author of Reign of the Nightmare Prince, available in fine bookstores, online booksellers, Kindle and Nook. His short stories have appeared in ParABnormal Digest, Cemetery Moon, Sinister Tales, The Big Book of New Short Horror, World of Myth, Dark Horizons, Mystic Signals and many others. Online, his work has appeared in Darker, Lorelei Signal, Midnight Times, and Fringe. He is best known for his Crow Witch and Patrick Donegal series.