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Summer 2008 Issue

Summer 2008 (Burne-Jones's Evening Star)


Welcome to "Otherworlds: Stories of Change and Discovery," the Summer Issue of Mirror Dance!

In this issue…

• Fiction by Diane Gallant, Michael Kechula, Gerri Leen, and Karen Aschenbrenner

• Poetry by Aurelio Lopez III, Kristine Ong Muslim, and Roxanne Hoffman

• Art by Fariel Shafee

Feel free to leave comments on the individual pieces.

Mirror Dance welcomes letters to the editor! Questions, suggestions for the website, and comments on the stories and poems may be e-mailed to markenberg at yahoo.com.

We are now open for submissions to our Autumn issue, which will run from September 1 to November 30. Please see our Submission Guidelines for details on how to submit.

Woman of the Small Magic

Woman of the Small Magic

by Diane Gallant

Small Magic


Jemu was thinking of her when she appeared, so that it seemed to be his thought which summoned her. He remembered how she had moved lightly among the dancers in the hall, and taken her place on the red cushion beside Lor’s chair. A daughter perhaps, or a favorite concubine. And Jemu remembered the laughter that had glittered in her dark eyes as she watched his charlatan’s magic -- the fire that erupted from the end of his cane, the shrinking cat, the ruby ring that floated in the air -- illusions and tricks which he’d learned in the east, and which had served him well for a long time, giving him a traveling entertainer’s entrance into the noble houses of the great cities of Prog. Once inside the houses, the real trick was to find gold and jewelry and valuable items, and to carry them out, undetected.

Last night, Jemu had failed.

And now he was here, under Lor’s house, in a prison cell not quite big enough for a man to lie down in, sitting on the dirt floor with his back against the cold, humid stone of the wall. Rusty iron bars locked him in this small space, and five drooling, snarling dogs kept guard outside the bars. He expected that Lor’s men would come in the full light of morning, and bind his hands behind his back, and lead him out into the garden, and hang him there, among the green trees and babbling blue fountains. And while waiting for the brutes to come and bring him to his death, he was thinking of the girl with the laughing eyes who sat at Lor’s feet.

Instead, it was the girl who came. He heard her before he saw her. She was in the corridor above him, or perhaps at the top of the stone stairs that led down to his cell, and she was speaking words that Jemu did not understand -- a foreign language, or a spell. She was speaking quickly. Her voice was low, barely more that a whisper, and it rolled like tidewater over the heads of the drooling dogs, and through the iron bars and into Jemu’s cell, and as it went it spread an eerie calm. The dogs reacted immediately. They whimpered first, then quieted completely, and finally lay down in the dirt with their eyes closed.

Then the girl -- no, thought Jemu, the woman -- appeared in the doorway at the bottom of the stairs. She took a rapid survey of the scene, and stopped her incantation. There was no laughter in her eyes now, only a grim determination. She wore black riding boots, and a dark green riding cloak with the hood pushed back, and her black hair was bound tightly behind her head. She pulled the key from the hook where it hung on the far wall, and without hesitation she stepped over the heads of the sleeping dogs and came to the door of Jemu’s cell. She tuned the key in the lock, and pulled the door, which screeched on its hinges as it opened. She threw the key to the floor, and held out her hand to Jemu. “Come,” she said in his own language. “Come quickly.”

“Who are you?” he asked. “What are you doing here?”

“I’m saving your life. Come.”

“Why?”

“No time to discuss it now. Come.”

Jemu’s legs shook beneath him as he stood. “Where are we going?”

The woman grabbed him by the arm, and tugged him, hard. “Follow me. Come.”

He followed her up the stairs and through a winding passageway into a wide corridor which led, he thought, to the great hall where he had given his performance the night before. She turned instead into a narrow side corridor, and led Jemu down some low steps to a small door of heavy masonry, which she pushed open with some effort. They stepped through this door, and it closed behind them. Jemu saw that from the outside the door was invisible against the brick wall of Lor’s foundation. They had come through a little-known -- hence unguarded -- exit, and they were now outside, standing under a sky that was already beginning to glow in the east.

“Day is coming,” said the woman. “Hurry. Follow me.”

They walked quickly, but they did not run -- that would have aroused suspicion. And they did not look continually from side to side, and behind them, like pursued criminals. Instead, they were careful to keep their eyes focused on the road before them.

Near the outer limit of the city, they came to a complex of low, wooden buildings -- stables by the smell -- and the woman pulled Jemu through the open door of one of these buildings. Inside, an old man worked alone, brushing a horse. He came forward when he saw the woman.

“Ralla,” he said, smiling toothlessly. “So nice.”

“Gordo, I need horses. Two of them.”

Here Jemu, who had been quiet since leaving his prison, finally spoke. “Two horses?”

The woman named Ralla spoke to Jemu without looking at him. “Two horses. I’m going with you. He’ll find his dogs asleep, and he’ll know it was me. He’ll kill me.”

The old man leaned forward on the balls of his feet. He peered up at Jemu, and then looked back at Ralla. “You have trouble? What is wrong?”

“Gordo, you’ve been a friend for a long time. Please don’t ask me questions.”

The man nodded, and stepped back on his heels. “I know two horses I can lend you. Their master won’t miss ‘em for a while. But you send ‘em back, yeah?”

“Have I ever let you down?”

The man pointed to two geldings, one brown, the other spotted. “Those over there. I’ll get ‘em saddled up for you.”

“You’re wonderful.”

The man wagged his finger at her. “You just be sure you send ‘em back right away.”

Ralla kissed them man’s cheek, and he blushed.

And that is how, on the morning of his execution, with the rising sun casting tall shadows before him, Jemu found himself riding away from the city on a fast horse, beside a strange, dark-eyed woman who knew how to charm dogs to sleep.

* * *


They rode westward all morning, passing through wild lands dotted with occasional farms and villages, and encountering very few other travelers on their way. It was midday when Jemu noticed that the road was wider, better maintained, busier -- all signs that they were approaching the next city. Ralla led the way to the stables of a large farm, where she left the horses in the care of a young boy. She threw him a coin, saying, “Jakko, return these horses to your uncle Gordo for me, will you?” The boy caught the coin out of the air, and kissed it. Then Ralla led Jemu into the city on foot.

“I appreciate what you’ve done,” Jemu told her as they walked.

She glanced sidelong at him as they walked. “Don’t thank me -- you’re not free yet. They’re going to hunt you down. Both of us.”

“Well, I am thanking you. I was in a big mess back there.” He looked at her again, and saw the focused intent in her eyes, the frown that now replaced the smile of the night before. “What about you? What are you running from?”

She laughed sarcastically. “What am I running from? Let’s see, there are so many things -- barbarism, slavery, evil politics, a forced marriage…”

“You were getting married?”

“Within these three weeks, that’s right. Let’s see, where was I? -- a forced marriage, imprisonment, the complete loss of my power to a husband of Lor’s choosing…”

“So your father was forcing you to marry against your will?”

“Lor is my uncle, and yes, he was.”

“And your husband-to-be was…”

Is an evil man. And he will be looking for me.”

“So why stop to save me? Why not just save yourself?”

Ralla hesitated, then said, “I don’t know why, really, other than just being sick of my uncle and his cruelty. I saw your performance yesterday in the hall, and you seem to me a trickster and a petty, common thief. My uncle should have had you whipped, and stripped of your possessions, and then he should have let you go.”

Jemu raised his eyebrows at this. “Really?”

“It’s what you deserve. It’s what I would have done.”

“But you wouldn’t hang me.”

She shook her head. “That would be excessive, and more than you deserve.”

They walked on in silence for some time, and as they walked, a city sprang up around them, noisy and bustling. There were buildings three and four stories high rising up at the sides of the streets, their sagging balconies hanging precariously over the heads of passersby. Signs hanging over doors announced shoemakers and tailors and jewelers. Children ran with hoops and balls, merchants pulled donkeys, and women carried baskets on their shoulders.

Ralla stopped near the gate of a large open-air market. She stared at the ground for some seconds, and pursed her lips. Jemu opened his mouth to speak, but Ralla interrupted him. “If we stay in the city and try to hide in the crowd, we’ll be caught by the end of the week, I am certain of it. If we take to the road, we’ll be caught by nightfall. Either way we’re fools. I’ve been thinking about this all day.”

“There’s no hope, then,” said Jemu. “Maybe if we go our separate ways.”
She looked at him harshly, then shrugged. “Go your own way if you wish. But you should know this -- Lor has his fingers everywhere in Prog. Alone or together, the only hope for either of us is to leave Prog altogether. This is what I have been thinking all day.”

“Leave Prog?”

Ralla nodded. “We have to go north, to Sumtur. The king there does not tolerate corruption and shady politicking, which is how Lor operates. We’ll be safe there, and you can go your own way. You can change your name, make yourself a new life.”

Jemu laughed and waved his hand dismissively. “Sumtur is no place for a traveling entertainer.”

“It’s no place for a traveling thief, you’re right. Maybe you’ll find a more honest line of work.” Jemu heard the scorn in Ralla’s voice as she said this.

Jemu shook his head. “I think I’ll pass.”

She spun to face him. “So you’ll stay in Prog then, and you’ll be caught, and under torture you’ll tell them about my role in your escape and about my going to Sumtur. And you’ll beg for your life like a dog, but you’ll be killed anyway, and my friend Gordo and his young nephew will be killed right along with you. And that is how you plan to pay me back for saving your life?”

Jemu felt the shame rise, stinging and red-hot, to his cheeks. “So we go to Sumtur, then?”

Ralla smiled the tiniest smile. “And by the quickest, most direct way,” she said.

At the market, Jemu and Ralla bought preserved foods, tools, fishing gear, a small dry tent, weapons, blankets, canteens, a fire-starting kit -- in short, everything two travelers would need for a ten-day trek, on foot, through the wild -- for, as Ralla explained, the quickest, most direct way to Sumtur was through the mountains to the north. Jemu pointed out that the mountains were wild and unmapped, and that great, ferocious beasts roamed freely there -- or so he had heard. But Ralla said that this was not a problem, as they were less likely to be pursued in wild places. Besides, she told him, she had a certain way with beasts. Jemu knew this to be true, but he felt overwhelmed by her already, and did not want to ask her any questions about this just yet.

* * *


All that afternoon, Jemu and Ralla followed the trail that led from the grassy plain outside the city’s boundaries to the mountains in the north, and by nightfall they were already high in foothills, where they made their camp. They sat in the light of their campfire, Jemu selecting small stones and twigs and making them levitate, or disappear altogether, and Ralla laughing for the first time that day. And it was only then that Jemu found the courage to ask her, “What did you do to the dogs?”

“I put them to sleep,” said Ralla. “I didn’t hurt them.”

“How did you do it?”

“I spoke to them in a certain way. I commanded them to sleep.”

“But how did you know how to speak to them?”

Ralla shrugged. “I was born knowing. It’s a small magic, really, and it’s the only trick I know.”

“Can you make anything fall asleep?”

“Anything not human I can. Any animal.”

“Do they wake up?”

“Of course,” she said. “After a day or two, they wake up hungry and grouchy. Like I said before, it’s only a small magic.”

“But it’s real magic.”

Ralla nodded. “Yes. But I am not the only one with real magic. This is another thing you should understand, Jemu. The man I was to marry, he possesses a greater magic than mine.”

Jemu’s voice dropped to a whisper. “A wizard?”

Ralla nodded again. “This man, this wizard, he receives the perceptions of beasts telepathically -- land animals, you understand, not birds or fish -- and whatever things these animals taste and smell and hear and see and feel, this man also perceives from a distance. This makes him dangerous to us. He is also a shapeshifter.”

“A shapeshifter,” Jemus repeated, still speaking in a whisper.

“He can temporarily assume the shape of any animal that does not swim or fly.”

“He cannot fly?” asked Jemu. This thought gave him some small comfort, and he wanted to hear Ralla repeat it.

“No. There are wizards who can assume the form of birds, but they are his mortal enemies. The man I was to marry can take the shape of any beast that runs or crawls on land. But it’s difficult magic, and in animal form he tires and weakens quickly. But still, you see, he is a dangerous enemy.”

“And you think he will come for us?”

“He will look for us through the senses of animals. As for coming behind us, I think he might try.”

“Then why did you bring us here, where there are so many beasts to see us?”
Ralla shook her head. “Jemu, he is as likely to see us through the eyes of a city rat or a chicken in a wire cage as he likely to see us through the eyes of a bear or a mountain lion. And here, at least, we… I… can charm the animals that come near us.”

Jemu perked up, giddy for a second with the new realization. “And he can’t receive information through the senses of sleeping animals.”

“That’s correct, he can’t.”

Ralla asked Jemu to do more of his magician’s tricks, but Jemu’s heart wasn’t there, and he dropped the floating twigs, and the disappearing stones would not disappear, and Ralla laughed even harder than before. At last she began to yawn, and said they should probably try to sleep.

Then Ralla sang a song, low and sweet, in a foreign language which for all his travels Jemu could not identify. Ralla said her song was a night song whose magic would linger in the air until dawn. She slept peacefully then, but Jemu sat awake for a long time, listening for the sound of animals in the trees.

* * *


The next few days of their trek through the mountains were warm and humid. Ralla had shed her riding cloak by now, and instead she wore soft brown trousers and a white top that left her arms and shoulders bare. She carried her share of their provisions on her back, and Jemu saw that she stooped under the weight. He offered to shoulder her pack for a little while, but she refused.

The ground beneath them climbed steeply now, and Jemu and Ralla found they needed to stop and rest frequently. During one of these rest-stops, Ralla said that she thought they would be wise to move at a faster pace. She said that she detected something strange, a kind of watchful malevolence, in the animals that crossed her path. Hearing this, Jemu felt uneasy again.

Ralla laid her hand on his arm, gently. “We’ll do what we can do,” she said, “and we won’t worry about the rest. And soon you’ll be in the Sumtur capital, with your new name and your new identity and your old bag of tricks, performing for the king.”

Later, Jemu lay under the branches of a tall pine, with his arms folded behind his head, and there he fell into a fretful, shallow sleep. He woke to the twin sounds of water splashing and Ralla’s strange spell-casting. He stood, and followed the sounds to a shady stream where Ralla was bathing, and he watched her from the trees. With her dark hair unbound and falling over her shoulders, she looked more like the girl Jemu first saw seated on the cushion at the foot of Lor’s chair. He watched her body as she emerged from the water. She was very beautiful, but something was not quite right with the picture. She was too pale, and very listless. She stood for some seconds, limp as a rag doll, with her shoulders stooped and her head bent forward. Then she did a strange thing -- she lay down in the cool dark mud of the stream’s bank.

Jemu approached cautiously, and knelt in the mud beside her. He leaned over her and listened for the sound of breathing. “Ralla,” he said.

She opened her eyes at once and looked at him blankly. It was several seconds, he thought, before recognition dawned in her eyes. Then she sat up suddenly and covered herself with one arm as she reached for her clothes with the other.
“Are you feeling alright? Are you ill?”

“I’m fine,” she said. “Just a little warm is all.”

Jemu diverted his eyes while she fumbled for her clothes. She dressed quickly, oblivious to the water and mud which still clung to her skin. Then she jumped to her feet. “Let’s go,” she said.

“Are you sure you’re well?” Jemu asked.

“I’m fine.”

“Let me carry your pack.”

She shook her head fiercely. “No.”

They continued walking, following the trail higher into the mountains. But Ralla wasn’t fine, and soon they had to stop again. Her eyes were glossy, and her face was flushed. “I have to rest a while,” she said. “In a safe place.”

Jemu and Ralla found a cool, shallow cave concealed among the mountain’s many places of rock, and Ralla sang the sleeping song to any animals that might have lived within, while Jemu used the canvas of the tent to camouflage the crevice that was the entrance to the cave. Ralla lay on the floor, and Jemu put his hand to her forehead. “You have a fever,” he said.

Ralla clasped Jemu’s hand. “I know… I know a remedy for this,” she whispered. “You must go and find something for me. Dangar leaves, you know them? They look like… like weeds.”

Jemu nodded. “The prickly leaves, the dark ones. They grow in the brush.”

“Yes. You bring some here, and boil them, and I drink. Then we go… we go to Sumtur.”

“These leaves will make you well? Is this more magic?”

Ralla shook her head. “Not magic, just medicine. Bring them quick. We can’t… can’t waste time.”

Jemu nodded and turned to go, but Ralla grabbed his arm. “Don’t go far,” she said. “And avoid animals.”

Outside the concealed entrance of the cave, Jemu looked around. The land here was rocky and barren, and the few, sparse plants that grew here were not the plants he needed. Jemu had to walk some distance before finding a place trees grew and where the underbrush was thick, a place where he might find what he needed.
Off on his own, Jemu was especially aware of the sounds around him. He heard the rustling of small animals in the leaves around his feet, and in the branches of the trees above him. Ralla had told him to avoid animals, but he did not know how this would be possible. The trick was, he thought, to find the dangar leaves as quickly as possible, to bring the medicine to Ralla as soon as possible, and to get out of these cursed mountains and into Sumtur as fast as possible. There he would be free of this witch woman who, though beautiful, was only a woman of small magic, and really more trouble than she was worth.

As he rummaged through patches of weeds, scratching his arms and cutting his hands and cursing softly, Jemu became aware of another sound. It was a scraping and rustling sound, loud, heavy and ominous. Jemu looked up and saw, not far from the place where he crouched in the brush, a large black bear standing on its back legs and sniffing the air. Jemu put one hand on the ground and the other on the trunk of a tree, for balance, and he held his breath.

A good try, but unsuccessful. The bear saw him, and walking upright like a man, the bear approached. When the bear stood not ten paces from Jemu, he moved his head and stretched his back and haunches, and the contours of his body shifted, slightly at first, then more critically, until the bear appeared to be not a bear at all but…
Jemu gasped. Before him stood a great, hulking shape of a man, and Jemu knew it must be Ralla’s wizard. His hair was long and wild and gray, and his skin was brown and deeply creased like the trunk of a tree, and his eyes were filled with dark fire, and when he spoke his voice was like the roar of a lion. “Where is she?”

“Where is who?” said Jemu.

“The girl. Where is she?”

“Girl?”

“Don’t play dumb with me, little man. Where is the girl?”

Jemu stood up. “I don’t know. She left days ago, said something about going west, to Navron, I think it was.”

“I should kill you for lying.”

Jemu feigned brave indifference. He shrugged. “I don’t know where she is.”

“Listen. I could kill you right now. And I will, if you don’t lead me to her.”

Jemu hesitated before answering. “I… can’t help you.”

The wizard reached out his hand, which Jemu saw was now furred and clawed like the paw of a bear, and put it on Jemu’s neck, and began to squeeze. “Tell. Me. Where. She. Is.” Then he pushed Jemu away, letting him fall back into the brush, and said, “If you tell me now, I will let you go, free and unharmed. If you do not tell me now, I will kill you, and then I will find her anyway. Do not think that you can protect her.”

Jemu rose, stumbling, to his feet, his hands holding his neck. “You’ll let me go? You won’t hurt me?” he asked. His voice was hoarse and ragged.

The wizard put his hand -- now a human hand again, with long crooked fingers and long yellow nails -- on his heart. “I give my word as a wizard. But you must tell me now.”

“She is hiding from you.”

“Yes, fool, this much I know.”

Jemu took removed one hand from his neck, and pointed. “In a cave.”

“Where?” said the wizard. “Bring me to her.”

* * *


Jemu pushed aside the canvas cover of the cave opening, and peeked inside. Ralla sat up, and looked at Jemu with burning eyes. She spoke quickly and feverishly. “Jemu, I figured it out. He knows I’m up here, and he’s the one making me sick. He’s reaching out through the senses of the animals, and he detects a blank streak along the path we’ve followed. But he can’t pinpoint me precisely. And he must not. Here’s what we can do…”

Before she could say anymore, the wizard stepped forward and stood behind Jemu’s shoulder. “It’s too late, my dear,” he said.

Ralla looked from Jemu to the wizard, and back to Jemu. She wore a look of bewildered outrage on her face. “You betrayed me,” she told Jemu.

The wizard pushed Jemu out of the way, and entered the cave. “Now, Ralla, you must not be too hard on him,” he said, waving a long fingered hand dismissively. “He is only a small man, and his thoughts are small. He thinks of no more than getting away from here, free and unharmed -- that’s free of you, my dear, free to perform his charlatan’s tricks in the noble houses of Sumtur.”

Ralla stared at Jemu, and Jemu felt that she could flay him alive with that stare. The wizard put a long fingered hand under Ralla’s chin, and picked up her face so that she was looking at him. “I will return you to your home, and you will recover. We will be married as planned, and you will yield your power to me.”
She pulled her head from the wizard’s grip, and spit on his hand. The wizard wrinkled his nose slightly in disgust, and then took out a handkerchief and wiped his hand. “Very well, my dear,” he said to Ralla. “We’ll do it the easy way, or we’ll do it the hard way.” Then he raised his hand, and brought it down, hard, on the side of Ralla’s face. She shrank back, and began to sob.

Then he turned to Jemu, and there was contempt in his voice when he spoke. “You may go now, free and unharmed, as agreed.” He waved his hand again, dismissing Jemu. “Go and live your small man’s life.”

Jemu looked at Ralla, but her face was hidden, buried in her hands. He picked up his pack and threw it over his shoulder. Then he pulled open the canvas which covered the opening of the cave, looked back once more at Ralla, then turned away and stepped outside.

* * *


Jemu left Ralla with the wizard, and walked the trail alone.
The next day, the trail began its gradual descent into Sumtur. Now Jemu knew without a doubt that he was going to survive, that he would arrive safely in a land that was beyond the reach of his enemies, where he would perform his “magic” again. But he could not remember any time in his life when he felt more worthless or more ashamed. That is why, before the sun had reached its zenith, Jemu had turned around, and was heading south, back over the mountains, towards Prog.

Jemu moved quickly now, with purpose and decisiveness, and by nightfall he reached the small cave where he left Ralla. He was not surprised to find it vacated. He camped there, and in the morning he continued moving south.

He caught up with them late in the day, as he passed back over parts of the trail he remembered traveling with Ralla. Jemu heard the wizard’s voice while he was still some distance away. The wizard was admonishing Ralla for her stubbornness and her willfulness, telling her that soon her will would learn to bend, soon she would learn sacrifice and selfless contentment. Jemu was careful to remain concealed and quiet as he followed the voice.

He saw them, then, and he hid in the trees and he watched. Ralla sat on the ground, gagged and with her hands bound. From the lethargic way she held herself, it was obvious that the wizard had not removed the illness from her. The wizard commanded her to stand and walk on the trail, but she did not. He commanded her again, and still she did not. The wizard muttered some curses, then began to laugh softly. He wagged his finger at her and said, “Good. Very good you are. You can disable my magic like no animal can. I approve. I enjoy the fact that you are still strong, still magically strong in spite of your illness. I am pleased by this, because soon the power your possess will be added to mine, like a tributary flowing into a great river.” He laughed some more, and said, “So fight your best fight, my lovely bride. Show me all your power. I will carry you down this mountain the non-magical way, I will drag you by your hair if I must, and then we will settle matters.” Then he walked away from her, still laughing, and began setting up the tent.

Very quietly in the failing light of day, Jemu came out of hiding. Crouching, he approached Ralla, and pulled the gag out of her mouth. “I’m going to save you,” he whispered, “as you saved me.”

There was no emotion visible in Ralla’s face -- no surprise or fear or happiness or anger. There was only the fever shining in her eyes. Her voice was low and strained. “Make him shift. Animals are weak to me.”

“Shapeshift? How?”

Ralla shook her head slowly. “He won’t. He’s too smart. Only if his enemies come.”

“If his enemies come?”

“Bring the bird wizards. He will shift to fight them.”

Bird wizards? thought Jemu. “Ralla, you’re very ill. The fever is…”

“Listen,” she said. “Use your magic.”

“But I don’t have magic.”

The wizard, meanwhile, had finished setting up camp. He stood with his back to Ralla, surveying the tent which stood sagging and leaning under the rapidly darkening sky. “Go now,” Ralla told Jemu. “Put my gag back. Put it loose.”

Jemu did as she asked, putting the gag in so that she could spit it out when she wanted. Then he hid himself in the shadows among the trees, and thought. Ralla had once told him that the wizard could assume the shapes of animals that moved on land only, and that those other wizards who took the shapes of birds were his mortal enemies. If he wanted the wizard to shift into animal shape, he needed to bring those enemies now.

But how, he wondered. Use your magic, Ralla had said. Jemu thought about this. He didn’t have any real magic, he had only tricks and illusions. And then, all at once, he knew the answer.

* * *


The wizard was a wizard, fearsome and powerful, but at night he slept like other men. And on this night he slept in a small, sagging tent on the side of a mountain, vulnerable to his enemies.

In the moonlight outside the tent, Jemu worked his magic, as he did so many times before. And like so many times before, he did it not for its own sake, but with a ulterior purpose in his heart.

First there were sounds -- the deep-throated cawing of birds, and the flutter of great wings. Jemu watched the small tent for signs that someone inside -- someone large -- was stirring in his sleep, and waking up. Then came the visual illusions, played out against the moonlit canvas of the tent. There were the shadows of great, terrifying birds, whose shapes dissolved into the large, hulking shapes of men. The man-shapes bent their heads together, and whispered evil counsel among themselves, and then melted back into the horrid shapes of birds. Then the bird-shapes moved their heads and beaks and claws, and their shadows grew larger and more terrible as they approached the opening of the tent.

Jemu heard sounds of rustling and scraping inside the tent. He bent his head and listened, holding his breath. There was a loud growl and a ripping noise as the tent was torn open from the inside, and a large black bear walked out into the moonlight on his hind legs. Jemu’s magic had worked. The wizard had come to fight his enemies.

Later, and forever after, Jemu would doubt that the wizard realized his mistake that night. The singing of the strange incantation began before the bear had time to locate his enemies among the shadows. Ralla’s voice was still weak, still strained, but her song flooded the quiet night with magic. The bear dropped heavily to his knees, and fell forward, exactly as a man would fall.

When the song ended, Jemu went to Ralla and pulled her hands free from their bonds, and helped her to her feet. Her face was sweaty and dirty, and her eyes were rimmed with dark circles. But already she was cool to the touch, and her spirits were higher than they had been in many days. “Come and see,” she said, taking Jemu’s hand.

Ralla stooped over the body of the sleeping bear, and examined him closely. Then she began to walk in circles around him, chanting a new spell, and as she did so, the form of the sleeping bear dissolved into that of a sleeping man. Jemu was frightened, and stepped back.

“All is well,” said Ralla. “He is harmless. He will wake in a day or two, and he will be hungry and very angry.”

“And he’ll hunt in these mountains until he finds us. We should kill him.”

Ralla shook her head. “I don’t think so, Jemu. I have taken his powers, as he meant to take mine. He is a man without magic now. He will not find us.”

“You have taken his powers? Then you are…”

“A shapeshifter, yes,” Ralla said. “And I can perceive the world through the senses of animals. But I can’t fly or swim, I think. And I still have my own small magic. I still know the sleeping charm.”

“And will you still go to Sumtur?”

Ralla glanced down at the sleeping wizard, and shivered. “I will go without delay,” she said. “I will go into Sumtur like a storm.” And with that she blurred around the edges, and her form shifted, and she became a strong lioness with large, ferocious eyes. The eyes were not human, but Jemu thought he detected something familiar in them, and this familiar quality quieted his natural fear enough so that he could approach her.

And in the light of day, Ralla and Jemu rode like a storm into the Sumtur capital.

* * *


Diane Gallant has had stories published in Nova SF, Revelation, The Leading Edge, Dragons, Knights and Angels, and she has upcoming stories in MindFlights and Aoife's Kiss. She lives in Pennsylvania.

What do you think is the attraction of the fantasy genre?

I think that while Fantasy is set in unknown and magical lands, at the same time it speaks to beauty and the truth of the heart.

Haiku

Haiku
by Aurelio Rico Lopez III

Haiku



forest floor
a discarded matchbox
not much, but it’s home

* * *


Aurelio Rico Lopez III is a self-diagnosed scribble junkie from Iloilo City, Philippines. His poems have appeared in various venues such as Mythic Delirium, Star*Line, Sybil’s Garage, Down in the Cellar, Steel Moon Publishing, Tales From the Moonlit Path, Kaleidotrope, Electric Velocipede, Beyond Centauri, and The Shantytown Anomaly. He is also the author of the chapbooks JOLTS and SHOCKS (Sam’s Dot Publishing). You can reach him at thirdylopez2001@yahoo.com.

What inspires you to write and keep writing?

I write because I HAVE to. I have no say on the matter. Writing is in my blood.

A Few Abnormalities

A Few Abnormalities
by Michael A. Kechula

A Few Abnormalities


“Did you say you’re a Pacific mermaid?”

“Yes,” said the faint female voice on the phone.

“And I’m Spiderman,” Tom said. “I swear, you telemarketers will say anything to con people into buying something.”

“Telemarketers? I don’t know that word.”

“Then why’d you call me?”

“To hear your voice.”

“My voice? Who is this?” he asked.

“Shantakumari. I know you don’t remember me. It was so long ago that I held you in my arms during that awful night when you were so terribly delirious. I gave you warmth, tenderness.” Her voice broke. “And I gave you all the love within my being.”

“Listen, Shanta—uh—what’s your last name?”

“I have only one name…Shantakumari.”

“Whatever. I really appreciate the things you say you did for me. There’s no reason to cry. Would you do something for me right now?”

“Yes. Anything.”

“Hang up, then call 911. Can you remember that?”

“But I do not wish to speak to others,” she said. “I swam thousands of miles across the ocean to talk to you.”

“Well, we can talk later. But right now, I want you to call my friends at 911. Tell them exactly what you just told me. They’ll be so happy to hear from you. I’m going to hang up now. Have a nice evening.”

“Wait, Tom. Please tell me how to find where you live. I need to see you so badly.”

“How do you know my name?”

“Your name will be upon my lips until the moment I die.”

“Look, lady. I don’t know who you are, or what you really want. If you ever want to talk to me again, you better call my friends at 911.”

Hanging up before she could utter another word, Tom felt a tinge of sorrow for the deluded woman. He wondered what had pulverized her psyche and pushed her over the edge.

The phone woke Tom early the next morning.

“Mr. Tom Downs? This is Doctor Augustus Latimer. I’m with the University of California. I’m head of the Department of Oceanic Research. I understand you know a very unusual female named Shantakumari.”

“Oh, that dingbat. I never heard of her before last night. She called and said some very strange things. She seems to think she’s a mermaid. I figured she was having a major breakdown, or forgot to take her meds. So I told her to call 911. I figured if she told them what she told me, they’d send some guys with butterfly nets. Did she screw up and accidentally dial your number?”

“No. She did exactly what you told her. The 911 operator sent an ambulance to pick her up at the estuary in Long Beach. They took her to the university hospital. After a team of doctors examined her, the hospital contacted me. Mr. Downs, do you realize you’ve initiated a sequence of events that could get you a Nobel Prize?”

“You gotta be kidding.”

“I’d stake my scientific reputation on it. Can you meet me for lunch today at the faculty dining room to discuss this?”

Tom agreed.

During lunch, Latimer said, “Shantakumari is under observation and tight security at the university hospital. She tells quite a fascinating tale that involves you. She claims you two spent time together on Tuvalu, a Pacific island. She insists it happened fifty years ago, in 1943.”

“That’s baloney. I was never there, and neither was any other American. Tuvalu was a heavily fortified island held by the Japanese. What would I be doing on an enemy-controlled island? I was a pilot, not a foot soldier.”

“Yes, we learned that from the FBI. They e-mailed excerpts from your military records to our security department. We know while ferrying a fighter plane from Hawaii to New Guinea, your plane was hit by enemy flak. You crashed in the Pacific, and were declared missing in action. Sixty-seven days later, you showed up at an American Army base in New Guinea. Several hundred miles from where you crashed.”

“I remember when Japanese antiaircraft guns shot out my controls,” Tom said. “My plane caught fire, spun out of control, and went into a steep dive. Everything went black. The next thing I knew, I was in an Army hospital on New Guinea. Nobody ever found out how I got there.”

“Shantakumari told us she saw your plane plunge into the Pacific,” Latimer said. “She dove in. Pulled you out of the cockpit. Took you to Tuvalu. Hid you in the jungle so the Japanese couldn’t find you. She fed you things she scrounged from sunken warships. Nursed you back to health. You were together about sixty-seven days. Then she brought you to the Army base at New Guinea and slipped away before anybody spotted her.”

“She sure has one hell of a wild imagination.”

“Maybe so. But she has proof. She has your Army Air Force identification card and dog tags. Plus your flight plan and aeronautical charts. She’s had them since 1943.”

“Have you seen them?” Tom asked.

“Yes, I have.”

“This is hard to believe. How come I don’t remember any of this?”

“She claims she gave you a kelp potion to make you forget,” Latimer said. “She wasn’t sure if you could adjust to her culture. So, she took you to New Guinea, then disappeared. She said she’s been heartbroken ever since. Go see her. She really needs you.”

“Needs me? I’m seventy years old. Been divorced twice. I don’t want any women in my life. Especially one with mental problems.”

“She’s not mentally ill. She has some abnormalities, but not when it comes to her mind. We’ve tested her IQ. It’s off the charts. Her knowledge of Pacific marine life and vegetation are so incredible, we’ve offered her a job on our research staff. I think you’re extremely lucky that she’s come back to you. Do you realize how far she’s traveled to find you?”

“Tell her to go back.”

“Be reasonable,” Latimer said. “Go see her.”

“To do what? Talk about the good old days—a time of my life that’s completely blank? Frankly, I think she’s a con artist. I’m not sure what she really wants. Maybe she’s after my social security check.”

“Perhaps you’ll feel differently when I tell you about the birth mark she described to us. The one that’s way up inside your thigh. Would you like me to describe it?”

“Go ahead,” Tom said.

When Latimer accurately detailed that which only Tom’s parents and wives had ever seen, he figured something very spooky was going on. He decided to accompany Latimer to the hospital and confront Shanta-whoever.

When he went into the private room, she was lying under a sheet.

“Is that her?”

Latimer nodded.

“But she looks like she’s only eleven or twelve. What the hell’s going on?”

“My love,” she called. “It has been so long. Come…touch me.” Smiling, she lowered the sheet, exposing her naked body.

“Oh my God!” Tom yelled.

The next thing he knew, security guards were helping him from the floor.

“I swear by all that’s holy---I don’t know who this child is, nor have I ever done anything to her. I don’t care what she says.”

“I have not been a child for two-hundred years,” she said, spreading her arms for an embrace.

All his instincts screamed TABOO! Yet, he found himself unable to resist.

The touch of her briny lips jolted him. Suddenly, his head filled with images of Tuvalu’s dense, steamy jungle. And how tenderly she had held him, hand-fed him, sang siren melodies to him.

“I remember loving you madly,” Tom whispered.

“As you shall again,” she said, placing his hand on her stomach.

He felt something squirming, kicking. He raised both fists to smash whatever it was.

Guards restrained him. A needle slammed into his arm.

As everything grew dim, Latimer said, “Your implantation is a magnificent, biological breakthrough. You’ll surely win a Nobel Prize. Think of the millions you’ll make from books, lectures, movie contracts.”

Tom awakened to thunderous applause and hundreds of camera clicks.

“The President of the United States is on the phone,” Latimer said, passing his cell phone.

“Congratulations, Mr. Downs!” said the President. “America’s proud of you. We’d love to have you and your lovely family for dinner at the White House. Just between us, how does it feel to be seventy and father of a hundred and fifty?”

* * *


Michael A. Kechula is a retired tech writer. His fiction has won first place in seven contests and second and third place in four others. He's also won Editor’s Choice awards four times. His stories have been published by 106 magazines and anthologies in Australia, Canada, England, and US. He’s authored a book of flash and micro-fiction stories: “A Full Deck of Zombies--61 Speculative Fiction Tales.” eBook available at Books for a Buck and Fiction Wise. Paperback available at Amazon.com.

What inspires you to write and keep writing?

I've been writing fiction only six years. Prior to that, I made my living as a professional writer of self-study textbooks and task-oriented instructional manuals for industry. By switching to fiction, I've found new outlets for my unquenchable urge to write. Frankly what inspires me to keep on going is the fact that I've been able to get an average of 1.7 stories accepted per week for thirty-seven months straight. During that time, my work has been accepted by ninety-four print and online magazines and anthologies in England, Canada, Australia, and US. With that kind of success and continuous reinforcement, the impetus to write even more is quite powerful. If my fortunes were suddenly reversed, and my work was constantly rejected, I'd write anyway. Perhaps it's a compulsion. But it's the o ne of the most rewarding compulsions anybody could hope for.

Sleepwalking with the Inner Tides

Sleepwalking with the Inner Tides
by Kristine Ong Muslim

Sleepwalking with the Inner Tides


This was where she became
one with the earth.
She watched dark hair grow
across her pale skin.
The tiny blue flowers
on her red hair fell
to the ground where the moon
could shine down on them
until they wilted.
Sweat made her skin shimmer
in a ghostly yellow sheen.
How graceful the pain was
of her becoming.
She strained to accommodate
her slowly-forming hooves
and screamed until she was fully
transformed.

* * *


First appeared in Dreams & Nightmares #69, September 2004.

* * *


More than 500 of Kristine Ong Muslim’s poems and stories have appeared or are forthcoming in over 200 publications worldwide. Her work has appeared in Aoife's Kiss, Cemetery Moon, Down in the Cellar, Kaleidotrope, Labyrinth Inhabitant Magazine, OG’s Speculative Fiction, and Tales of the Talisman. She is a two-time winner of Sam’s Dot Publishing’s James Award for genre poetry. Her publication history can be found here.

What inspires you to write and keep writing?
The rejection slips.

What do you think is the most important part of a
fantasy story?


The setting.

What advice do you have for other fantasy writers?

Read the entire Dune series!

Sense of Blood

SENSE OF BLOOD
by Gerri Leen

Sense


It begins. The fever rises inside of you, burning you up with a fire that tortures, but does not destroy. You are hungry because you have gone too long without feeding, focused only on finding him.

You search the shadows. He is not anywhere near; he is never close, even if you can feel him in your mind, in your heart, in your soul--or whatever is left of it. Where is he? You wait, tasting the darkness, and then you smile in victory as you sense his presence--there.


There is nowhere to go. Nowhere to run. He knows that, and yet he cannot make himself stop and just wait for her. So he runs and he tries to hide in plain sight, blending in with the humans, stealing blood in ways that do not involve the ripping of throats.

He sniffs the air, gets no sense of her, but knows she is out there again, waiting for him. He turns and goes the other way. He's not anxious to run into her. She terrifies him. Her hunger is so deep, so dark. She is his kind, yet the very thought of touching her makes him feel ill. Her beauty is a drug that he nearly drowned in. He cannot risk that oblivion again.

He is nearby. You can feel it, can feel him. Why doesn't he come to you? His rejection makes you angry--and hungrier than before. You take a break from the search, send out a call; a nearby human answers it. "Yes," you purr to his mind, to his most deeply held fantasies. "Come to me." He does. It is the last thing he will ever do.

He feels it when she kills. He always does. This time she is angry enough to tear her victim apart. She is thinking of him while she does it. Desire and rage, boiling and intertwined. He is afraid of her; he is more afraid of himself. Because he wants her, because he wants to go to her.

Because he is afraid that if he goes to her, he will become just like her.

He walks a little faster. Pulls his coat around him, it brings only imagined comfort; he does not feel the cold. Her laughter rings in his brain, echoes for too long. He leans into the wind, praying for rain to wash him clean. Or he would pray, if he thought there was a God left who would listen to him. But he is afraid that nothing will hear him. Nothing but her, if he is not careful. And maybe even if he is.

It is easier to think now. The human's blood rushes through your body. You throw your head back and savor the power. Nothing else can give this surge of energy, of excitement. Although the thought of touching the one you seek comes close.

You sense him again, farther away this time. He tries to put distance between you, but there is no way he can hide from you completely for he is made from you: your blood courses in his veins. He can no more hide from you than a wave can hide from the ocean. But you know he will try.


She is stronger. He feels a thrill of fear and fights the urge to run. He must maintain some composure. She wants him to be afraid. She wants him to run. He knows that if he gives in to his terror, he will revert to relying on his instincts. And his instincts will almost certainly take him to her. For his blood was hers, and even now he can feel it calling out to return to its source. But he fights the urge and keeps walking deeper into the city. He will hide himself among the prey.

He laughs at the thought. He is like a lion hiding itself among the wildebeest. Expecting his mate not to spot him. Cowering as the angry lioness, teeth bared, claws ready to scratch and kill, approaches. He pictures her this way. It is not difficult. He carries her image with him forever. Her image after the kill. After she killed him. No, not after him. After she killed his bride.

You scowl as you remember how you made this boy that ran away from you and refuses to come back. He has no right to elude you, to seek to turn from the gift you offered. He is changed now. He is eternal. He should love you. He wants to love you; you can feel that, have felt that ever since you killed him. And yet he runs. Because of her.

He is overwhelmed with his memories. Turns into an alley and crouches beside a dumpster as he begins to tremble. He has no trouble recalling the moment. It was a time etched in sunlight that turned dim with blood. She was there. Not the creature he runs from, but the other one, the good one--Daniella, his first and only love. He can smell the coppery tang of her blood flowing down her throat, feel the sticky warmth of it as it ruined her lace veil and created a field of red poppies on her lily-white dress. They only sought a moment away from the happy crowd, a minute to enjoy touching each other. The empty hallway was the perfect place. The music from the reception faded as he kissed his new wife.

She was beautiful, the woman your boy still worships in his memories. Glowing with love even in the shadowed alcove where she and her groom took refuge. It was their passion that drew you to them, the scent of arousal, the thump-thump-thump of healthy hearts beating faster with love. You saw her and wanted to destroy. You saw him and wanted to possess.

The creature came out of nowhere, fangs and ripping nails turning Daniella into something of blood and pain. He tried to stop her, but she knocked him away as if he was nothing more than a child. He rushed her again, and she clubbed him into the wall, leaving him to slide down it stunned. He could only watch as she drank from his bride, drank most of Daniella's life away and then let her drop to the floor. He crawled to her, could do nothing as the last of her blood drained away on the dress she had worn with such pride, such delight.

He forced himself to stand, a roar of pain on his lips but silenced all too quickly by the creature's teeth in his throat. The pain was worse than anything he had ever imagined. He felt sick, began to heave up champagne and cake. She held him away from her as he vomited away his life--the life he should have shared with Daniella. The heaves gave way to darkness, as his heart tried to move blood that was no longer in his body. She ripped open the vein in her own neck and pulled him to the wound.

He was stubborn, this boy of yours. Maybe you should have paid attention that day, should have let him die instead of giving him the gift he refused to take. You have made many over the years, but none have resisted you as this one did. It was exciting. It still is.

He didn't want to drink. He remembers that very clearly. He did not want to drink. But he did, finally. Slurped greedily as the creature's blood, and his wife's, poured into him. He felt strength grow in him. Felt something else form, too: a bond with the monster that was giving birth to him. His blood pulsed in time with her own. She laughed and pulled him away from the people who had been his family and friends, until she stopped in an alley five blocks from the club, where they had fevered sex over and over. The last time, as he reached out to take her again, trying to slake an unbearable thirst, his mind suddenly flashed to Daniella's body. He saw her, white and crimson as she lay in the cold hall. It made the thirst recede; it made his lust die. As his monstrous new lover reached out for him, he pushed her away and ran. He has been running ever since.

You growl in resigned fury. He has disappeared again. For the moment, he is out of your reach. His mind calls to you, but the human throng he has surrounded himself with is too distracting. You cannot find him, have no idea which direction he has gone. You will seek him all night then hide again when the sun comes out to threaten you. At the next dark, you both will resume this game, the cat-and-mouse hunt that this boy insists on. You are almost glad he ran. The challenge of finding him entertains you. He is the first of your children to reject you, the only one to really hold your interest. He gives your life purpose. And that is the one thing you thought you would never have again.

In a basement storeroom, safe from the rising sun, he attempts to sleep. Tries to purge from his mind the picture of torn flesh and blood on white lace. He succeeds, only to have another image overwhelm him: one of wine-red lips and soft, cold skin trembling under his hands. He curls up and gives in to the image of the lover who chases him, the killer who will never let him go. He feels her answering laughter from far away--from wherever she has bedded down to wait out the daylight--as she, too, remembers the way their bodies joined. He moans in agony...and in pleasure. In the evening, he will run from her. But as morning breaks in bright colors he can no longer bear to look at, he surrenders.

Come evening, he will be strong again. But for now, he drowns.

* * *


Gerri Leen has fiction appearing in the Desolate Places and Sails & Sorcery anthologies, Renard's Menagerie, Fusion Fragment, and GlassFire, and stories accepted by the Triangulation: Taking Flight anthology, the Sub-Atomic Rock & Roll anthology, the Ruins Metropolis anthology, and others. A complete list of her published and accepted works is available at her website: http://www.gerrileen.com.

What advice do you have for other fantasy writers?

Keep trying new things, working to get better. You can read all the
writing books you want--and some of them are great--but the only way to improve is to keep doing it. Read lots of fantasy so you know what's out there and make sure you have some first readers who can tell you if things work and find all those pesky typos and grammar issues. And most importantly, keep your work circulating. Just because one editor doesn't find it to their taste doesn't mean another won't. Stories don't sell if they're only sitting on your hard drive--keep them out there.

The Hunt

The Hunt
by Roxanne Hoffman

The Hunt


We trudged up the steep hill,
beating a path beneath us with our feet,
kicking up loose rocks and
the dry dust whirling all around us,
trying not to look back down
at the village bustling below,
less real with every step
like a faraway fairyland
disappearing into the mist.
We searched and searched,
peering into every cave and
stirring every hallow we passed,
the brush whipping against
our bare arms and legs,
sometime slicing our hands
as we pushed it away
to keep it from scraping our faces.
Without mind to thorn and thistle,
we kept plodding on
until the brush opened up
into a bright sunlit clearing, a meadow,
filled with billowing Queen Anne's Lace.
A wave of blue bells beckoned us in the breeze,
as a lone lark, atop a thistle, sang its lilting melody.
By then exhausted,
we tumbled down, one by one,
landing on the soft fragrant beds of clover,
the sweet dew-drenched grass kissing our faces.

I found myself kneeling,
clutching a single blade of grass,
as if in prayer,
grateful and guilty
that we hadn't found him.
Then I saw the sun begin to set,
its color changing from yellow to orange to red,
growing rounder and larger as it sank,
and remembering just how faraway we were
from home and the safety of our beds,
I shouted a warning cry.
Quickly, we scrambled to our feet,
our faces already tinged red by the setting sun,
our shadows trailing behind us like guideposts,
as we started the slow descent
back down the hill
after the sun
always one step behind
never quite catching up.
You see,
Time was on his side,
and the Nighttime, his playtime,
and we were his toys.

* * *


Roxanne Hoffman, a former Wall Street banker, now
works nights answering a patient hotline for a major
home health care provider in New York. Her poems have
recently appeared in Amaze: The Cinquain Journal,
Champagne Shivers, MÖBIUS The Poetry Magazine,
Clockwise Cat and the Canadian journal Inscribed.
Still trying to reconcile writing poetry and making
money, she curates Poets Wear Prada, a website
designed to promote poets, their readings and their
poetry (http://poetswearprada.home.att.net); she owns
a small press by the same name.

What inspires you to write and keep writing?

As a child, reading and listening to stories and
poems. I love to open a book and be taken to a
totally different time and place. And to see it
through someone else's eyes, becoming them for a
while, and still living with them, within my mind, in
that place and time even after I close the book. As
an adult, the reaction readers and listeners have to
my words encourages me to keep on writing and to want
to participate in that wonderful tradition of
storytelling as part of my daily life.

Pegasus and the Princess

Pegasus and the Princess
by Fariel Shafee

Pegasus and the Princess


* * *


The artist, Fariel Shafee, is trained as a physicist but enjoys writing and art in her spare time. Her writing has been accepted by Martian Wave, Flutter, Static Movement, Interpoetry, Ygdrasil, Worlds Within, Blood Moon Rising, Sinister Tales, etc. and some of the publications featuring her art are Mary, Retort and Flashquake.

What do you think is the attraction of the fantasy genre?

It is our fantastic imaginations that inspire us to weave the reality of tomorrow.

Core on a Cord

Core on a Cord
by Karen Aschenbrenner

Core on a Cord


Don't pull the string.

El had given the Maun Tains the entire planet to whisk about on, a solid playground devoid of seas or winds or anything cool. El had given them Saun to greet them every morn, and two friendly maidens flying into their skies by night, guided to their waiting thrones by the strings that ran from earth up, up into the universe around it, the universe that was their playground.

The Maun Tains never lacked for company, or for food, or for a future worth knowing about. They knew what they would grow to be. There was just the one command.

Don't pull the string.

It was an easy enough command to remember, and they all tried their best to heed it, but there's something about the thrill one gets when doing the undoable. There were seven Maun Tains in those parts, lounging around the lush jungle environment, waiting. Waiting to grow, waiting to take their places as guardians of the earth. There's always been a lot of waiting going about.

They were young yet, not wide enough or rocky enough to grip onto anything for long and too impatient to stand still. They wanted to play, kicking and fetching and throwing through the tree lines, but they had nothing to kick or fetch or throw.

They looked up above them and saw the two big bright orbs that guarded their nights with white and pink and orange hues dancing across darkened skies beaming down at them. Lunalei and Le'lune. The two laughing women called down to them eagerly, We want to play, too. Pull us down, then.

“We're not supposed to touch the string,” the youngest Maun Tain, Roqi, reminded the eldest, Haemajua. Haemajua was pretty, pallid in her grey hues with purples and hints of something deeper, shadows that hid in the dark places and came out only when coaxed. She looked to Cascaid, who was perched beside her, for advice.

“Pull one down, but not both,” he suggested, “That way, we'll still be half-listening.”

“We only need one anyway,” added Altae. Tienchien silently nodded beside him.

“We're not supposed to,” Roqi repeated, the urgency in his voice coming out wheedling, like a whine. For all his wisdom, he sounded like a kiss-up and they all told him so. His supple brown skin hadn't yet lost their baby ripples, streaks of orange and red sunstrokes. His developing strides lacked coordination and he loped behind the last of them.

“Maybe we shouldn't,” Andai added, sidling over to Roqi's side. “There are other games we can play. We could dance and they could sing to us. That's always great fun.” Andai had moisture oozing out of all her pores, a walking forest of tears. Of secrets. She glistened gemstone green and cocoa.

They came upon the place where the two orb strings trickled down. The strings were of intricate weave, made of fine beads and spider's silk, detailed to make a story of the patterns, thin as could be. One was twined white and silver with star beams, the other glowed lavender and butter yellow, etched with the imprints of every other planet, connecting this one to them. The two strings swayed parallel to each other in a circular clearing amidst the sharp, sweet-smelling and bright jungle fauna and flora. Light streamed down, illuminating them.

“Which one shall we pick?” queried Cilmainhcarlo. He stayed off to the side, separate from the half-circle. A loner by trade--he was the leader among them, for all his height and strength--he slid back into the canopy, contemplating.

“Le'Lune,” several Maun Tains suggested at once.

“She's got the best stories.”

“Sees so much more, you know?”

“Yes, stars can only sing so much. But planets--I'm excited to be a part of this one, to watch it rise up and greet me.”

“Le'Lune's quite pretty, too…not that I'm looking, of course.” This last, delivered by a flustered Cascaid, prompted a punch from Tienchien.

“I'm not doing this alone,” Haemajua informed them. Her older age made her the only one with base roots to plunge into the earth and use as she pulled, but all the roots on Pan Gea weren't going to help her because she was shaking so much from hesitation and nerves.

“I'll do it,” Cilmainhcarlo finally offered, stepping up in front of them all and pushing Haemajua to the side. Haemajua was relieved and didn't second-guess herself as she fell back beside Altai.

“I'll help,” Cascaid volunteered, stepping up beside him.

They both gripped a side of the more colorful string, brushing against the fine weave tenderly. With only a thought, the string straightened itself.
They pulled it.

Nothing seemed to happen. The seven Maun Tains looked at the Maun Tains to the left and right of themselves. If there wasn't anyone beside them, they looked at the ground. Then they looked at the sky where everything was vast and dark and Lunalei stuck out like a melancholic but steadfast beacon all on her own. Then they looked down to the floor, brushing aside dead twigs and fallen leaves. They scanned the wild periphery. Then they glanced at each other suspiciously.

They heard the thumping of running paws on the forest bed and the rustle of brush being pushed aside, the movement getting closer and closer to where they gathered together, clinging to each other. They thought they were alone.

A giant lion pounced into the clearing, sitting daintily in front of them all, looking up at them through regal dark eyes, surveying. The mane, which should have, for all practical purposes, been tangled and matted with torn-out twigs that ripped off their branches during his wild run, fell like swaying crabgrass that brushes back and forth in one fluid, unified motion.

They all knew what a lion was though they'd not seen one before. They'd memorized every type of being that made a planet what it was, just by piecing together Le'lune's stories of more developed planets, and by asking El during a talkative mood swing.

They'd never seen any animals, actually, as they were of Earth, the last place To Be. The final touches. When they grew to their fullest height, they'd dig their roots into the soil basin of their choosing and not move again. The trees had already settled in, and the rocks, and the sky. When they did, Pan Gea would be complete, and the animals would come, and the humans, too. And one couldn't ask for more.

“Why'd you do that?” El asked, brows furrowed, right paw scratching up past the mane's rim--an empty comfort as the mind whirled around problems that couldn't be fixed. “I told you not to pull the string. You could do anything else. Well, nearly anything else. I was so clear.”

“You were quite clear,” Roqi admitted. “But I was rather outnumbered.”

El cocked his head to the left, his version of raising an eyebrow. “A problem does not form with an excuse.”

“We were playing. It's that simple,”

“It was simple. Now, it's complicated,” El sighed, pacing, tail switching to and fro. His overzealous tail wagged as he pivoted about and bopped his nose with the fur tassel. He sneezed. “In future, remind me to pick a different form.”

“We don't even remember who pulled the string,” Cascaid realized as he searched his mind, looking around at his friends who were all mirroring his vacant expression. He was, in fact, still holding onto the string, which had fallen from the sky and was drooping on the ground in a swirl. Maun Tains were creatures of far-spanning thought and memory. They weren't great shakes at the short-term.

As they stood in thought, they heard another rustling in the trees, a padded hopping sound. They saw a lavender whirl arch over the lion then bounce off into the surrounding trees.

Andai and Tienchan ran off after the laughing bright orb, chasing it out of the jungle and over the rock wall and across the flat plains of Pan Gea as it bounced just out of grasp, mocking. They thought if they could bring it back everything would be alright.

Panting, drained but triumphant, they resurfaced seven hours later. Lunalei had long since tired of waiting around and had taken leave of her attachment, drifting off to better hear the symphony of the stars. A near-lifeless orb was tied by the very forbidden string she'd been linked to and was dragged between them.

They quickly freed Le'Lune of her bonds and waved and cheered her back into the sky as she bounced up, up, and out of sight.

El stopped his pacing, straightened, and turned to face them all.

“Not good enough.”

The Maun Tains stood in a huddle and searched each other's faces, trying to gauge how to respond. The darkening sky was temporarily devoid of the last of its glow. El walked off, leaving them there alone, but they could still hear his voice resonating through the foliage, “Now things will change.”

The seven of them stayed rooted to their spots, now all in a line, as their home, Pan Gea, fell out before them in parallel looping lines. Mud and then the sand that trickled off of it sifted, then fell away, leaving web-patterned abysses. They all stared downward, unmoving, unfeeling, as their world literally crashed around them.

In these new crevices, subterranean wells sprang up with aquatic vegetation and activity, bubbling its greeting, sliding out before them in what became downstream. Seven rivers. The identical waterways glided off, twisting and turning, looping, spinning off past the horizon's marker, sectioning the land between into seven sections, each starting to drift off on its own will the moment the connection between them broke.

“Do you see the point where you can see no more?” El asked them from a distance.

They all nodded. None saw it. But they figured if they couldn't see it that was a good thing.

“Race towards it. Don't stop moving. Some of you might fall, but those who don't, continue. Leave your friends. Those of you who fall, do not cry out or plead for help. Pick yourselves up, any way you can. Search high, but also look low. It is in the depths one usually finds direction. You are no longer seven but one.”

Maun Tains were gleeful beings, wise and strong. Not easily swayed to do much of anything they didn't want to do, and since they only did want what they already knew, they didn't end up doing anything at all. This time, though, they moved. They moved with a fire they'd never known that started from under their feet, bubbling up and up. The faster they ran, the cooler they felt. Those who couldn't move far were consumed by the flames and exploded, flinging bits of themselves about every which way, and little Maun Tain essences wriggled into existence around them, keeping them company in the spot where they fell, in the spot they anchored to, forever and ever, amen.

El watched the goings-on and marked them. He saw Haemajua and Tienchien, growing taller, wider, as they fled east while Roqi and Andai fled west. Cilmainhcarlo went off on his own, the picture of head-to-toe control, unwavering. He went on his own time, picked a spot, and rooted there. He didn't want for company. He, and he alone, felt true guilt over what had occurred. He remembered, after it all, who had pulled that string. To him, and him alone, was gifted the promise of redemption, dangling way up by his highest peak. Just out of reach. Cruelly tantalizing.

Roqi was young. He was slowest, but steadiest, and persisted long after Andai wearily fell away in the comforts of a jungle, stretching herself out, out, shooting out steam all along the way and leaving a trail of herself until it was naught but memory.

Roqi stopped before his breath was gone because he realized the heat welling up under him wasn't consuming him but rather was a part of him now. He controlled his temper in a way some of the older Maun Tains never would be able to. Whirled about a bit, like a dog pacing out his circle. Seven times he rotated, then sank down.

With Pan Gea sectioned off and severed forever, the spirit that guarded its hearth was released from the bowels of the earth and she was flung helpless into the midst of the storm.

With creation's acceleration, the earth kept aging and aging, hundreds of years flying by in a millisecond. Young trees sprang up and wilted before they could ever reach up off the ground and flowers stagnated, not even bothering to flower. The waters whirled about, their female guardians screaming out in their dizzying agony like sirens. The embodiment of the earth, a beautiful, supernatural woman with flowing waves of silken coal and skin darkened to a rich berry, holding all the free-falling sunlight in its pores, sped about. Gea, she was called, and it was a gravity her dark waves grayed and fell out, her beauty waned before it fully waxed on.

A snake-like being with golden fur and wide green eyes twirled about her leg, and when she finally fell in the heart of Briatan, her body stuck straight up in the grass, hands stretching up to touch the sky, and turned to stone...but not before the snake-like entity had slid off, free of continuous, disorienting motion at last.

He traveled to the realm Cilmainhcarlo had claimed guardianship of. He came up to Cilmainhcarlo's feet and hailed his greeting.

“I am Sss'pan,” he introduced himself, arching his long, long neck up, up, until he was eye-level with Cilmainhcarlo's peak. “I put the Pan in Pan Gea, but that didn't quite pan out now, did it? No matter. This is far better than lounging about in the core with that woman's honeyed voice singing, singing endlessly about nauseating things like sundrops and moondrops and teardrops. I wanted to drop, you know, from the exhaustion of it all Wonder why I'm so tall? I'd stretch myself so I could hear you-all playing and carrying on. Thanks for the golden ticket that got me up here.'

'You're not looking too good now, mate, by the way. Showing age, you know. Burdened by cares. Me, I'll never age--I doubt it. Secret to longevity, of course, is--Drum roll. Cue the spotlights. Back-up dancers. Secret is, don't care. Don't attach yourself to anyone else, don't expect anything. Just hitch a ride and see where it goes.”

“You are dangerous and I'll have nothing to do with you.”

“Nah. I'm misunderstood. Maybe I'm even, dare I say it? Completely right. I'll leave you to sit on it for a while, ha ha.”

Sss'pan traveled far before finding a place to settle down into. Found a place located in the center of everything, the exact same distance away from the furthest Maun Tains both east and west. Mecca of the earth, dubbed Mesha, the very sprawling plane Roqi had settled himself and his smallest seedlings into.

Sss'pan would go out of his way every once in a while to torment the other Maun Tains, but once the first of the humans emerged, he found them much easier to sway…and they were far less volatile.

The Maun Tains, meanwhile, could no longer converse amongst themselves. For all that they loathed Pan's taunts, his visits broke the monotonous thought process, what did we do? Why are we here? How can we fix this? while each called out from his or her core for help.

The wind parted into oxygen and carbon dioxide. The foliage multiplied and transformed. What had once been a four-foot and thick brown basin holding down Saun's flowers shrank to wiry and fragile. Suddenly there were rivers, not streams, then lakes, then oceans. There were fish swimming about, and the bubbles they exhaled floated up to the surface and out, grew wings, and started flying about, searching out blood. There were reptiles emerging out of the waters. Some basked in the sandy shores they landed upon while others flopped about, wanting more, and they grew feet and walked off. Some went south and developed a loping swagger because the sand was so hot while others went north and their skin thickened, hardening from the cold. They were all fighting with each other for territory. Some species died out right where they'd come into being moments later.

Some animals burst out of their furry skins so that only the topmost part couldn't break free. They bent down and grabbed at the grass, at the rocks laying about. They flung the rocks at other animals and watched them fall. They lugged those carcasses away and dug into the earth, slipping into it, into its mountain crevices and its basins. They ate what they had caught and saved what they could not eat, burying it like treasure, like offerings. They peeked out from their hiding and saw the world around them. Thought of how they could manipulate it. With those first thoughts, they changed, but animals they ever remained.

One thought remained the same: things could not go on this way.

El jaunted up to Roqi's midpoint and looked up at him. He had taken on the form of those walking, talking animals. He found it more comfortable, flexible, but vulnerable. He looked about him and told Roqi he would be brief.

El drew a circle on the ground, partitioning it into sections. Blessed a nearby tree and broke off a branch. Used the stick to point to different sections. When this section lit up, this would happen. When that one did, that would happen.

“How will anything light again?” Roqi wondered despairingly.

“I have spoken with Saun. She will return, and soon. She will not linger or be anchored, but will come and go as she pleases. However, Saun will always shine upon you, because you spoke true,” El promised, “and though you failed, you hesitated. Hesitation doesn't help, but it is a snag that doesn't ease the wrong path along. I will remember that.”

“Where did Le'Lune go? Is she lost?” Roqi couldn't get the sky's overshadowing darkness out of his mind. Saun would come back and everything would seem ordinary, he thought. But nothing would never be ordinary again, not until a new ordinary came about.

“Le'Lune will come back, when she is called. She will not be welcome.”

Roqi thought it best not to voice his confusion. He was, after all, used to being confused.

“Though you are youngest, you know the ancient beat. If you lose it, this world, too, will be lost,” El told him, and it was so.

Roqi looked at the shadow arching over the day. It was dark, indeed. He hadn't previously known what light was, so he had not mourned its absence. Now, he saw.

The string had been pulled.

* * *


Karen Aschenbrenner is a graduate fellow at University of Wisconsin-Milwaukee studying healing in writing. She spends her free time doing rune readings, oil-painting, and searching for a home for her first novel, a farcical fantasy.

What do you think is the most important part of a fantasy story?

Responsibility enriches action which inevitably enhances the product. Responsible fantasy is a lot of things to a lot of people. Some fantasy writers say fantasy is like every other genre. The story floats or fails on the quality of the characters and narrative arc. Some push this further and say that if a story can be accomplished without the fantasy element, it should not be a fantasy. Fantasy should blur the lines between good and evil, perception and reality, and remove the world we know so that we can better see reality through a different lens. Personally, I think responsible fantasy world-building mirrors the pre-modern narrative, favoring the oral traditions and mythopoeia the creation of twentieth century fantasy drew from. The strength of the work is in the eyes of the reader and what the reader’s imagination does with the story. Fully-fleshed-out characters, plot progression, and universalism fall below the world the prose creates. The responsible fantasy writer knows he/she is not writing for his/her self but is providing the framework for readers’ constructions. The more one learns, thinks and reads, the sturdier the structure one can make.